But when she had taken the box to the table, sat down in the utilitarian chair provided, and finally held David Rosenthal's file in her hands, she changed her mind. Slowly she shuffled through the pages. Typed reports, with the occasional uncorrected error. Handwritten notes by the senior detective in charge of the case, an inspector named Gavin Hoxley. It all felt suddenly, undeniably, real.
David Rosenthal, she read, had been found lying on the ground beside a bench in Cheyne Gardens, on a Saturday night in May 1952. He had apparently been robbed of all his belongings, so that he had not been identified until his wife reported him missing.
His wife. Erika. Good God.
He had been stabbed multiple times with a double-edged blade, the reports went on, and was thought by the pathologist to have died instantly. There had been no defensive wounds.
He had lived in Notting Hill, and the address was the same as Erika's house in Arundel Gardens. He had worked in North Hampstead, and had spent any free time at the British Museum. There was no known reason for him to have been in Chelsea on that Saturday evening.
And then Gemma came to the photos. This-this had been Erika's husband. Even in monochrome, the crime scene photos were brutal, the blood on his shirt front starkly black against the white of the fabric and his blanched face. But even in death she could see that David Rosenthal had been striking, handsome in a fine-boned, careworn sort of way.
Why had she never seen a photo of him in Erika's flat? Not even a wedding portrait. And Gemma, doing a quick calculation, guessed that Erika had been only in her thirties when her husband had been killed. Why had she never remarried? Had David Rosenthal been the great love of her life, never to be replaced?
And why had she, Gemma, never thought to ask?
Pushing back her chair, Gemma separated Gavin Hoxley's notes from the other papers. He had made jottings to himself, just as she kept running commentary in her own notebooks, and his handwriting was well formed, with a bold downstroke. It made her think he had been a careful man, but determined, perhaps even obstinate, and she smiled at her amateur analysis.
She had just begun to read when her phone beeped, telling her she had a text message waiting, and she realized that she had been without a signal until she moved her chair. Her first thought was that she had missed some news about her mum, but the message was from Kincaid, asking if she could meet him at an address in Dean Street.
Kincaid leaned against the lamppost in front of the French House, looking up at the cheerful blue awnings above the bar. The windows of the upstairs dining room were thrown wide to let in the air, but the French flags flying over the first floor gave only a desultory flutter in the warm air.
He had taken off his jacket, and glanced with some dismay at the crush of customers spilling from the doorway of the bar and into the street. If it was warm outside, it would be warmer still within, and any thoughts he'd had of a cool drink and something to eat while they chatted with the staff were probably doomed to logistical failure.
Still, he was not, like Cullen, on his way back to a stuffy office in the Yard to subpoena phone records. The thought made him grin. Cullen had wanted to be in on this interview, and hadn't hesitated to protest.
But Cullen was good at detail-as Kincaid had reminded him-and ferreting out facts was an important part of a sergeant's job.
And the rebellion augured well for future promotion, but in the meantime Cullen had a ways to go in developing patience, and in Kincaid's opinion, empathy. He was quick to judge, and lacked Gemma's intuitive desire to understand what made people tick.
But then Kincaid knew that he would probably always, and perhaps unfairly, use Gemma as a benchmark for a partner's performance, and he realized how readily he had jumped on an excuse to pull Gemma in on this case. Perhaps he couldn't blame Cullen for being touchy.
As if he had conjured her, he glanced down Dean Street and saw Gemma walking towards him. The sun glinted off her copper hair, and even in a skirt, she moved with the long, swingy stride that always made his heart lift. She saw him and smiled, and he suddenly felt distinctly unprofessional.
When she reached him, he leaned over and brushed his lips against her cheek, then pulled away, studying her. "You've got a mucky streak across your forehead," he said, rubbing at it with his thumb. "What have you been doing, excavating a tomb?"
"Nearer than you'd think," said Gemma. Pushing his hand away, she fished in her bag for a tissue and wiped at the smudge. "Did I get it?"
"All better. Now, what were you doing at Lucan Place?"
"Digging through file crates in the basement. I'll tell you later. What are we doing here? I could do with some lunch." She gestured at the pub.
"You should be so lucky." He told her what they had learned from the Harrowby's warrant, and that they had then discovered that the seller of the brooch had been killed the night before. "His neighbor, the poor bloke who found the body, identified Dom Scott from Cullen's photo. Said he visited the victim yesterday, and that they had a row. When we asked Dom, he said he wanted Pevensey to take the brooch out of the sale, as it was causing Kristin trouble, and Pevensey refused."
"So Dominic Scott knew the guy who put the brooch up for sale, this Pevensey, as well as Kristin?" Gemma frowned. "But what has that to do with this place? If we're not having lunch," she added, and he grinned.
"You're fixated on food. Dom Scott says that this is where he met Pevensey, that they were only casual bar acquaintances, and that when Pevensey told him he had jewelry to sell, he put him on to Kristin as a favor to them both. He seemed quite shocked to hear that Pevensey was dead."
"He was quite shocked to hear that Kristin was dead, too," said Gemma. "Either he's a very good actor or he's having very bad luck."
"All a bit much of a coincidence for my liking," Kincaid agreed. "I thought we should see if any of the staff here knows either of them."
"Along with lunch and a drink?" Gemma asked, with a determination that would have done Cullen proud.
Their hopes of sustenance were quickly dashed. The late-lunch crowd was thinning by the time they muscled their way to the bar, but the bartender still looked harried. When queried, he said briskly, "We don't do food. You'll have to go upstairs for that. And we only do beer by the half. Now, what can I get you?"
"Information, actually." Kincaid took out his identification. Even though he had spoken quietly, he had the sudden sense of attention in the room. There was no music, and he had noticed the other patrons glancing at them as they crossed the room. The bar was small, with a clubby feel, and for the most part the clientele seemed to lean towards the flamboyant side of eccentric.
The bartender slotted a wineglass into the rack with a clink and eyed them warily. "What sort of information?"
"I see you have Breton cider," Kincaid said, waiting for the murmur of voices to rise again. He didn't want the barman influenced by an audience. Catching Gemma's affirmative nod, he added, "Give us two bottles, why don't you?" although inwardly he winced at the price. This one was definitely going on the Yard's tab.
When the barman had filled their glasses and Kincaid didn't feel quite so many eyes boring into his back, he said, "Do you know a bloke by the name of Harry Pevensey?" He'd taken one of the smaller photos on Pevensey's wall out of its frame and now showed it to the barman.
"Harry?" The barman broke into an unexpected grin. "That's Harry, all right," he said, handing the photo back. "What's our Harry supposed to have done? Held up a director for a part?" He wiped and slotted another glass. "Of course I know Harry. I've been here for donkey's years, and Harry's been coming in longer than that. He's a harmless sod."