"Good morning," she said.
"Good morning." He looked back at Waden. The escort was still with them. He smiled, oblivious to it all, and the three of them and their invisible companions trooped down the several turns of the stairs to the main level and out, into the pleasant sunlight.
"The light is an advantage," he said.
"I should think," said Waden.
They walked across Port Street and the escort kept with them, dogging their steps. Notice them, Waden defied him; Herrin drew a deep breath and strode along briskly with Keye and Waden on either side of him, but in his heart he was disturbed, angered that Waden had found a way to anger him, a means which he had not anticipated to try to make this day less for him than it might be. Waden was Waden and there was no forgetting that. This troublesome fragment of his own reality existed to vex him—and that Waden took such pains to vex him—was in itself amusing.
Through the archway in the hedge and onto Main itself, the escort stayed; he heard them, a rustle and a crunching step on gravel and on paving. Looking down Main even from this far away he could see an unaccustomed gathering, where the dome filled the square at the heart of Kierkegaard.
His own people would be there, of course, and by the look of it, a good many citizens . . . an amazing number of citizens. The street was virtually deserted until they reached the vicinity of the dome, and then some of the bystanders outside saw them, and the murmur went through the crowd like a breath of wind.
People moved for them, clearing them a path, and the main gateway of the dome emptied of people as the crowd moved aside to let them pass; people flowed back again like air into a vacuum, with a little murmur of voices, but before them was quiet, such quiet that only the footfalls of those retreating echoed within the dome.
"Master Law," some whispered, and, "Waden Jenks," said others; but Keye's name they did not whisper, because the ethicist was not so public; the whispers died, and left the echoes of their own steps, which slowed . . . even Herrin looked, as the others did.
Sun . . . entered here; shafts transfixed the dark and flowed over curtain-walls and marble folds, touched high surfaces and failed in low, touched the clustered heads of the crowd which hovered about the edges, the first ring, the second . . . .
And the third, where the central pillar formed itself out of the textured stone and dominated the eye. The face, sunlit, glowed, gazed into upward infinities; there was little of shadow on it. It seemed to have force in it, from inside the stone; it was hero and hope and a longing which drew at the throat and quickened the heart.
It was not Waden as he was; it was possibility. And for the first time Herrin himself saw it by daylight without the metal scaffolding which had shrouded it and let him see only a portion of it at a time. It lived, the best that Waden might be . . . and for a moment, looking on it, Waden's face took on that look, a beauty not ordinarily his; others, looking on it, had such a look—it was on Keye's face, but quickly became a frown, defensive and rejecting.
Herrin smiled, and drew in the breath he had only half taken. Smiled when Waden looked at him.
And Waden's face became Keye's, doubting. "It's remarkable, Artist."
"Walk the interior, listen to it, it has other dimensions, First Citizen."
Waden hesitated, then walked, walked in full circuit of the pillar, and looked at the work of the walls, let himself be drawn off into the stone curtains of the other supports and of the ring-walls. Herrin stood, and cast occasional looks at Keye, who once stared back at him, frowning uncertainly, and at the invisible escort, who had also entered here. He knew that they saw something remarkable, and for a moment had lost themselves in it. Waden walked temporarily unescorted; and if the escort was supposed to watch him, that failed too. Herrin looked beyond them, smiled in pleasure, because he saw members of his own crew, who grinned back at him.
Walking the circuit of the place, appreciating the folds and complications of it, took time. Herrin clasped his hands behind his back and waited, in the center and under everyone's eyes, until at last Waden Jenks finished his tour and came back.
Waden nodded. "Fine, very fine, Artist. But I expected that of you."
Herrin made a move of his hand toward the central pillar, the sculpted face, on which sun and time had now passed. Waden looked, for a moment surprised: the stone face had changed, acquired the smallest hint of a more somber look to come.
"It's different, isn't it?" Waden asked. The change was small and to the unfamiliar eye, deceptive. "It's different."
"It changes every moment that the sun touches it, with every season, every hour, with storm and morning and nightfall and every difference of the light . . . it changes. Yes."
Waden looked at it again, and at him, and reached and pressed his shoulder, standing beside him. "I chose you well. I chose you well, Artist."
"A matter of dispute, who chose whom. I don't grant you that point."
"But how do I see it? How does anyone see it, in its entirety?"
Herrin smiled. "It's for the city, First Citizen; for everyone who walks here and passes through it for years upon years, at varied hours in different seasons of his life, and for every person, different because of the schedule he keeps; different vision for anyone who cares to stand here for hours watching the changes progress. You're a moving target, Waden Jenks, a subject that won't hold still, and not the same to any two people. It's time itself I've sculpted into it, and the sun and the planet cooperate. Done in one season . . . it had to be. It's unique, Waden Jenks."
Waden had not ceased to look at the face, which grew steadily more sober, the illusion of light within it in the process of dying now. And the living face began to take on anxiety. "What does it become? What are the changes going toward?"
"Come at another hour and see."
"I ask you, Artist. What does it become?"
"You've seen the Apollo; Dionysus is coming. It achieves that this afternoon."
"This thing could become an obsession; I'd have to sit hour after hour to know this thing in all its shapes."
"And, I suspect, season after season. Look at the time and the sun and the quality of the light, and wonder, First Citizen, what this face is. You don't live only in the Residency any more: you're here. In this form, in changing forms."
"Would I like all the faces?"
Herrin smiled guardedly. "No. In Dionysus . . . are moments you might not like. I've sculpted possibilities, First Citizen, potential as well as truth. Come and see."
Waden stared at him, and said nothing.
"Whatever you see in it," Herrin said, "will change."
"I'm impressed with your talent," Waden said. "I accept the gift, in both its faces."
"No gift, First Citizen. You traded to get this, and you were right: it will give you duration. It's going to live; and when later ages think of the beginnings of Freedom, there'll be one image to dominate it. This. All it has to do is survive, and all you have to do is protect it."
Waden sucked at his lips, as he had the habit of doing when pondering something. "Now time is my worry, is it?"
"It always was; it's your deadliest enemy."
The sober look stayed, and yielded to one of Waden's quizzical smiles. "And your ally?"
"My medium," Herrin said, and for a moment Waden's smile utterly froze.
"We remain," said Waden then, recovering the smile in all its brilliance, "complementary."
There was Keye, frowning; and the invisibles, who stood with their hands tucked into their belts looking at the place and at the crowd, and the crew, who watched them. On the fringes of the crowd were the pair no one else might see, midnight-hued and tall and robed, skeletons at the feast— Herrin imagined wise and unhuman eyes, baffled—and Waden's Outsiders watching them.