“Yeah,” said Rice. “You’d see them, dark shapes in the water, and then some floating body would suddenly vanish. The official estimate for Krymsk was one hundred and seventy dead, or thereabouts, but I’ll be damned if it wasn’t far higher though. I had a friend covered the Pakistan floods, was in Sindh and Balochistan, and he told me there were things like that there as well, hanging from the trees just above the flood-line.”
“The same things?”
“Yeah,” said Rice again. “And I’ll tell you one other thing that’s odd.”
“What?”
“That old woman that died in the flood at St. Asaph the other week? That drowned in her home? There was one hanging outside her house, and one outside the house of the mother and child that drowned yesterday.”
“What? How do you know?”
Rice merely smiled at Kapenda. I have my sources, the smile said, and I’m keeping them secret. “Keep it safe,” he said as he turned and went back to the bar, “you never know when you might need protection against the water.”
* * *
Needham was in a bad mood.
It was the next morning, and he had been trying to find someone local to interview. He wanted the talent to do some empathy work, get Plumb to listen sympathetically and nod as some teary bumpkin showed them their drenched possessions and talked about how their pictures of Granny were lost forever, but there wasn’t anyone.
“They won’t talk to you?” asked Kapenda.
“They’ve all fucking vanished!” said Needham. “There’s no one in the emergency shelters, no one worth mentioning anyway, and they certainly aren’t staying at any of the farms, I’ve checked. Most of them have been abandoned too. The police aren’t sure when anyone’s gone, or they’re not saying if they know.”
“They must be somewhere,” said Kapenda.
“Must they? Well I don’t know where to fucking find them,” said Needham.
“Perhaps they all swam away?” said Plumb and laughed. Neither Kapenda nor Needham joined in.
“It’ll be dead cows and flooded fucking bushes again, you’ll see,” said Needham, disconsolate. “Isaac, can’t you find me something new?”
“I’ll try,” said Kapenda.
* * *
David was standing in the water in one of the fields a little further out from Grovehill. Kapenda saw his bike first, leaning against the hedge and half underwater, and pulled the jeep over to see what the man was doing. There was a stile in the hedge and David was beyond it, out into the field proper. Kapenda waded to the wooden gate and climbed it, perching on the top and calling, “Hello!”
“‘For Behold’,” said David loudly, his voice rolling across the water, “‘I will bring a flood of water upon the earth to destroy all flesh in which is the breath of life under Heaven.’ Hello, Isaac. They knew, you see—they understood.”
“Who knew? Understood what?”
“We have always waited for the water’s call, those of us with the blood, waited for the changes to come, but now? Some of us have called to it, and it has come.”
“I don’t understand,” said Kapenda. He wished he had brought his camera—David looked both lonely and somehow potent, standing up to his chest in the water, his back to Kapenda. It was raining again, the day around them grey and murky.
“What are you doing?”
“It has been brought this far but I worry,” said David, his voice lower, harder for Kapenda to hear. “How much further? How much more do we want? And what of what comes after us? The sleeping one whose symbol you found, Isaac? It wants the world, drowned and washed clean, but clean of what? Just of you? Or of everything—of us as well? We should have stayed in the deeps, but no, we have moved into the shallows and we prepare the way as though we were cleaning the feet of the sleeping one, supplicants to it. We might be terrible, Isaac, but after us? Do you have a god? Pray for its mercy, for the thing that comes after us—the thing that we open the way for—will be awful and savage beyond imagining.”
“David, what are you talking about?”
“The water, Isaac. It’s always about the water.” David turned—in the fractured, mazy light, his face was a white shift of moonlike intensity. His eyes were swollen, turning so that they appeared to be looking to opposite sides of his head. His skin looked like old linen, rough and covered in dry and flaking patches. He seemed to have lost his hair and his neck had folded down over itself in thick, quivering ridges. “It would be best for you to leave, Isaac. You have been saved from the water once, but I suspect that once is all.”
“David, please, I still don’t know what you mean. Tell me what you’re talking about.”
“I thought we had time, that the calling that cannot be ignored would never come, but it is too late. Others have hastened it, and the water calls to us even as they call to it. I can’t stand against it, Isaac. The change is come.”
“David—” Kapenda began, but the older man turned and began to move off across the field, bobbing down shoulder-deep into the water with each long stride, sweeping his arms around as though swimming.
“David!” Kapenda shouted, but the man didn’t turn. Just before he was lost to view, the water around him seemed suddenly full of movement, with things rising to the surface and looking back at him. Kapenda, scared, turned away and returned to the jeep.
* * *
“I’ve found us a boat!” said Needham when Kapenda got back. He didn’t seem bothered that Kapenda hadn’t found anything new to film.
“Your idea about the fields yesterday, about how smooth they are, it got me thinking,” Needham continued. “Now the flow’s slowing down, it’s safe to go out in a boat, not in the fields but around the houses. They got film of the barns yesterday, didn’t they? Well, we’ll go one better, we’ll get film of the houses, of Grovehill!”
Plumb was already in the boat, bobbing gently at the edge of the flood. It was a small dinghy with barely enough room for the three of them. Kapenda had to keep the camera on his shoulder as Needham steered the boat using the outboard on its back. Why had he come? Kapenda wondered.
Because, he knew, this was where he belonged, recording. Whatever David had meant, whatever this flood and the ones that had come before it were, someone had to catch them, pin them to history. Here, in this drowned and drowning world, he had to be the eyes of everyone who came after him.
Needham piloted the boat away from the centre of Grovehill, down winding lanes among houses that were underwater to their eaves. They went slowly—here and there, cars floated past them, and the tops of signs and traffic lights emerged from the flood like the stems of water plants. Kapenda filmed a few short sequences as they drifted, with Plumb making up meaningless but portentous-sounding phrases. Mostly, the imagery did the talking. At one point, they docked against a road emerging from the water that rose up to a hill upon which a cluster of houses sat, relatively safe. Kapenda focused in, hoping for footage of their occupants, but no one moved. Had they been evacuated already?
Several minutes later, they found themselves drifting over a playing field, the ghostly lines of football pitches just visible through the still, surprisingly clear water. While Plumb and Needham argued a script point, Kapenda had an idea—he fixed the water-cover to the lens of the camera and then held it over the side of the boat and into the water. The surprising clarity would hopefully allow him to obtain good images of the submerged world, eerie and silent. Leaning back and getting as comfortable as he could, Kapenda held the camera so that it filmed what was below while he listened as the talent and the director argued.
“Hey!” a voice called, perhaps twenty minutes later. It was distorted, the voice, coming from a loudhailer. Kapenda looked up. Bouncing across the surface towards them was one of the rescue boats, a policeman in its bow waving at them.