DECEMBER 7. Ever since interview, the Wizard not once in Box. His attention taken up by other matters: plans for mining low-grade magnetite, manufacture of speaking dolls in Phonograph Works, testing of a safe alternating current. The rivalry with Westinghouse. Secret experiments in Photographic Building.
DECEMBER 8. My life consumed by waiting. Strong need to talk about haptograph. In this mood, paid visit to stockroom. Earnshaw constrained, uneasy. Hasn’t spoken to me in ten days. I pass on some photographic gossip. Won’t look me in the eye. Decide to take bull by horns. So! How’s the experiment going? Turns to me fiercely. “I hate it in there!” His eyes stern, unforgiving. In the center of each pupiclass="underline" a bright point of fear.
DECEMBER 9. There are documented cases in which a blind person experiences return of sight. Stunned with vision: sunlight on leaves, the blue air. Now imagine a man who has been wrapped in cotton for forty-five years. One day cotton is removed. Suddenly man feels sensations of which he can have had no inkling. The world pours into his skin. The fingers of objects seize him, shake him. Touch of a stone, push of a leaf. The knife-thrust of things. What is the world? Where is it? Where? We are covered in cotton, we walk through a world hidden away. Blind skin. Let me see!
DECEMBER 10. This afternoon, in courtyard, looked up and saw a hawk in flight. High overhead: wings out, body slowly dipping. The power of its calm. A sign. But of what? Tried to imagine hawkness. Failed.
DECEMBER 11. Long morning, longer afternoon. Picked up six books, read two pages in each. Looked out window four hundred times. Earnshaw’s face the other day. Imprint of his ancestors: pale clerics, clean-cheeked, sharp-chinned, a flush of fervor in the white skin. Condemning sinners to everlasting hellfire.
DECEMBER 12. A night of terrors and wonders. Where will it end?
Kistenmacher tense, abrupt, feverish-tired. Proceeded in his meticulous way through familiar mimicries. Repeated each one several times, entered results in notebook. Something perfunctory in his manner. Or was it only me? But no: his excitement evident as he changed rolls. “Please. Tell me exactly.” How to describe it? My skin, delicately thrummed by haptograph, gave birth to buried powers. Felt again that blissful expansion of being — that sense of having thrown off old body and assumed a new. I was beyond myself, more than myself, un-me. In old body, could hold out my hand and grasp a pencil, a paperweight. In new body, could hold out my hand and grasp an entire room with all its furniture, an entire town with its chimneys and saltshakers and streets and oak trees. But more than that — more than that. In new skin I was able to touch directly — at every point on my body — any object that presented itself to my mind: a stuffed bear from childhood, wing of a hawk in flight, grass in a remembered field. As though my skin were chockfull of touches, like memories in the brain, waiting for a chance to leap forth.
Opened my eyes and saw Kistenmacher standing at the table. Staring ferociously at unwinding roll of paper. Hum and click of chain-drive motor, faint rustle of metallic brushes. Closed my eyes …
… and passed at once into wilder regions. Here, the skin becomes so thin and clean that you can feel the touch of air — of light — of dream. Here, the skin shrinks till it’s no bigger than the head of a pin, expands till it stretches taut over the frame of the universe. All that is, flowing against you. Drumming against your skin. I shuddered, I rang out like a bell. I was all new, a new creature, glistening, emerging from scaly old. My dull, clumsy skin seemed to break apart into separate points of quivering aliveness, and in this sweet cracking open, this radiant dissolution, I felt my body melting, my nerves bursting, tears streamed along my cheeks, and I cried out in terror and ecstasy.
A knock at the door — two sharp raps. The machine stopped. Kistenmacher over to door.
“I heard a shout,” Earnshaw said. “I thought—”
“Fine,” Kistenmacher said. “Everything is fine.”
DECEMBER 13. A quiet day, cold. Talk of snow. The sky pale, less a color than an absence of color: unblue, ungray: tap water. Through the high arched windows, light traffic on Main. Creak of wagons, knock of hooves. In library fireplace, hiss and crackle of hickory logs. Someone walking in an upper gallery, stopping, removing a book from a shelf. A dray horse snorts in the street.
DECEMBER 14. A sense within me of high anticipation, mixed with anxiousness. Understand the anticipation, but why the other? My skin alert, watchful, as before a storm.
DECEMBER 15. A new life beckons. A shadow-feeling, an on-the-vergeness. Our sensations fixed, rigid, predictable. Must smash through. Into what? The new place. The there. We live off to one side, like paupers beside a railroad track. The center cannot be here, among these constricting sensations. Haptograph as a way out. Over there. Where?
Paradise.
DECEMBER 17. Disaster.
On evening of sixteenth, Kistenmacher came to fetch me at eight o’clock. Said he hadn’t been in Box for two days — a last-minute snag in automatic adjustment of phonograph required full attention — and was eager to resume our experiments. Followed him down steps to basement. At locked door of Box he removed his ring of keys. Inserted wrong one. Examined it with expression of irritable puzzlement. Inserted correct one. Opened door, fumbled about. Switched on lights. At this point Kistenmacher emitted an odd sound — a kind of terrible sigh.
Haptograph lay on floor. Wires ripped loose from fastenings. Stuck out like wild hair. Back panels torn off, pins scattered about. On the floor: smashed reels, a chain from the motor, a broken frame. Wires like entrails. Gashed paper, crumpled lumps. In one corner I saw the dark head.
Kistenmacher, who had not moved, strode suddenly forward. Stopped. Looked around fiercely. Lifted his right hand shoulder-high in a fist. Suddenly crouched down over haptograph body and began touching wires with great gentleness.
Awful night. Arrived at library early morning. Earnshaw already dismissed. Story: On night of December 16, about seven o’clock, a machinist from precision room, coming to stockroom to pick up some brass tubing, saw Earnshaw emerging from basement. Seemed distracted, fidgety, quite unlike himself. After discovery of break-in, machinist reports to Wizard. Wizard confronts Earnshaw. E. draws himself up, stiff, defiant, and in sudden passionate outburst resigns, saying he doesn’t like goings-on “down there.” Wizard shouts, “Get out of here!” Storms away. End of story.
Kistenmacher says it will take three to five weeks to repair haptograph, perforate a new roll. But the Wizard has ordered him to devote himself exclusively to speaking doll. The Wizard sharp-tempered, edgy, not to be questioned. Dolls sell well but are returned in droves. Always same complaint: the doll has stopped speaking, the toy phonograph concealed in its chest has ceased to operate.
DECEMBER 18. No word from Kistenmacher, who shuts himself up in Room 8 with speaking doll.
DECEMBER 19. The Wizard swirling from room to room, his boyish smile, a joke, laughter. Go at it, boys! Glimpse of Kistenmacher: drooping head, a big, punished schoolboy. Can Wizard banish disappointment so easily?
DECEMBER 20. Earnshaw’s destructive rage. How to understand it? Haptograph as devil’s work. The secret room, naked skin: sin of touch. Those upright ancestors. Burn, witch!
DECEMBER 20, LATER. Saw Kistenmacher walking in courtyard. Forlorn. Didn’t see me.