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“Pure knowing?” He sounded sceptical.

“Have you been in combat?”

“Yes.”

“Then even if you haven’t experienced it yourself, I’d be surprised if you haven’t seen it or heard about it in people you trust—a strong sense that you should be very careful in that building, or approaching that next rise. They can’t point to anything concrete to explain why. They just know. And they’re often right.”

Escovedo nodded. “Put in that context, it makes sense.”

“Plus, for what it’s worth, they ran a functional MRI on me, just for fun. That’s on the season two DVD bonuses. Apparently the language centre of my brain is very highly developed. Ninety-eighth percentile, something like that. So maybe that has something to do with it.”

“Interesting,” Escovedo said, and nothing more, so she decided to quit while she was ahead.

The path curved and split before them, and though they weren’t taking the left-hand branch to the prison, still, the closer they drew to it, darkened by rain and contemptuous of the wind, the greater the edifice seemed to loom over everything else on the island. It was like something grown from the sea, an iceberg of brick, with the worst of it hidden from view. When the wind blew just right, it carried with it a smell of fish, generations of them, as if left to spoil and never cleaned up.

Kerry stared past it, to the sea surging all the way to the horizon. This was an island only if you looked at it from out there. Simple, then: Don’t ever go out there.

She’d never had a problem with swimming pools. You could see through those. Lakes, oceans, rivers… these were something entirely different. These were dark waters, full of secrets and unintended tombs. Shipwrecks, sunken airplanes, houses at the bottom of flooded valleys… they were sepulchres of dread, trapped in another world where they so plainly did not belong.

Not unlike the way she was feeling this very moment.

* * *

As she looked around Colonel Escovedo’s office in the administrative building, it seemed almost as much a cell as anything they could have over at the prison. It was without windows, so the lighting was all artificial, fluorescent and unflattering. It aged him, and she didn’t want to think what it had to be doing to her own appearance. In one corner, a dehumidifier chugged away, but the air still felt heavy and damp. Day in, day out, it must have been like working in a mine.

“Here’s the situation. Why now,” he said. “Their behaviour over there, it’s been pretty much unchanged ever since they were moved to this installation. With one exception. Late summer, 1997, for about a month. I wasn’t here then, but according to the records, it was like…” He paused, groping for the right words. “A hive mind. Like they were a single organism. They spent most of their time aligned to a precise angle to the south-west. The commanding officer at the time mentioned in his reports that it was like they were waiting for something. Inhumanly patient, just waiting. Then, eventually, they stopped and everything went back to normal.”

“Until now?” she said.

“Nine days ago. They’re doing it again.”

“Did anybody figure out what was special about that month?”

“We think so. It took years, though. Three years before some analyst made the connection, and even then, you know, it’s still a lucky accident. Maybe you’ve heard how it is with these agencies, they don’t talk to each other, don’t share notes. You’ve got a key here, and a lock on the other side of the world, and nobody in the middle who knows enough to put the two together. It’s better now than it used to be, but it took the 9/11 attacks to get them to even think about correlating intel better.”

“So what happened that summer?”

“Just listen,” he said, and spun in his chair to the hardware behind him.

She’d been wondering about that anyway. Considering how functional his office was, it seemed not merely excessive, but out of character, that Escovedo would have an array of what looked to be high-end audio-video components, all feeding into a pair of three-way speakers and a subwoofer. He dialled in a sound file on the LCD of one of the rack modules, then thumbed the PLAY button.

At first it was soothing, a muted drone both airy and deep, a lonely noise that some movie’s sound designer might have used to suggest the desolation of outer space. But no, this wasn’t about space. It had to be the sea, this all led back to the sea. It was the sound of deep waters, the black depths where sunlight never reached.

Then came a new sound, deeper than deep, a slow eruption digging its way free of the drone, climbing in pitch, rising, rising, then plummeting back to leave her once more with the sound of the void. After moments of anticipation, it happened again, like a roar from an abyss, and prickled the fine hairs on the back of her neck—a primal response, but then, what was more primal than the ocean and the threats beneath its waves?

This was why she’d never liked the sea. This never knowing what was there, until it was upon you.

“Heard enough?” Escovedo asked, and seemed amused at her mute nod. “That happened. Their hive-mind behaviour coincided with that.”

“What was it?”

“That’s the big question. It was recorded several times during the summer of 1997, then never again. Since 1960, we’ve had the oceans bugged for sound, basically. We’ve got them full of microphones that we put there to listen for Soviet submarines, when we thought it was a possibility we’d be going to war with them. They’re down hundreds of feet, along an ocean layer called the sound channel. For sound conductivity, it’s the Goldilocks zone—it’s just right. After the Cold War was over, these mic networks were decommissioned from military use and turned over for scientific research. Whales, seismic events, underwater volcanoes, that sort of thing. Most of it, it’s instantly identifiable. The people whose job it is to listen to what the mics pick up, 99.99 per cent of the time they know exactly what they’ve got because the sounds conform to signature patterns, and they’re just so familiar.

“But every so often they get one they can’t identify. It doesn’t fit any known pattern. So they give it a cute name and it stays a mystery. This one, they called it the ‘Bloop’. Makes it sound like a kid farting in the bathtub, doesn’t it?”

She pointed at the speakers. “An awfully big kid and an awfully big tub.”

“Now you’re getting ahead of me. The Bloop’s point of origin was calculated to be in the South Pacific… maybe not coincidentally, not far from Polynesia, which is generally conceded as the place of origin for what eventually came to be known in Massachusetts as ‘the Innsmouth look’. Some outside influence was brought home from Polynesia in the 1800s during a series of trading expeditions by a sea captain named Obed Marsh.”

“Are you talking about a disease, or a genetic abnormality?”

Escovedo slapped one hand onto a sheaf of bound papers lying on one side of his desk. “You can be the judge of that. I’ve got a summary here for you to look over, before you get started tomorrow. It’ll give you more background on the town and its history. The whole thing’s a knotted-up tangle of fact and rumour and local legend and God knows what all, but it’s not my job to sort out what’s what. I’ve got enough on my plate sticking with facts, and the fact is, I’m in charge of keeping sixty-three of these proto-human monstrosities hidden from the world, and I know they’re cued into something anomalous, but I don’t know what. The other fact is, the last time they acted like this was fifteen years ago, while those mics were picking up one of the loudest sounds ever recorded on the planet.”

“How loud was it?”

“Every time that sound went off, it wasn’t just a local event. It was picked up over a span of five thousand kilometres.”