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I walked her home from school one day, a warm October afternoon that felt like summer. Under branches of sugar maple and red maple we walked through flickers of sun and shade — here and there, in the still air, a yellow-red leaf came drifting down. I carried my books against my hip and my autumn jacket slung over one shoulder. Emily had tied her burnt-orange sweater around her waist, like a backward apron, and she carried her blue pebbly three-ring binder and her crisply covered schoolbooks in an upward-tilted pile against her white blouse. Speckles of sunlight danced on her as she walked, as if bits of light were being tossed at her through the leaves.

She lived in an older neighborhood, on a street where the houses had wide front porches, and tree roots pushed up chunks of sidewalk. On her porch sat a glider with faded flowery pink cushions, beside a green wicker table that held a glass of lemonade. A rake stood up against a window shutter; a bicycle leaned against a cushioned wicker chair. Everything about the house pleased me — the tarnished brass knocker on the gray front door, the living room with its dark blue couch and its deep armchair next to a pair of old moccasins, the scent of furniture polish mixed with a bready sweetish smell of baking, the sunny yellow kitchen with its bright porcelain rooster on the windowsill. On top of the refrigerator sat a cookie jar shaped like a bear hugging his belly. Emily’s mother was standing at the sink, washing a big breadboard sticky with dough. Over a flowered dress she wore an apron decorated with richly red apples, each with two green leaves. She turned and began wiping her hands briskly on the apples. “Oh my, I can’t shake your hand or I’ll — Emmy, take the young man’s jacket, why don’t you. I’m Emily’s mother, and you must be — Will. Well, Will. Would you like a soda? A piece of raspberry pie?”

I spent that afternoon creaking in the glider in the warm shade of the front porch, sipping root beer and eating raspberry pie. Emily sat next to me with an open French grammar facedown on her lap, pushing with one leg to keep us gliding — into the sun and back into shade, into the sun and back into shade. From time to time her mother opened the front door and asked if I’d like another piece of pie or a brownie with walnuts or an oatmeal cookie. Some girls were jumping rope across the street; farther off came the quick clean sharp bursts of a basketball against driveway tar. At the same time I heard the scratch of a rake pulling over leaves. I could feel myself settling into those sounds as into my own childhood — and the warmth, the slap of the rope, the creak of the glider, the dripping sunny hands of Mrs. Hohn, the square porch posts, the dip of the telephone wires between poles, all seemed to me, as I half closed my eyes, to be part of Emily herself, as if she were flowing into the peacefulness of an October afternoon.

2

I began walking home with her every day, dragging my feet through unraked leaves that sounded to me like waves drawing back on a beach. As the weather grew colder we moved indoors — sometimes to the living room, where we sat on the dark blue couch beside the armchair, sometimes to the kitchen table, with its maplewood chairs that had floral-patterned cushions tied to the seats. After a while we’d go upstairs to Emily’s room, where I straddled the wooden desk-chair and faced Emily, who sat on the big bed with her back propped up against the headboard and her legs stretched out on the pink spread. I admired her desk, an old-fashioned one with pigeonholes and a writing surface that swung out on brass hinges. In one corner of the room sat a small bookcase no higher than my waist. It held a pale blue leather jewelry box, eight or nine books, a Ginny doll with one arm, and many boxes of puzzles. The small number of books surprised me, since I had two large bookcases in my room, a row of books on my dresser, and piles of books on the floor by my desk. But I quickly came to connect the absence of such things with Emily’s calmness, as if books and edginess belonged together. We talked, we laughed, we did homework — I at the desk, she on the bed. Sometimes, turning over my shoulder, I would simply look at her, as she sat reading calmly on the bed with her black flats on the floor and her ankles crossed, reaching now and then to scratch the back of her left hand with two fingers of the right.

At 4:00 there would be a knock on the half-open door and Mrs. Hohn would sweep in with a tray bearing glasses of milk and a plate of chocolate chip cookies. At 5:30 I would hear Emily’s father opening the two front doors, the storm door and the wooden door, and ten minutes later he would drive me home. Mr. Hohn was a mild, balding man with large melancholy eyes and a rueful smile. He did something in insurance, collected plate blocks and first-day covers of every newly issued American stamp, and liked to ask me serious questions about whatever book I was reading. He said things like “Can you hand me that thingamajigger?” and “That’s for darn sure.” I felt so welcomed by the Hohn family, so bathed in their atmosphere, that when I entered my own house, with its bookcases and its polished dark piano with piles of yellow music books and its faint sweet odor of pipe tobacco, it was always with a slight shock of estrangement, before familiarity settled over me.

I kept planning to invite Emily to my house, but I never did. At my place, we would have done my kinds of things — I’d have shown her my books, and my records, and my twin-lens reflex, and my collection of labeled minerals from quarries all over Connecticut. I would have played the piano for her, a piece by Chopin or Debussy, and then, to show that I wasn’t stuck up, a boogie-woogie by Clarence Pine Top Smith. My parents would have welcomed her and made her feel at home. And as I imagined these things, all of which had happened many times before, a tiredness came over me, as if I were rehearsing for a play that I’d just finished performing in. It was as if, in my house, I could feel a continual soft pressure on me — emanating from the piano, from the reading chair in my room, from the mahogany bookcase in the front hall — to be the person I was, the one I felt I somehow had to be. What I liked about Emily’s house was that I didn’t have to be anything at all.