"What'll we go as? I don't like it when you're a whore."
"We'll be street orphans." Though that had its risks, too. We could get caught by a press gang and forced into Mogaba's army. His soldiers, these days, are little better than slaves, subject to a savage discipline. Many are petty criminals given an option of rough justice or enlistment. The rest are children of poverty with nowhere else to go. Which was the standard of professional armies men like Murgen saw in the far north, long before my time.
"Why do you worry so much about disguises?"
"If we never show the same face twice, our enemies can't possibly know who they're looking for. Don't ever underestimate them. Especially not the Protector. She's outwitted death itself more than once."
Tobo was not prepared to believe that or much else of our exotic history. Though not as bad as most, he was going through that stage where he knew everything worth knowing and nothing his elders said—particularly if it bore any vaguely educational hue—was worth hearing. He could not help that. It went with the age.
And I was my age and could not help saying things I knew would do no good. "It's in the Annals. Your father and the Captain didn't make up stories."
He did not want to believe that, either. I did not pursue it. Each of us must learn to respect the Annals in our own way, in our own time. The Company's diminished circumstance makes it difficult for anyone to grasp tradition. Only two Old Crew brothers both survived Soulcatcher's trap on the stone plain and the Kiaulune wars afterward. Goblin and One-Eye are haplessly inept at transmitting the Company mystique. One-Eye is too lazy and Goblin too inarticulate. And I was still practically an apprentice when the Old Crew ventured onto the plain in the Captain's quest for Khatovar. Which he did not find. Not the Khatovar he was looking for, anyway.
I am amazed. Before long I will be a twenty-year veteran. I was barely fourteen when Bucket took me under his wing... But I was never like Tobo. At fourteen I was already ancient in pain. For years after Bucket rescued me, I grew younger... "What?"
"I asked why you look so angry all of a sudden."
"I was remembering when I was fourteen."
"Girls have it so easy—" He shut up. His face drained. His northern ancestry became apparent. He was an arrogant and spoiled little puke but he did have brains enough to recognize it when he stepped into a nest of poisonous snakes.
I told him what he knew, not what he did not. "When I was fourteen, the Company and Nyueng Bao were trapped in Jaicur. Dejagore, they call it here." The rest does not matter anymore. The rest is safely in the past. "I almost never have nightmares now."
Tobo had heard more than he ever wanted to about Jaicur already. His mother and grandmother and Uncle Doj had been there, too.
"Goblin says we'll be impressed by these buttons," Tobo whispered. "They won't just make spooky lights, they'll prick somebody's conscience."
"That'll be unusual." Conscience was a rare commodity on either side of our dispute.
"You really knew my dad?" Tobo had heard stories all his life but lately wanted to know more. Murgen had begun to matter in a more than lip-service fashion.
I told him what I had told him before. "He was my boss. He taught me to read and write. He was a good man." I laughed weakly. "As good a man as belonging to the Black Company let him be."
Tobo stopped. He took a deep breath. He stared at a point in the dusk somewhere above my left shoulder. "Were you lovers?"
"No, Tobo. No. Friends. Almost. But definitely not that. He didn't know I was a woman till just before he left for the glittering plain. And I didn't know he knew till I read his Annals. Nobody knew. They thought I was a cute runt who just never got any bigger. I let them think that. I felt safer as one of the guys."
"Oh."
His tone was so neutral I had to wonder. "Why did you even ask?" Surely he had no reason to believe I had behaved differently before he knew me.
He shrugged. "I just wondered."
Something must have set him off. Possibly an "I wonder if... " from Goblin or One-Eye, say, while they were sampling some of their homemade elephant poison.
"I didn't ask. Did you put the buttons behind the shadow show?"
"That's what I was told to do."
A shadow show uses cutout puppets mounted on sticks. Some of their limbs are manipulated mechanically. A candle behind the puppets casts their shadows on a screen of white cloth. The puppeteer uses a variety of voices to tell his story as he maneuvers his puppets. If he is sufficiently entertaining, his audience will toss him a few coins.
This particular puppeteer had performed in the same place for more than a generation. He slept inside his stage setup. In so doing, he lived better than most of Taglios' floating population.
He was an informer. He was not beloved of the Black Company.
The story he told, as most were, was drawn from the myths. It sprang from the Khadi cycle. It involved a goddess with too many arms who kept devouring demons.
Of course it was the same demon puppet over and over. Kind of like real life, where the same demon comes back again and again.
Just a hint of color hung above the western rooftops.
There was an earsplitting squeal. People stopped to stare at a bright orange light. Glowing orange smoke wobbled up from behind the puppeteer's stand. Its strands wove the well-known emblem of the Black Company, a fanged skull with no lower jaw, exhaling flames. The scarlet fire in its left eye socket seemed to be a pupil that stared right down inside you, searching for the thing that you feared the most.
The smoke thing persisted only a few seconds. It rose about ten feet before it dispersed. It left a frightened silence. The air itself seemed to whisper, "Water sleeps."
Whine and flash. A second skull arose. This one was silver with a slightly bluish tint. It lasted longer and rose a dozen feet higher before it perished. It whispered, "My brother unforgiven."
"Here come the Greys!" exclaimed someone tall enough to see over the crowd. Being short makes it easy for me to disappear in groups but also makes it tough for me to see what is happening outside them.
The Greys are never far away. But they are helpless against this sort of thing. It can happen anywhere, any time, and has to happen before they can react. Our supposed ironclad rule is that perpetrators should never be nearby when the buttons speak. The Greys understand that. They just go through the motions. The Protector must be appeased. The little Shadar have to be fed.
"Now!" Tobo murmured as four Greys arrived. A shriek erupted from behind the puppeteer's stage. The puppeteer himself ran out, spun and leaned toward his stage, mouth wide open. There was a flash less bright but more persistent than its predecessors. The subsequent smoke image was more complex and lasted longer. It appeared to be a monster. The monster focused on the Shadar. One of the Greys mouthed the name "Niassi."
Niassi would be a major demon from Shadar mythology. A similar demon under another form of the name exists in Gunni belief.
Niassi was a chieftain of the inner circle of the most powerful demons. Shadar beliefs, being heretical Vehdna, include a posthumous, punitive Hell but also definitely include the possibility of a Gunni-like Hell on earth, in life, managed by demons in Niassi's employ, laid on for the particularly wicked. Despite understanding that they were being taunted, the Greys were rocked. This was something new. This was an attack from an unanticipated and sensitive direction. And it came on top of ever more potent rumors associating the Greys with vile rites supposedly practiced by the Protector.
Children disappear. Reason suggests this is inevitable and unavoidable in a city so vast and overcrowded, even if there is not one evil man out there. Babies vanish by wandering off and getting lost. And horrible things do happen to good people. A clever, sick rumor can reassign the numb evil of chance to the premeditated malice of people no one ever trusted anyway.