Bundy's reasons for leaving the Cape are obscure. He drinks, but that doesn't dim his powers. He wenches. But so do we all. Probably he was dropped because he's a bad security risk; not a Communist--Bundy could never have doped out even the existence of political ideas--but a bad risk in that he appears to have a touch of hebephrenia. In other words, he tends to wander off without notice. His clothes are dirty, his hair uncombed, his chin unshaved, and he won't look you in the eye. He grins inanely. He's what the Federal Bureau of Mental Health psychiatrists call _dilapidated_. If someone asks him a question he can't figure out how to answer it; he has speech blockage. But with his hands--he's damn fine. He can do his job, and well. So the McHeston Act doesn't apply to him.
However, in the many months Bundy had worked for us, I had seen nothing invented. Maury in particular kept busy with him, since I'm out on the road.
"The only reason you stick up for that electric keyboard Hawaiian guitar," Maury said to me, "is because your dad and brother make the things. That's why you can't face the truth."
I answered, "You're using an ad hominem agreement."
"Talmud scholarism," Maury retorted. Obviously, he--all of them, in fact--were well-loaded; they had been sopping up the Ancient Age bourbon while I was out on the road driving the long hard haul.
"You want to break up the partnership?" I said. And I was willing to, at that moment, because of Maury's drunken slur at my father and brother and the entire Rosen Electronic Organ Factory at Boise with its seventeen full-time employees.
"I say the news from Vallejo and environs spells the death of our principal product," Maury said. "Even with its sixhundred-thousand possible tone combinations, some never heard by human ears. You're a bug like the rest of your family for those outer-space voodoo noises your electronic dungheap makes. And you have the nerve to call it a musical instrument. None of you Rosens have an ear. I wouldn't have a Rosen electronic sixteen-hundred-dollar organ in my home if you gave it to me at cost; I'd rather have a set of vibes."
"All right," I yelled, "you're a purist. And it isn't sixhundred-thousand; it's seven-hundred-thousand."
"Those souped-up circuits bloop out one noise and one only," Maury said, "however much it's modified--it's just basically a whistle."
"One can compose on it," I pointed out.
"Compose? It's more like creating remedies for diseases that don't exist, using that thing. I say either burn down the part of your family's factory that makes those things or damn it, Louis, convert. Convert to something new and useful that mankind can lean on during its painful ascent upward. Do you hear?" He swayed back and forth, jabbing his long finger at me. "We're in the sky, now. To the stars. Man's no longer hidebound. Do you hear?"
"I hear," I said. "But I recall that you and Bob Bundy were supposed to be the ones who were hatching up the new and useful solution to our problems. And that was months ago and nothing's come of it."
"We've got something," Maury said. "And when you see it you'll agree it's oriented toward the future in no uncertain terms."
"Show it to me."
"Okay, we'll take a drive over to the factory. Your dad and your brother Chester should be in on it; it's only fair, since it'll be them who produce it."
Standing with his drink, Bundy grinned at me in his sneaky, indirect fashion. All this inter-personal communication probably made him nervous.
"You guys are going to bring ruin down on us," I told him. "I've got a feeling."
"We face ruin anyhow," Maury said, "if we stick with your Rosen WOLFGANG MONTE VERDI electronic organ, or whatever the decal is this month your brother Chester's pasting on it."
I had no answer. Gloomily, I fixed myself a drink.
2
The Mark VII Saloon Model Jaguar is an ancient huge white car, a collector's item, with fog lights, a grill like the Rolls, and naturally hand-rubbed walnut, leather seats, and many interior lights. Maury kept his priceless old 1954 Mark VII in mint condition and tuned perfectly, but we were able to go no faster than ninety miles an hour on the freeway which connects Ontario with Boise.
The languid pace made me restless. "Listen Maury," I said, "I wish you would begin explaining. Bring the future to me right now, like you can in words."
Behind the wheel, Maury smoked away at his Corina Sport cigar, leaned back and said, "What's on the mind of America, these days?"
"Sexuality," I said.
"No."
"Dominating the inner planets of the solar system before Russia can, then."
"No."
"Okay, you tell me."
"The Civil War of 1861."
"Aw chrissakes," I said.
"It's the truth, buddy. This nation is obsessed with the War Between the States. I'll tell you why. It was the only and first national epic in which we Americans participated; that's why." He blew Corina Sport cigar smoke at me. "It matured we Americans."
"It's' not on my mind," I said.
"I could stop at a busy intersection of any big downtown city in the U.S. and collar ten citizens, and six of those ten, if asked what was on their mind, would say, 'The U.S. Civil War of 1861.' And I've been working on the implications-- the practical side--ever since I figured that out, around six months ago. It has grave meaning for MASA ASSOCIATES, if we want it to, I mean; if we're alert. You know they had that Centennial a decade or so back; recall?"
"Yes," I said. "In 1961."
"And it was a flop. A few souls got out and refought a few battles, but it was nothing. Look in the back seat."
I switched on the interior lights of the car and twisting around I saw on the back seat a long newspaper-wrapped carton, shaped like a display window dummy, one of those manikins. From the lack of bulge up around the chest I concluded it wasn't a female one.
"So?" I said.
"That's what I've been working on."
"While I've been setting up areas for the trucks!"
"Right," Maury said. "And this, in time, will be so far long remembered over any sales of spinets or electronic organs that it'll make your head swim."
He nodded emphatically. "Now when we get to Boise-- listen. I don't want your dad and Chester to give us a hard time. That's why it's necessary to inform you right now. That back there is worth a billion bucks to us or anyone else who happens to find it. I've got a notion to pull off the road and demonstrate it to you, maybe at some lunch counter. Or a gas station, even; any place that's light." Maury seemed very tense and his hands were shaking more than usual.
"Are you sure," I said, "that isn't a Louis Rosen dummy, and you're going to knock me off and have it take my place?"
Maury glanced at me oddly. "Why do you say that? No, that's not it, but by chance you're close, buddy. I can see that our brains still fuse, like they did in the old days, in the early 'seventies when we were new and green and without backing except maybe your dad and that warning-to-all-ofus younger brother of yours. I wonder, why didn't Chester become a large-animal vet like he started out to be? It would have been safer for the rest of us; we would have been spared. But instead a spinet factory in Boise, Idaho. Madness!" He shook his head.
"Your family never even did that," I said. "Never built anything or created anything. Just middlemen, schlock hustlers in the garment industry. I mean, what did they do to set us up in business, like Chester and my dad did? What is that dummy in the back seat? I want to know, and I'm not stopping at any gas station or lunch counter; I've got the distinct intuition that you really do intend to do me in or some such thing. So let's keep driving."
"I can't describe it in words."
"Sure you can. You're an A-one snow-job artist."
"Okay. I'll tell you why that Civil War Centennial failed. Because all the original participants who were willing to fight and lay down their lives and die for the Union, or for the Confederacy, are dead. Nobody lives to be a hundred, or if they do they're good for nothing--they can't fight, they can't handle a rifle. Right?"