“Her last name is White.”
“What do you know about her?”
“Lots.”
“Listen,” I said, “I’m just trying to help Mr. Silverstein.”
The bartender chuckled.
“Looked like he was doing all right by himself,” the bartender said. “Besides, you’re not his buddy. You were laughing at him.”
“You were laughing at him, too.”
“I was laughing at him,” the bartender said. “You were laughing at him.”
I thought about it for a second then said, “Yeah, you’re right.”
“Yes, I am.”
I got up from the stool. “Thanks for the name.”
“Hope White,” the bartender said, “used to be a chorus girl. Worked all the big shows. When gravity took its toll she switched to cocktail-bar piano. She’s good enough to work the morning shift in the older casinos. You know, Cole Porter tunes to guys with hangovers waiting for a table in the breakfast buffets. I think maybe now she’s at the Nugget. She gets off, she plays the slots. Nice lady. That’s Hope White.”
“Thanks.”
“Thanks for saying thanks.”
And thanks for reminding me what a total asshole I can be.
Like Hope White and Natty Silver, the Nugget had seen better days. And like Hope White and Natty Silver, it wasn’t going down without a few laughs.
The walls were dingy, the carpets worn. The tables had seen more than their share of winning and lots more than anyone’s share of losing. The clientele were blue-collar workers on an economy vacation, or local seniors on a fixed budget, or those few sad high-rollers for whom a string of sevens was a distant memory of something that never happened. The casino smelled of stale smoke, old booze and drugstore perfume.
I found the piano bar. A middle-aged woman with dyed red hair sat at the keys, trying to stretch “I Get a Kick Out of You” into ten minutes. She was doing pretty well at it, too. I took a seat at the piano and put a five in the glass.
When she wound up the tune she said, “You’re a little young for this place, honey.”
“I’m looking for Hope White.”
The redhead smiled. “You’re a little young for her place, too.”
“I’m throwing a birthday party for my mother,” I explained. “I want to see if I can hire Miss White to come play.”
“She’s eight to noon, sweetie.”
“And I work.”
“I got her number.”
The redhead dug around in her purse and handed me two cards, one of Hope White’s and one of her own.
“If Hope can’t do it,” she explained.
“You’ll be the first I call,” I said. “Thanks.”
I looked at Hope’s card. It read, The Great Hope White. Cocktail Chanteuse Extraordinaire.
The Great Hope White. Pretty funny.
“Hi,” I said when Hope answered the door of her old bungalow in Vegas’ declining old section. “Can Nathan come out and play?”
Hope was wrapped in an unbelted white robe probably designed by Omar the Tentmaker.
“Nathan’s not here,” she said.
“Would you like to come in?” Hope asked me.
Without waiting for an answer she took my shoulder and guided me past her into the living room. Her perfume smelled liked gardenias-lots of them.
Going from the hot dry air outside into her house was like stepping from a desert into a jungle. It was actually humid in there. Fetid, one might say if one said graduate school words like ‘fetid’ and ‘bathos.’ If, indeed, one said words like “one” when referring to oneself.
Anyway, it was hot and humid and chock-full of plants, which was a relief to me. I was afraid it was going to be cats. But it was plants and they were everywhere. Not cactuses either (yes, I know it’s “cacti,” but I’ve already used “fetid,” “bathos,” and “one,” and even I have a limit on being pretentious). No, these were leafy green plants of the kind I regularly killed when I had an apartment in New York, and they were all dripping with moisture. It looked like she watered them maybe fifteen times a day. I half-expected an alligator to come running out from behind one of them.
“My babies,” she explained.
“You must have a green thumb,” I answered.
Back to the lack of wit thing.
She motioned for me to sit and I plopped down on an orange sofa that looked around vintage 1965. There was a glass coffee table, a television set, two other chairs from the Johnson administration, and two or three hundred framed photographs.
The photographs occupied virtually every inch of space that wasn’t being taken up by organic matter. There were photos on the walls, on the coffee table, on several little side tables that seemed to exist for the purpose, and on the television set.
Most of the photos were pictures of Hope with people. Some were celebrities-I recognized Sinatra, Tony Bennett, and Wayne Newton-and some of them seemed to be entertainers whose names had never made it above the title. Judging from their placement it didn’t seem to make any difference to Hope-the famous and anonymous were comingled in this gallery of show biz friendships.
I even spotted a couple of pictures of Natty. He was younger then, but had the same sparkling eyes and narrow-mouth smile, especially as he had his arm draped over the broad shoulder of a younger Hope White wearing a chorus girl outfit. Her long legs and ample bosom were on professional display but her eyes were all her own. Cornflower blue, sparkling and smart.
My earlier opinion had been dead on: Hope White had been something then, and she was something now.
“Would you like a drink, dearie?” she asked.
“Do you have any hemlock?”
She thought about it.
“No,” she said, “but I have Haig amp;Haig.”
Soothing as it might have been to sit in that hothouse and get pleasantly stewed, I still had a job to do: find Nathan Silverstein and get him back to Palm Desert.
“A Coke, please?”
“One Coke,” she said brightly, “coming up!”
“How long have you known Nathan?!” I could hear her in the kitchen messing around with an ice cube tray.
“A long time!”
“Did you date him?”
“Honey, I carbon-dated him,” Hope said as she came in with the Coke, which was in one of those old soda fountain glasses. She had a martini for herself.
She sat down on the couch next to me.
“I met him in the bad old days when he was doing the beach movies,” she continued. “He hated them but was paying about three alimonies at the time so he needed the money. Mind you, he was no spring chicken even then. He used to say, ‘I’d like to be a has-been, but I don’t have the money.’”
“I think I saw a few minutes of one of those movies on TV one night,” I said.
“You must have been up late,” Hope said. “They were awful! And they gave poor Natty stupid lines to say. He hated them! The poor little honey was so unhappy, and he used to come to town to try and have a few laughs. I was still in the line in those days-I think it was at Harrah’s-and Natty came backstage after the show and asked me out.”
“Did you know who he was?”
She sipped her martini and smiled. “Oh sure. In this town you make it your business to know who’s out front, so I knew Natty Silver was in the house. But I never thought I’d step out with him.”
“Why did you?”
She seemed to give this question some serious thought, then she said, “He was just so funny.”
She must have seen the quizzical look on my face, because she leaned forward, patted my hand, and said, “Let me tell you a secret, honey: You make a girl laugh and she’ll make you smile, if you know what I mean.”
And she blushed.
“Miss White, do you know where he is?”
“I don’t know,” she said. “Honest Injun, I left him at the Mirage.”
“He checked out.”
She opened her cornflower eyes nice and wide, smiled, shrugged, and finished her drink.
“Do you have an idea where he might have gone?” I asked.
“Honey,” she said, “Natty Silver was once a headliner in this town. He can go anywhere he wants. This isn’t New York or Hollywood. Las Vegas has a memory.”