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I am not sure which is the case, but suspect a category error in any hard and fast distinction. All I know is that I am falling through the dark and that utterance feels like the only available light. I’m entirely unsure what stone, even what sort of stone, it is that I am looking for, as I sieve and pan the past, in order to lift the blinding weight off the seeing part of my brain.

In town groups of boys or girls catcalled. I look odd and slow and vulnerable. I creep along and hold my eyes up in their itching sockets as people hold spilling glasses of drink above a throng — as though the drinks with their precious realised meniscuses are threatened, and must be protected with an exaggerated care. I have also started to make involuntary noises and pre-emptive twitches and sallies with my head, which aches even by the end of a morning as if weighted with lead beans at the back as I hold it up as though trying to read the world with my chin. I saw (actually saw: she was sitting for some reason on the ground and I can at the moment see the pavement) a child with a rucksack in the shape of a teddy. He had sewn-on felt crosses on the blanks of his eyes and I knew how he felt.

Fram’s girlfriend, Claudia, very reasonably suggested that maybe I had seen enough in my life. I have for sure been lucky in what, and in how and with whom I have seen.

LENS I: Chapter 6

Elegance of posture was a great thing for my Henderson grandmother, my mother’s mother, the opera singer. She held up her noble head right till the end in her nineties. Her silver hair streamed down her back. She could sit on her hair, as could my mother and I once, and my daughter. Each of us has had it chopped at some point. My grandmother shingled hers in the twenties to irk her ferocious pa. My mother did it to manage her hair and I suppose her life just before she died; women change their style at important moments in their lives, we are told.

My stepmother did the only sensible thing after Mummy died and had mine cut off. It was a weighty reminder of my mother, a great pest to maintain, a personality in its own right and attached to one already disobliging; it also encouraged nits. For years after I had my long heavy striped brown plait (the Scots word is pleat) in a box; then I lost it after I went away to school in England. My daughter has lovelier hair than mine; it is fine and silver and grey-gold, and thick as fairytale hair. It weighed down her small head dreadfully I now sometimes guiltily think. She made a practical teenaged choice to have a lot of it cut off. It was the right thing to do. People had asked her about it before asking her about herself, as though she were a unicorn or a mermaid and it, the massive silky rope, her horn or her tail; it was a natural feature too much emphasised. Her hair is so thick that it has to be thinned in summer. It is miraculous stuff, glistening and falling with a kind of lunge of health. Mine I cannot bear to cut. I’m getting like my grandmother Clara Nella Henderson, the tines of whose silver plait fell to nearly her waist on the last day of her life, when she told me a great white bird was at her window and I thought in relief, ‘Oh, she has got some faith at last in her bitter life and at the bitter end.’ It wasn’t an angel. It wasn’t the Holy Spirit. It was a herring gull driven inland to eat from the refuse bins of Reading General Hospital by that Christmas weather. She died in the night before Boxing Day. I want to think that we were reconciled. She thought that last day that I was her daughter, my mother, Margaret, whom she hadn’t found easy either.

I am growing increasingly like my grandmother. When she was getting infirm and failing to eat (I believe that she starved herself to death), I looked at ‘places’ for her to go. She fought against it. I took her to one. Most I had visited had been too upsetting to contemplate for her, but this one seemed ‘nice’, whatever such hell can be. There was a real room, and a real view; the nurses were, seemed to be, kind countrywomen. I smelled no fear nor piss nor shit.

My grandmother, whom I called Nana, was at over ninety still as tall as I and had been taller. She was very thin. Her lovely legs were sticking out of a garment taken from a hospital pool of such shapeless clothes. At home in her bungalow on the estate in Reading hung and lay her immaculately cared for frocks and cardigans, her evening gowns, her treed shoes, her gloves. She was, as the dying often are, terrified of disgracing herself, of having an ‘accident’. She did what any sensible child would have done in these circumstances. Terrified, about to be alone, as she felt it, maybe about to be abandoned by her own flesh and blood, she made herself, although she had little in her stomach, violently sick. The nurses were not kind, not understanding. We left, my imperious beautiful grandmother holding a grey cardboard kidney bowl aswim with bile and mucus. My grandmother carried the day, all her own teeth in her head, her gracious smile of triumph and relief as we left transforming her proud stony sad face for close to the last time.

I am growing more like her now, afraid of the powerlessness my body is forcing me towards, scared stiff of being disposed of, tidied away, thinking I maybe should do it for myself. I’m just over half the age she was when she gave in, and even then she forced herself to do so by refusing food and water. She was a far stronger character than I and I do not actually want to die. I find notes that I have written to myself and they remind me of my grandmother’s diaries that I dare not read. They’re engagement diaries, only, but it is enough.

She had been alone from the night when her husband, my grandfather, tried to murder us both in the drawing room of the house he himself had built, The Folly, West Drive, Sonning-on-Thames, Berkshire. He was a strong old man, older than his beauty wife. He was doing the right thing by trying to kill us, because he had long ceased to ‘know’ us. He was protecting his property, as he saw it, from strangers.

It was my first half-term out from my English boarding school. I had a major scholarship, but it was effectively my grandfather’s money that was paying the rest of the fees. The wheel of separation of child from antecedents by self-made money had begun. I could see that my grandparents were more conventional and right-wing than my father and mother had been. My Henderson grandparents didn’t like my father; my father’s family looked down on the Hendersons. Their separate, profound, kinds of musicality were incompatible. Professional musicians on both sides, on one the Church, the other the stage. I was the oil and water shake-up. My mother had been dead for four years when Grandpapa tried to kill his wife and his granddaughter, thinking us intruders, in his folly.

Grandpapa went for Nana with the hardwood truncheon he had used in the Army in Jaffa in the war; she yelled to me in her deep grand stagey voice, that never slipped, even as he thumped her (she was Scots-Irish cockney with the loveliest and most gold-rolled speaking voice of my whole background, including those backgrounds that were yet to arrive), ‘Candia, call the police.’

I did, but I couldn’t tell them how to find us, and my grandmother, holding down her spouse, himself strong with fear and insanity, gave me calm, self-possessed instructions to relay down the telephone to the police.