It was midsummer 1939 before Saraceni returned, and Francis was growing anxious. He had received a letter in late June from Sir Owen Williams-Owen, saying:
Your record of your heart’s action for the past several months is causing me some concern, and I think it advisable that I examine you again. I suggest that you return to England as soon as you conveniently can, so that I may have another look at you. Your godfather, whom I saw the other day, sends his regards.
That was not hard to interpret, even by a preoccupied painter who had not been paying much attention to the world’s news. But he must see the Meister before he left Düsterstein. In late July, Saraceni was with him in the shell-grotto, and Francis, not without a sense of drama, unveiled The Marriage at Cana, baked and with Augsburg dust in its craquelure.
The Meister followed the familiar routine. He looked at the picture for a quarter of an hour without speaking. Then he went through the inspections with the field-glasses, the large magnifying glass, the poking at the back of the canvas, the sniffing, the rubbing of a corner with a wetted finger—all the ceremonies of expertise. But then he did something which was not usual; he sat down and looked at the picture for a considerable time, grunting now and then with what Francis hoped was satisfaction.
“Well, Corniche,” he said at last, “I expected something good from you, but I confess you have astonished me. You know what you have done, of course?”
“I think I do, but I’d be glad if you would reassure me.”
“I can understand your bewilderment. Your picture is by no means an exercise in a past manner; those things always betray a certain want of real energy, and this has plenty of energy, the unmistakable impression of here and now. Something unquestionably from the Mothers. Reality of artistic creation, in fact. You have found a reality that is not part of the chronological present. Your here and now are not of our time. You seem not to be trapped, as most of us are, in the psychological world of today. I hate such philosophical pomposities, but your immanence is not tainted by the calendar. One cannot predict with certainty, but this should wear well—which Letztpfennig fakery and fancy-dress painting never does.”
“So—am I out of my apprenticeship?”
“So far as this picture goes, you are indeed. Whether you can keep this up, or whether you want to do that, remains to be seen. Offhand, I should say that if you continue to paint in this manner, and let it be known, your goose is cooked. The whole world of criticism would be down on you like hawks attacking a—what? A phoenix? Some very rare bird, certainly.”
“So what do I do?”
“Ah, well, that is a question I can answer without hesitation. You get back to England as soon as you can. And I am off to Italy in the morning. Things are growing very uncomfortable, if you haven’t noticed.”
“What about the picture?”
“If I can arrange it, I shall see that it is sent to you. But it is big, and too stiff to go in a cask, and that may not be easy. But for a while I think it must go into one of the dark service corridors here.”
“That isn’t quite what I meant. You know how I regard you, Meister. Have I satisfied you? That is what has been gnawing me.”
“Satisfied me? I find it very hard to say, because satisfaction is not part of my metier, and I rarely step outside my metier. But here I have no choice, and little time to delay. So, for the present, a rivederci–Meister.”
Part Six
Wars are national and international disasters, but everyone in a warring nation fights a war of his own and sometimes it cannot be decided whether he has won or lost. Francis Cornish’s war was long and painful, even though he was a non-combatant.
Indeed, being a non-combatant was one of his lesser, if more obvious, troubles. To be an able-bodied man in his thirties, not apparently doing any important work, required frequent explanation, and aroused dislike and suspicion. He had, of course, his letter from Sir Owen Williams-Owen, guaranteeing his troublesome heart and exemption from service, but he could not wear it pinned to his coat; from Uncle Jack, for whom he was working long hours, he had nothing at all, because it was unthinkable, if he should be injured, or challenged, that he should be identified with what he now called, not “the profession”, but frankly MI5.
As soon as he returned to England in late July of 1939, Francis became officially—in the sense that he was paid a rather small salary—a counter-intelligence man, which meant that his job was to find out whatever he could about people representing themselves as refugees from Europe, who were in fact German agents. It was not Secret Service in the romantic style; what it meant was that by day he worked with an agency that interviewed refugees and helped them, and at night he hung about in doorways watching who entered and left certain buildings that were under observation. Careful reports of what he learned, which were chiefly timetables, he took as unobtrusively as he could to Uncle Jack, who worked from a small office at the back of a house in Queen Anne’s Gate.
It was drudgery, but he managed to give it an individual touch, for which he blessed the name of Harry Furniss and those long hours in Blairlogie, where he had sketched everybody and everything, alive and dead. Once he had seen a man or woman, he could produce a useful likeness, and he was not deceived by disguises. Few people have any aptitude for disguise; they put too much faith in dyed hair, changes of clothes, and peculiar walks; they disguise their fronts, but they neglect to disguise their backs, and Francis, who had learned the lesson from Saraceni, could identify a back when he might be puzzled by a face. So he amused himself by decorating his reports with sketches that were doubtless more useful than he knew, because Uncle Jack was not communicative, and never praised. He was not permitted to use a typewriter, because the sound, late at night, might rouse the suspicion of a landlady; his reports, written in an exquisite, tiny Italic hand, and ornamented with sketches, were little works of art. But Uncle Jack seemed impervious to art, and filed them without comment on their appearance.
What was drudgery for the first months of the war became dangerous misery after the coming of the air raids on London, by day and night in the autumn of 1940, and by night until May of 1941. It was in the great fire-raid of December 29 that Francis lost what had become his chief treasure.
He had rediscovered Ruth Nibsmith, meeting her by chance one October night in a Lyons restaurant where he had gone for a meal before taking up one of his long vigils across the street from a suspected house.
“Le Beau Ténébreux! What a piece of luck! What are you up to? Not that I need to ask; you look the complete snoop. Who are you snooping on?”
“What do you mean, I look a snoop?”
“Oh, my dear—the stained felt hat, the seedy raincoat, the bulge in the pocket where the notebook is kept—of course you’re a snoop.”
“You only say that because you’re a psychic. My disguise is impenetrable. I am The Unknown Civilian, who is catching it so hard these bad days.”
“Not half so hard as he’ll be catching it before the end of the year—speaking as a psychic.”
“You’re right, of course. I am doing confidential work. What are you doing?”
“Also confidential.” But after some chat it came out that Ruth was in Government Code and Cipher. “Of course, I have the puzzle-solving sort of mind,” she said; “I think it was my ability to do the Times crossword in half an hour that got me the job. But being a psychic does no harm, either. And that’s enough of that.” She glanced up at the poster on the wall, which was a picture by Fougasse of Hitler with an enormous ear cocked, and the legend “Careless Talk Costs Lives”.
They renewed their friendship, so far as Francis’s peculiar assignments and Ruth’s occasional night duties allowed, and this meant renewal of their happy hours in bed. Ruth lived in a very small flat in Mecklenburgh Street where the landlady was either indulgent or indifferent and perhaps once a week they contrived a happy hour or so. In wartime London, which had become so grey and stuffy, where laundry was a difficulty and baths were uncertain because of broken water-pipes, it was bliss to strip off their clothes and tumble into the not very clean sheets and lose themselves in a communion where no rules of security had to be remembered and tenderness and kindness were all that mattered. Perhaps it was odd that they never talked of love, or exchanged promises of fidelity; but they felt no need of such words. Without ever saying so, they knew that time was short and the present everything, and a union achieved when chance permitted was a treasure snatched from destruction.