Viana paused for a moment, very briefly, as if a fly had brushed past him. It was night, our eyes were accustomed now to the darkness and to the light from the water. We were on an island, I had no watch. Luisa was sleeping and Inès was sleeping too, each in her respective room and double bed, perhaps lying diagonally across the bed because neither Viana nor I was by her side. Maybe they missed us in their sleep. Or maybe not, maybe they felt relieved.
‘But all that efforts over now, it no longer matters. What matters is my adoration, my immutable adoration. That’s so identical to what it was sixteen years ago that I can’t see it changing in the near future. And it would be disastrous if it did change. I’ve been devoted to her for too long now, devoted to her growing up, to her education, I couldn’t live any other way. For her, though, it’s different. She’s fulfilled her childhood dream, her childhood fixation — five years ago, she was as happy or even happier than I was when she came to live with me, because my house had been entirely designed around her and there was nothing she wanted that she didn’t have. But her character is still developing, she’s still very dependent on novelty, she’s drawn to the outside world, she’s looking around to see what else there is, what awaits her beyond me, and she’s a little tired, I think. Not just of me, but also of our strange, anomalous situation, she misses having a conventional life, misses the close relationship she had with her parents. Don’t think I don’t understand that, on the contrary, I foresaw it would happen, but the fact that I understand doesn’t help one iota. We all have our own life to lead, and we only have the one life, and none of us is prepared not to live that life according to our own desires — apart from those who have no desires, they’re the majority actually. People can say what they like, and speak of abnegation, sacrifice, generosity, acceptance and resignation, but it’s all false: the norm is for people to think they desire whatever comes their way, whatever happens to them, what they achieve as they go along or what’s given to them, and they have no original desires. But whether those desires are preconceived or not, we each care about our own life and, compared with that, the lives of others matter only insofar as they’re interwoven with and form part of our own life, and insofar as disposing of those lives without consideration or scruple could end up affecting our own; there are, after all, laws, and punishment might follow. My adoration is excessive — that’s what makes it adoration. The length of time I had to wait was excessive too. And now I continue to wait, but the nature of that waiting has been turned on its head. Before, I was waiting to gain something, now all I can expect is for all this to end. Before, I was waiting to be given a gift, now I expect only loss. Before, I was waiting for growth, now I expect decay. Not just mine, you understand, but hers too, and that’s something I’m not prepared for. You’re probably thinking that I’m making too many assumptions, that nothing is entirely foreseeable; as I said before, the order of our dying is equally unforeseeable. You’re probably thinking that life is unforeseeable too, and that maybe Inès won’t tire of me or leave me. You’re thinking that I might be wrong to fear the passing of time, that perhaps she and I will grow old together, as you suggested earlier and as you’re convinced that you and your wife will, because I heard what you said, your words weren’t lost on me. But if that were the case, if all those years together did lie ahead of us, my adoration would still lead me to the same situation. Or do you imagine that I could allow my adoration to die? Do you think I could watch her age and deteriorate without resorting to the sole remedy that exists, namely, that she should die first? Do you imagine that, having known her as a seven-year-old (a seven-year-old), I could bear to see Inès in her forties, much less her fifties, with no trace of childhood left? Don’t be absurd. It’s like asking some particularly long-lived father to endure and celebrate the old age of his own children. Parents refuse to see their children transformed into old people, they hate them and jump over them and see only their grandchildren, if they have any. Time is always opposed to what it originated — to what is.’
Viana buried his face in his hands, as I’d seen him do from above, from the balcony, but not from down here, by the pool. And I saw then that this gesture had nothing to do with suppressed laughter, but with a kind of panic that nevertheless failed to negate a certain serenity. Perhaps he had to make that gesture precisely in order to cling on to his serenity. I again glanced up at my balcony and at the other balconies, but all still lay in silence, dark and empty, as if beyond the balconies, beyond the windows and net curtains, inside the repeated and identical rooms, no one was sleeping, no Luisa, no Inès, no one. But I knew they were sleeping and that the world was sleeping, its weak wheel stopped. Viana and I were merely the product of its inertia for as long as we were speaking. He went on speaking, his face still covered:
‘That’s why time offers no solution,’ he said. ‘Rather than allow my adoration to die, I would rather kill her, you understand; and rather than allow her to leave me, rather than allow my adoration to continue, without its object, I would also rather kill her. That, from my point of view, is perfectly logical. That’s why I know what I will have to do one day, possibly far off in the future, I’ll delay it for as long as possible, but it’s only a matter of time. Just in case, though, you see, I video her every day.’
‘Haven’t you ever considered killing yourself?’ I blurted out. I had been listening to him not because I wanted to, but because I had the feeling there was nothing else I could do and that the best way of not taking part in the conversation was to say nothing, to behave as if I were the mere repository of his confidences, without offering any objections or advice, without refuting or agreeing or being shocked. But it seemed to me harder and harder to bring this conversation to a close, the path it had taken was interminable, or so it seemed. My eyes felt itchy. I wished Luisa’s sheets would slide off and wake her up, that she would notice my absence and, like me, go out onto the balcony. That she would see me down below, by the swimming pool, in the feeble glow cast by the moon on the water, and summon me upstairs, that she would say my name and rescue me from this conversation with Viana; all she had to do was call. What a drag, I thought, as I sat listening to him, I’ll have to read the newspapers closely from now on and each time there’s a headline about a woman who has died at the hands of a man I’ll have to read the whole article until I find their names, now I’ll always fear that Inès could be the dead woman and Viana the man who killed her. Although it might all be lies, here on this island, while the women are sleeping.
‘Kill myself? That wouldn’t be right,’ answered Viana, removing his hands from his face. He looked at me with an expression more of amusement than surprise, and the corners of his mouth almost lifted in a smile, or so it seemed to me in the darkness.
‘It would be much less right — if I’ve understood you correctly — for you to kill her just so that you can continue to adore her on tape once she’s dead.’
‘No, you don’t understand: it would be right for me to kill her for the reasons I’ve explained, no one willingly gives up his way of life if he has a fairly good idea of how he wants to live it, and I do, which is unusual. And, how can I put it, murder is a very male practice, just as execution is, but not suicide, which is as common among women as it is among men. Earlier, I mentioned that she had a glimmering of what lies beyond me, but the fact is that beyond me there is nothing. As far as she’s concerned, there is nothing; she may not realise that, but she should. And if I were to kill myself, then that wouldn’t be the case — and really beyond me there must be nothing, don’t you see?’