"Hello?"
There was only silence on the other end of the line.
"Who's there?"
Nothing.
She slammed the receiver down. That's what they told you to do when you got a threatening or obscene phone call. Just hang up. Don't encourage the caller. Just hang up quickly and sharply. She had given him a real pain in the ear, but that didn't make her feel a lot better.
She was sure it wasn't a wrong number. Not twice in one night with no apology either time. Besides, there had been a menacing quality in that silence, an unspoken threat.
Even after she had been nominated for the Academy Award, she had never felt the need for an unlisted number. Writers were not celebrities in the same sense that actors and even directors were. The general public never remembered or cared who earned the screenplay credit on a hit picture. Most writers who got unlisted numbers did it because it seemed prestigious; unlisted meant the harried scribbler was so busy with so many important projects that he had no time for even the rare unwanted call. But she didn't have an ego problem like that, and leaving her name in the book was just as anonymous as taking it out.
Of course, maybe that was no longer true. Perhaps the media reports about her two encounters with Bruno Frye had made her an object of general interest where her two successful screenplays had not. The story of a woman fighting off a would-be rapist and killing him the second time--that might very well fascinate a certain kind of sick mind. It might make some animal out there eager to prove he could succeed where Bruno Frye had failed.
She decided to call the telephone company business office first thing in the morning and ask for a new, unlisted number.
***
At midnight, the city morgue was, as the medical examiner himself had once described it, quiet as a tomb. The dimly lighted hallway was silent. The laboratory was dark. The room full of corpses was cold and lightless and still except for the insect hum of the blowers that pumped chill air through the wall vents.
As Thursday night changed to Friday morning, only one man was on duty in the morgue. He was in a small chamber adjacent to the M.E.'s private office. He was sitting in a spring-backed chair at an ugly metal and walnut-veneer desk. His name was Albert Wolwicz. He was twenty-nine years old, divorced, and the father of one child, a daughter named Rebecca. His wife had won custody of Becky. They both lived in San Diego now. Albert didn't mind working the (you should forgive the expression) graveyard shift. He did a little filing, then just sat and listened to the radio for a while, then did a bit more filing, then read a few chapters of a really good Stephen King novel about vampires on the loose in New England; and if the city remained cool all night, if the uniformed bulls and the meat wagon boys didn't start running in stretchers from gang fights or freeway accidents, it would be sweet duty all the way through to quitting time.
At ten minutes past midnight, the phone rang. Albert picked it up. "Morgue."
Silence.
"Hello," Albert said.
The man on the other end of the line groaned in agony and began to cry.
"Who is this?"
Weeping, the caller could not respond.
The tortured sounds were almost a parody of grief, an exaggerated and hysterical sobbing that was the strangest thing Albert had ever heard. "If you'll tell me what's wrong, maybe I can help."
The caller hung up.
Albert stared at the receiver for a moment, finally shrugged and put it down.
He tried to pick up where he'd left off in the Stephen King novel, but he kept thinking he heard something shuffling through the doorway behind him. He turned around half a dozen times, but there was never anyone (or anything) there.
Four
FRIDAY MORNING.
Nine o'clock.
Two men from Angels' Hill Mortuary of West Los Angeles arrived at the city morgue to claim the body of Bruno Gunther Frye. They were working in association with the Forever View Funeral Home in the town of St. Helena, where the deceased had lived. One man from Angels' Hill signed the necessary release, and both men transferred the corpse from cold storage to the back of a Cadillac hearse.
***
Frank Howard did not appear to have a hangover. His complexion did not have that after-the-binge sallowness; he was ruddy and healthy-looking. His blue eyes were clear. Confession apparently was every bit as good for the soul as the proverb promised.
At first in the office, then in the car. Tony sensed the awkwardness he had anticipated, and he did his best to make Frank feel comfortable. In time, Frank seemed to realize that nothing had changed for the worse between them; indeed, the partnership was working far better than it had during the past three months. By mid-morning, they had established a degree of rapport that would make it possible for them to learn to function together almost as a single organism. They still did not interact with the perfect harmony that Tony had experienced with Michael Savatino, but now there did not seem to be any obstacles to the development of precisely that sort of deep relationship. They needed some time to adjust to each other, a few more months, but eventually they would share a psychic bond that would make their job immeasurably easier than it had been in the past.
Friday morning, they worked on leads in the Bobby Valdez case. There were not many trails to follow, and the first two led nowhere.
The Department of Motor Vehicles report on Juan Mazquezza was the first disappointment. Apparently, Bobby Valdez had used a phony birth certificate and other false ID to obtain a valid driver's license under the name Juan Mazquezza. But the last address the DMV could provide was the one from which Bobby had moved last July, the Las Palmeras Apartments on La Brea Avenue. There were two other Juan Mazquezzas in the DMV files. One was a nineteen-year-old boy who lived in Fresno. The other Juan was a sixty-seven-year-old man in Tustin. They both owned automobiles with California registrations, but neither of them had a Jaguar. The Juan Mazquezza who had lived on La Brea Avenue had never registered a car, which meant that Bobby had bought the Jaguar using yet another phony name. Evidently, he had a source for forged documents of extremely high quality.
Dead end.
Tony and Frank returned to the Vee Vee Gee Laundry and questioned the employees who had worked with Bobby when he'd been using the Mazquezza name. They hoped that someone would have kept in touch with him after he quit his job and would know where he was living now. But everyone said Juan had been a loner; no one knew where he'd gone.
Dead end.
After they left Vee Vee Gee, they went to lunch at an omelet house that Tony liked. In addition to the main dining room, the restaurant had an open-air brick terrace where a dozen tables stood under blue- and white-striped umbrellas. Tony and Frank ate salads and cheese omelets in the warm autumn breeze.
"You doing anything tomorrow night?" Tony asked.
"Me?"
"You."
"No. Nothing."
"Good. I've arranged something."
"What?"
"A blind date."
"For me?"
"You're half of it."
"Are you serious?"
"I called her this morning."
"Forget it," Frank said.
"She's perfect for you."
"I hate match-making."
"She's a gorgeous woman."
"Not interested."
"And sweet."
"I'm not a kid."
"Who said you were?"
"I don't need you to fix me up with someone."
"Sometimes a guy does that for a friend. Doesn't he?"
"I can find my own dates."
"Only a fool would turn down this lady."
"Then I'm a fool."
Tony sighed. "Suit yourself."
"Look, what I said last night at The Bolt Hole...."
"Yeah?"
"I wasn't looking for sympathy."
"Everybody needs some sympathy now and then."