"Actually, I'd like to speak to Mr. Hawksbridge."
"Of course, I will bring him to the phone."
Another bonk-bonk as he put the phone down, I imagined a pink marble table with angels carved into its legs. Their little wings would be beating frantically. They had to keep the tabletop level otherwise the bowl of glass fruit in the center would go toppling. I heard his heels clicking on the polished floor. I immediately pronounced the Hawksbridges to be still more victims of foul play. Far away, through the receiver, I heard a number of footsteps approaching. Bonk-bonk and:
"Hello Mr. Grey. I'm Robert Hawksbridge. I understand you were employed by my poor parents." The deep voice of Robert Hawksbridge was full of curiosity.
"Yes, well. To be honest, I'm Wildclown, also a detective. I'm investigating a related case, and would like any information you could give me. Can I drop around to talk to you?"
A pause, then. "What was the name again?" I gave it. "Wildclown? That's an interesting name. Is it European?"
"Yes," I drawled, "Bulgarian." That sank in a moment before I continued. "Would it be all right if I came by to ask those questions?"
"Certainly Mr. Wildclown. Drop around tomorrow afternoon, say 2 o'clock. I've always been curious about the way things turned out. I'll make certain I have no appointments."
"Thank you. And your address…" I jotted it down, hung up the phone. A vision of a well-heeled, but decent enough, couple burning alive in a car passed before my eyes. More bodies. I grabbed up the journal and tore through its pages. There it was:
The King called. Said he had had enough. Prick.
The King called. And I was supposed to avoid him. He was going to make it impossible if his name kept cropping up. I was beginning to wish I'd never met Conrad Billings.
Chapter 49
Getting into the New Garden District was easy. Getting out was another matter. There were no roadblocks, and business there depended on the rest of Greasetown's inhabitants so people were free to visit. You just had to be sure you were there on business and that you behaved. Authority Transports and sedans patrolled every street, so there was little chance of someone getting in for long and staying who didn't have a legitimate reason for being there. There were stories about people, troublemakers entering New Garden, who had been made examples of by Authority, and who either returned in body casts or didn't return at all. Elmo had been only mildly reluctant to come, since it was well known that New Garden's citizens had no use for the dead. They were only allowed entry in the company of a living sponsor, and it was illegal for them to be on its streets past midnight.
An old-style cop, in blue uniform with red pin-striping, heavy black granite shoes, shining steel buzzer, high-peaked hat and mirrored sunglasses met Elmo and me as we pulled up to the gate to Arcadia, an upscale New Garden residential complex. The security man had one of those large, veiny noses that had snuffled around the tops of one too many whiskey bottles. He was harsh and angular in form, had gray hair to match the pallor in his cheeks and stood with a certain rugged confidence that told anyone approaching that not only did he know how to use the large gun at his hip, he liked to. He wandered out in front of the Chrysler with a meaty hand raised. The gates behind him were heavy with intricate ironwork. Depicted in hard black curls were two happy people, man and woman, smiling as they stroked a reclining lamb and a lying tiger. Flowers and blowing trees grew all around them as they blithely enjoyed their pets. A part of me longed to see the tiger rise up and eat them.
"Hello," I said to the guard's belly. It had appeared at the window over Elmo's shoulder. The guard bent low. He looked at Elmo first, stared at my partner with his mirrors until the dead man trembled. When my happy reflection appeared in the glass, I knew he was studying me.
"What the hell have we got here?" He smiled beneath his nasty blood-streaked nose. "Looks like a circus."
"No, not a circus." I could feel Tommy rise toward the surface like a wave of nausea. "I'm Wildclown, a private investigator. I'm here to see Robert Hawksbridge, 41 Arcadia."
The sarcastic smile melted. His face went blank and for a moment he silently regarded us both. "Just hold on a minute." He sauntered back to his little guardhouse. I watched him through the tiny arrow slit of a window. The guard held a phone to his face and clenched his jaws behind it mumbling. He watched us without expression. He put the receiver down, walked out of the guardhouse and stood in the doorway for a minute, just staring. Then he walked back in, and out of sight. There was a groan, and the loud whir of an electric motor. The scene of iron Eden slid slowly out of sight on a track. The guard reappeared, walked toward us, this time to my window.
"It's okay, you can go on in." He squatted by my door. "Listen, tell me. I used to do a little private investigating myself." He scratched the side of his head. "What the hell is with the makeup?"
"It's a customer-relations thing. I found if you keep them happy, they keep coming back." I smiled, then motioned for Elmo to drive ahead. We left the security man scratching his head at the gate.
The asphalt in the Arcadia Residential Complex had an oily, freshly scrubbed sheen as it wound in and around a national debt's worth of stately homes. The sky was its usual overcast, but for some reason, everything looked a little brighter and cleaner here. Huge oak trees reached out to make a green promenade of the road. Lawns, finely clipped and manicured, grew out to lightly stroke sidewalks as white as marble. A pair of old women in gaudy, floral-print dresses doddered along in sun hats, of all things. I watched their old hands move fluidly, and their rouged lips jerk mechanically around tired old stories. Some brownstone salesman had made a killing here, because the majority of the homes were built of the impressive stone.
House after house, crisp in new paint and gardening-walled in like monetary gulags. Enormous black limousines sneered as they passed the Chrysler. Watching the noble elegance in the architecture of Arcadia, I felt uneasy. Despite their impressive and monolithic qualities, they had an element of the transparent to them-an ephemeral aura that all their weight could not deny. I felt that I could walk up to a house, open its ornately carved door and find nothing but an empty lot inside-like you would find in the imagined western streets in Movietown. The trees, though beautiful, shimmered like a special effect in the nonexistent light. I got the feeling that if I were to approach one of the front lawns, I could lift it like indoor-outdoor carpeting, and view the struts and buttresses of construction underneath. I felt that if I looked past that I could find the long dead faces of ghosts of the Industrial Age-these homes and the illusion they represented were built upon the unstable ground of exploitation. I shook my head, and flicked my cigarette out the window. My mood was a little off.
Long, dull Authority vehicles, black as an overcast sky at night cruised the streets. There was a lot of money in the New Garden District. And there were rules hanging from every tree. Rule number one: if you don't have money, you won't be staying long. Rule number two: see rule number one. New Garden sickened me. It was an example of greed that transcended the mere pedestrian greed. New Garden hadn't changed much since the Change, and that was what brought on the nausea. They had enough money here to maintain the simplicity of the Old World. The doggy on the leash, a cat wetting in the garden, here grandma could set the apple pie on the sill to cool off. All this normal day-to-day-this incongruous mediocrity-while the bulk of humanity continued to struggle in the violent current of its impulse towards extinction. New Garden was just the same denial that had so long plagued the world. If you had enough money, and the power that went with it, the world was and always would be the same lovely place. Death, sickness, and poverty were merely the plot devices for a novel or a really good film. More illusions.