A few days later she received a warbling international phone call from someone who called himself Vladimir Houdoliy and whose English was, thankfully, exceptional, although delivered with intonation that was entirely American. His mastery of metaphor also left something to be desired. He introduced himself as a man who 'has a lot of experience tucked away beneath my belt,' which left her crippled for days. He apologized for the intrusion, called her Madam Proprietor, and explained his purpose.
He spoke in colourful tones, so engaging to Elizabeth on a day of leaden London skies, of his homeland and of a magnificent palace that overlooked the sea. A place of dreams, he said, somewhere on the coast of the Black Sea, a former summer residence much favoured by the last Tsar and Tsaritsa and equipped, in their time, most magnificently. Vast floors of the coolest Italian marble. French chandeliers that outshone diamonds. Statuary that would have graced Florence, fountains whose waters tumbled like a constant peal of bells, and beneath it all, dark and secure, an extensive wine cellar whose contents were the pride of the owner of the palace – Vladimir's grandfather.
In those ancient times when riot and unrest had rushed towards revolution, Vladimir's grandfather had grown increasingly concerned. The Bolsheviks showed such little respect for palaces let alone for French chandeliers, and no respect at all for cellars, particularly those holding the Tsar and Tsaritsa. So he had shipped out the statues, turned off the fountains, draped sacking around the chandeliers, even allowed peasants to sleep in the stables. He also decided to brick up the wine cellar in the hope that he could liberate it at a later time.
That time had never come. Grandfather had been put to the purge, the palace had been stripped of its marble and then nationalized. Lenin had promised to turn it into a sanatorium, but instead it became a munitions factory and, after a period in World War II when it had been occupied by the Germans, it had been used as a mental asylum. No one had bothered with the cellar, its secrets preserved behind crumbling brick and in faded family legend.
Yet, thank God and Gorbachev, the New Revolution had changed all that. Vladimir had been able to reclaim his inheritance and was planning to restore life to the crumbling palace by transforming it into a headquarters building for a Western company. A great opportunity for him – except for the problem of his cash flow. The chaos in those wretched currency markets, you understand? So would Elizabeth be interested in some rather fine wines? Mostly reds, of course, fortified, from the Crimea, plus a wide range of local spirits. All Russian imperial, pre-1917 vintage? At prices in hard currency that would do them both a favour?
Timing is everything in a woman's life and Vladimir Houdoliy found his timing was all but perfect. Elizabeth needed Vladimir, or someone just like him. Recession had begun to nibble at Westminster's sense of well-being and takings at The Kremlin were down. Not desperate, but down. There was a black hole emerging in her accounts and her bank manager, although appropriately primed with an excellent lunch and one of Elizabeth's most daringly cut dresses, had proved unsympathetic. He had accepted a large Remy then whined throughout the refill about the slim margins and poor security of the restaurant trade. Wanker.
Elizabeth was resolved. A little fun needed to be put back into the business, and a few cases of good Tsarist vintages at the right price might prove a very considerable source of amusement.
Houdoliy turned out to be fun, too. Tall, sixty-something, with a sea of silvery waves for hair, he greeted her at the terminal with a chauffeur-driven Audi and a look of gentle mischief in his grand-fatherly eyes. There was also a bouquet of yellow roses. 'For a beautiful and most welcome guest,' the card announced.
They had driven along the gentle tree-lined boulevards of Odessa with its pastel-painted mansions, once clearly a graceful mercantile capital, now desperately wrinkled at its many edges. 'But safe!' Vladimir had emphasized. 'At night, the most dangerous things on our streets are the potholes.'
'Why so safe?' she had enquired.
'Because our local mafia requires all muggers to be off the streets by sunset,' he had exclaimed, before clasping her hand and bursting into laughter. She noticed he had smooth hands, not at all leathery like some men of his age.
He made her most welcome. He had booked her into the Shevchenko, a floating hotel moored in the harbour that had been converted from an old passenger ferry. Its rooms were small but comfortable, although the main attraction for most visitors seemed to be the much larger bar. That night he took her to The Valday, a restaurant that stood at the very top of the Potemkin Steps. The exterior was inconspicuous but it was beautifully decorated inside and offered the most absorbing dishes of fish, both fresh and smoked. There was also black and orange caviare by the forkful, a little vodka and a remarkably good local sparkling wine. Modern Ukrainian wines had a poor reputation but by heavens they were getting better – although nothing like the pre-1917 vintages, of course, Vladimir had insisted forcefully.
She discovered that for herself the following afternoon. The palace was a short drive along the coast, at a point where the cliffs swooped down to the great sand beaches of Odessa Bay to play tag with the sea. A place of princes, exactly as he had described, although not as large as she had imagined, brooding, with a cracked whitewashed portico. Outside in the grounds there was nothing but a toppled sundial and a few empty plinths, crumbling like long-forgotten graves in gardens that had been tended by nothing but a few grazing cattle for more than half a century. Inside, the palace was guarded by echoes that swirled around columns and scurried across floors that had been stripped of their marble and patched with bad cement. And deep within, behind a new steel door, he led her to the cellars, rows of musty underground enclaves that smelled of old souls where the bottles were laid out like corpses.
Oh, but what a confusion of wines! Dessert wines that had been protected by their high sugar and alcohol contents, some of which were still improving. Heavy ports, red and white Muscats, Tokays. Many of the wines were from Massandra, the bottles bearing the double-headed eagle that marked them as once belonging to the Tsar himself. Like a magician, Vladimir would produce yet another surprise, stroking away the layers of dust and encrustation with the tenderness of a young lover to reveal still more wonders. An 1896 Prince Golitzin Lacrima Christi. An Alupka White Port. A Muscat in a bulbous bottle with a huge royal seal on its shoulder, made for the Tsar in the very year they had dragged him from his throne.
They sat at an old wooden table stained the colour of dried blood from the lees, and in the candlelight Vladimir subjected her to a series of temptations, first with a wine from the Crimea, then a bottle from further along the coast. They tasted wine after wine, nine in all, mostly reds but with two darkly sweet whites and a brandy. Not all of them had worn as well as Vladimir, but they inspired in spite of that, simply because of their history. From the shadows of the wall an icon of a gilded Madonna smiled contentedly, while Vladimir entertained Elizabeth with more stories of his family, of the palace, and of the purge that had emptied it of his grandfather's family.
– =OO=OOO=OO-= 'He was killed in this cellar by the NKVD,' Vladimir explains, with a hint of pride. 'Stood up against the same wall he had built to hide this wine and shot. On the very day they murdered the Tsar and Tsaritsa. This is more than wine, this is the blood of my country.'