They turned north on Doheny, crawled up the steep hills, and swung right onto Sunset Boulevard, heading for the heart of Hollywood. For a couple of blocks, the famous street delivered a little bit on the promise of its name and legend. On the right stood Scandia, one of the best and most elegant restaurants in town, and one of the half dozen best in the entire country. Glittering discos. A nightclub specializing in magic. Another spot owned and operated by a stage hypnotist. Comedy clubs. Rock and roll clubs. Huge flashy billboards advertising current films and currently popular recording stars. Lights, lights and more lights. Initially, the boulevard supported the university studies and government reports that claimed Los Angeles and its suburbs formed the richest metropolitan area in the nation, perhaps the richest in the world. But after a while, as Frank continued to drive eastward, the blush of glamor faded. Even L.A. suffered from senescence. The pattern became marginally but unmistakably cancerous. In the healthy flesh of the city, a few malignant growths swelled here and there: cheap bars, a striptease club, a shuttered service station, brassy massage parlors, an adult book store, a few buildings desperately in need of renovation, more of them block by block. The disease was not terminal in this neighborhood, as it was in others nearby, but every day it gobbled up a few more bites of healthy tissue. Frank and Tony did not have to descend into the scabrous heart of the tumor, for The Big Quake was still on the edge of the blight. The bar appeared suddenly in a blaze of red and blue lights on the righthand side of the street.
Inside, the place resembled Paradise, except that the decor relied more heavily on colored lights and chrome and mirrors than it did in the Santa Monica bar. The customers were somewhat more consciously stylish, more aggressively au courant, and generally a shade better looking than the crowd in Paradise. But to Tony the patterns appeared to be the same as they were in Santa Monica. Patterns of need, longing, and loneliness. Desperate, carnivorous patterns.
The bartender wasn't able to help them, and the only customer who had anything for them was a tall brunette with violet eyes. She was sure they would find Bobby at Janus, a discotheque in Westwood. She had seen him there the previous two nights.
Outside, in the parking lot, bathed in alternating flashes of red and blue light, Frank said, "One thing just leads to another."
"As usual."
"It's getting late."
"Yeah."
"You want to try Janus now or leave it for tomorrow?"
"Now," Tony said.
"Good."
They turned around and traveled west on Sunset, out of the area that showed signs of urban cancer, into the glitter of the Strip, then into greenery and wealth again, past the Beverly Hills Hotel, past mansions and endless marching rows of gigantic palm trees.
As he often did when he suspected Tony might attempt to strike up another conversation, Frank switched on the police band radio and listened to Communications calling black-and-whites in the division that provided protection for Westwood, toward which they were heading. Nothing much was happening on that frequency. A family dispute. A fender-bender at the corner of Westwood Boulevard and Wilshire. A suspicious man in a parked car on a quiet residential street off Hilgarde had attracted attention and needed checking out.
In most of the city's other sixteen police divisions, the night was far less safe and peaceful than it was in privileged Westwood. In the Seventy-seventh, Newton, and Southwest divisions, which served the black community south of the Santa Monica Freeway, none of the mid-watch patrol officers would be bored; in their bailiwicks the night was jumping. On the east side of town, in the Mexican-American neighborhoods, the gangs would continue to give a bad name to the vast majority of law-abiding Chicano citizens. By the time the mid-watch went off duty at three o'clock--three hours after the morning watch came on line--there would be several ugly incidents of gang violence on the east side, a few punks stabbing other punks, maybe a shooting and a death or two as the macho maniacs tried to prove their manhood in the wearisome, stupid, but timeless blood ceremonies they had been performing with Latin passion for generations. To the northwest, on the far side of the hills, the affluent valley kids were drinking too damned much whiskey, smoking too much pot, snorting too much cocaine--and subsequently ramming their cars and vans and motorcycles into one another at ghastly speeds and with tiresome regularity.
As Frank drove past the entrance to Bel Air Estates and started up a hill toward the UCLA campus, the Westwood scene suddenly got lively. Communications put out a woman-in-trouble call. Information was sketchy. Apparently, it was an attempted rape and assault with a deadly weapon. It was not clear if the assailant was still on the premises. Shots had been fired, but Communications had been unable to ascertain from the complainant whether the gun belonged to her or the assailant. Likewise, they didn't know if anyone was hurt.
"Have to go in blind," Tony said.
"That address is just a couple of blocks from here," Frank said.
"We could be there in a minute."
"Probably a lot faster than the patrol car."
"Want to assist?"
"Sure."
"I'll call in and tell them."
Tony picked up the microphone as Frank hung a hard left at the first intersection. A block later they turned left again, and Frank accelerated as much as he dared along the narrow, tree-flanked street.
Tony's heart accelerated with the car. He felt an old excitement, a cold hard knot of fear in his guts.
He remembered Parker Hitchison, a particularly quirky, morose, and humorless partner he had endured for a short while during his second year as a patrol officer, long before he won his detective's badge. Every time they answered a call, every damned time, whether it was a Code Three emergency or just a frightened cat stuck in a tree, Parker Hitchison sighed mournfully and said, "Now, we die." It was weird and decidedly unsettling. Over and over again on every shift, night after night, with sincere and unflagging pessimism, he said it--"Now, we die"--until Tony was almost crazy.
Hitchison's funereal voice and those three somber words still haunted him in moments like this.
Now we die?
Frank wheeled around another corner, nearly clipping a black BMW that was parked too close to the intersection. The tires squealed, and the sedan shimmied, and Frank said, "That address ought to be right around here somewhere."
Tony squinted at the shadowy houses that were only partly illuminated by the streetlamps. "There it is, I think," he said, pointing.
It was a large neo-Spanish house set well back from the street on a spacious lot. Red tile roof. Cream-colored stucco. Leaded windows. Two big wrought-iron carriage lamps, one on each side of the front door.
Frank parked in the circular driveway.
They got out of the unmarked sedan.
Tony reached under his jacket and slipped the service revolver out of his shoulder holster.
***
After Hilary had finished crying at her desk in the study, she had decided, in a daze, to go upstairs and make herself presentable before she reported the assault to the police. Her hair had been in complete disarray, her dress torn, her pantyhose shredded and hanging from her legs in ludicrous loops and tangles. She didn't know how quickly the reporters would arrive once the word had gotten out on the police radio, but she had no doubt that they would show up sooner or later. She was something of a public figure, having written two hit films and having received an Academy Award nomination two years ago for her Arizona Shifty Pete screenplay. She treasured her privacy and preferred to avoid the press if at all possible, but she knew that she would have little choice but to make a statement and answer a few questions about what had happened to her this night. It was the wrong kind of publicity. It was embarrassing. Being the victim in a case like this was always humiliating. Although it should make her an object of sympathy and concern, it actually would make her look like a fool, a patsy just waiting to be pushed around. She had successfully defended herself against Frye, but that would not matter to the sensation seekers. In the unfriendly glare of the television lights and in the flat gray newspaper photos, she would look weak. The merciless American public would wonder why she had let Frye into her house. They would speculate that she had been raped and that her story of fending him off was just a coverup. Some of them would be certain that she had invited him in and had asked to be raped. Most of the sympathy she received would be shot through with morbid curiosity. The only thing she could control was her appearance when the newsmen arrived. She simply could not allow herself to be photographed in the pitiable, dissheveled state in which Bruno Frye had left her.