"What did the doctors say?" asked Mrs. Bradley.
"Well, one lot declared that if the chap had pitched out on to his head, even from a first-floor window, he could have received the injuries which the police doctor had already described to the court, and which nobody on either side disputed. The prosecution, however, put in a couple of surgeons who declared that the injuries could not have been caused by the fall, but that the fellow must have been hit on the head and his skull smashed before he was pushed out at all."
"But ..."
"Yes, I know. But, you see, their contention was that a struggle must have taken place for her coat button to have got into his hand the way it did. I didn't tell you about that, did I? But the defence contended that a man who is falling from a height instinctively clutches out at things, or even makes clutching movements at the air. That being so, his hands would have been open, not clenched, and so the button must have been planted in his hand after death."
"The wife?" said Mrs. Bradley, who had not heard of the button before.
"Exactly. Although they left that to be inferred. My private opinion is that the prisoner had made a pass or two at the husband, and that the wife didn't like it and was ready to blacken her in any way she could. Nevertheless, that wouldn't necessarily affect her guilt. "On the contrary."
"But ..."
"Yes, I know. The point was that he had already tumbled out of the window shortly before. Both sides put their own interpretation upon that, of course. The prosecution contended it was either a rehearsal or a boss shot at the murder which Bella eventually brought off by the same means, having corrected the errors. On the other hand the defence argued that it proved the bloke was off his chump. Besides, they further contended that the button had not been in the dead man's hand when first he was found by the milk boy. It appears that the village policeman, having telephoned his inspector, hopped on his bike and came bursting up to the inn to tell the wife what had happened. His tale was that he found the wife alone, and that she went with him immediately—on the step of his bicycle, in point of fact—to the haunted house, and was left alone with the body, having promised not to touch it. Very irregular, and the bobby was well cursed for it, but he was a nice, simple, country chap, and as it couldn't be proved that she had touched the body, his sentimental action was overlooked by his superiors. Nevertheless, she had the opportunity if she wanted it."
"And what was the prisoner's explanation of the button?" asked Mrs. Bradley.
"The prisoner? She was very vague about it. In fact, she hadn't an explanation, really. But that, in itself, didn't prejudice the jury. They probably thought it looked more innocent that she couldn't explain it. Anyhow, her counsel managed to make a point with them there. One of the prosecution's own witnesses was wearing a cardigan which had a couple of buttons missing. Counsel had noticed this, and suggested that the juryman did not know when he had lost the buttons or where they were. Sheer bluff, of course, because he might have known exactly, but, as the buttons had not been sewn on again, even for him to appear in court—and most witnesses like to be a bit dressy to make their public appearance—counsel deduced—not that it took much doing; it was written all over him—that he was probably a careless sort of bloke who'd simply let the buttons drop off and hadn't bothered any further about them, and, sure enough, he got away with it. His point, of course, was that the button had been lost from the prisoner's coat some time previously, and had been planted in the dead man's hand either by some spiteful person or by the real murderer. Still, as I said before, I think it was the battle of the doctors that got her off. Juries don't care to give a verdict on expert testimony, anyway, and when the experts can't even agree among themselves it's rather optimistic to try for a conviction."
Mrs. Bradley assented. Then she said :
"And, apart from the button, why were you convinced that she was guilty?"
"Her demeanour, chiefly, and the fact that I knew the story of the grated carrot—the aunt's death, you know. She had nothing to gain by the murder, of course, unless one believes the blackmail story. We had evidence of character and disposition from people who had known the dead man intimately, and he could have been a blackmailer, I thought. His psychic stuff was obviously completely phoney, I should say. Then, too, she could not tell a straightforward story which held water. It was rather too unusual a thing to leave an inn round about midnight to go and find out whether a ghost-hunter was all right. But, of course, it's not impossible that, having decided to do such a batty thing—not that I believe it !—she did exactly what she said she did—spoke to him and came away again."
"But that only refers to the first time, the time he was hurt but not killed," said Mrs. Bradley. "I suppose," she added, "he really was killed on the spot where the body was found?"
"You mean ...?"
"Supposing, for the sake of the argument, that she did murder him, did he die just where he was found?"
"There was no evidence offered to the contrary by the prosecution, but I see what you mean. There were some very rum stories round the village—probably rot, but you never quite know—about cries and moans and what-not, a day or two after the death, by the way. But I only got that on the side. It didn't come out at the trial."
Mrs. Bradley was silent for about a minute. Then she said :
"It seems to me that Bella Foxley was arrested on insufficient evidence."
"Not if you read what the wife said at the inquest. She practically accused Bella Foxley of the murder, and the coroner's jury brought in a verdict accordingly. She let out—only, of course, it had to be suppressed—that she believed the real motive was that Tom knew Bella had murdered the ancient aunt. He was murdered to shut his mouth, and to put an end to the blackmail. She wanted to shout the same thing at the trial, and it was with the greatest difficulty that she could be persuaded to be quiet about it, because, of course, the aunt's death was all signed up and generally accounted for by the local doctor, and as there was no question of poison or violence, and the death certificate was in order, it was hardly possible to drag it up again. Would have meant an exhumation order and all that, so, although the prosecution knew all about her ideas on the subject, they didn't feel they could possibly admit her theories—because, dash it, that's all they were !—as part of the evidence."
"I see," said Mrs. Bradley. "The wife appears to have adopted a very biased, not to say spiteful, attitude towards Bella. It seems odd, considering that Bella had benefited them since she had come into the money."
"I know. I think she really had got a bee in her bonnet about Bella's having been the murderess, but I believe she thought, too, that there was something between Bella and her husband. Anyway, she was so much incensed against her that one of the solicitors told me the prosecution had grave doubts about calling her at all. They were afraid she would prejudice their case. Juries detest a spiteful witness, and rightly. Spite and truth are never too closely related, even though the one may be based upon the other."
"How true," said Mrs. Bradley, sighing. "And I suppose, whether she murdered her cousin or not, there isn't much doubt that Bella really did murder the aunt?"
Mr. Pratt shrugged and smiled.
"One thing I can tell you," he said. "We were all after her for her story when she was acquitted, but she wouldn't give us anything at all. Said she wanted to get away and be at peace."