"Elvis and Gladys liked to nuzzle and pet," he said. "They slept in the same bed until he began to approach physical maturity. They talked baby talk to each other all the time."
"Hitler was a lazy kid. His report card was full of unsatisfactorys. But Klara loved him, spoiled him, gave him the attention his father failed to give him. She was a quiet woman, modest and religious, and a good cook and housekeeper."
"Gladys walked Elvis to school and back every day. She defended him in little street rumbles, lashed out at any kid who tried to bully him."
"Hitler fantasized. He took piano lessons, made sketches of museums and villas. He sat around the house a lot. Klara tolerated this. He was the first of her children to survive infancy. Three others had died."
"Elvis confided in Gladys. He brought his girlfriends around to meet her."
"Hitler wrote a poem to his mother. His mother and his niece were the women with the greatest hold on his mind."
"When Elvis went into the army, Gladys became ill and depressed. She sensed something, maybe as much about herself as about him. Her psychic apparatus was flashing all the wrong signals. Foreboding and gloom."
"There's not much doubt that Hitler was what we call a mama's boy."
A note-taking young man murmured absently, "Mutter-söhnchen." I regarded him warily. Then, on an impulse, I abandoned my stance at the wall and began to pace the room like Murray, occasionally pausing to gesture, to listen, to gaze out a window or up at the ceiling.
"Elvis could hardly bear to let Gladys out of his sight when her condition grew worse. He kept a vigil -at the hospital."
"When his mother became severely ill, Hitler put a bed in the kitchen to be closer to her. He cooked and cleaned."
"Elvis fell apart with grief when Gladys died. He fondled and petted her in the casket. He talked baby talk to her until she was in the ground."
"Klara's funeral cost three hundred and seventy kronen. Hitler wept at the grave and fell into a period of depression and self-pity. He felt an intense loneliness. He'd lost not only his beloved mother but also his sense of home and hearth."
"It seems fairly certain that Gladys's death caused a fundamental shift at the center of the King's world view. She'd been his anchor, his sense of security. He began to withdraw from the real world, to enter the state of his own dying."
"For the rest of his life, Hitler could not bear to be anywhere near Christmas decorations because his mother had died near a Christmas tree."
"Elvis made death threats, received death threats. He took mortuary tours and became interested in UFOs. He began to study the Bardo Thödol, commonly known as The Tibetan Book of the Dead. This is a guide to dying and being reborn."
"Years later, in the grip of self-myth and deep remoteness, Hitler kept a portrait of his mother in his spartan quarters at Obersalzberg. He began to hear a buzzing in his left ear."
Murray and I passed each other near the center of the room, almost colliding. Alfonse Stompanato entered, followed by several students, drawn perhaps by some magnetic wave of excitation, some frenzy in the air. He settled his surly bulk in a chair as Murray and I circled each other and headed off in opposite directions, avoiding an exchange of looks.
"Elvis fulfilled the terms of the contract. Excess, deterioration, self-destructiveness, grotesque behavior, a physical bloating and a series of insults to the brain, self-delivered. His place in legend is secure. He bought off the skeptics by dying early, horribly, unnecessarily. No one could deny him now. His mother probably saw it all, as on a nineteen-inch screen, years before her own death."
Murray, happily deferring to me, went to a corner of the room and sat on the floor, leaving me to pace and gesture alone, secure in my professional aura of power, madness and death.
"Hitler called himself the lonely wanderer out of nothingness. He sucked on lozenges, spoke to people in endless monologues, free-associating, as if the language came from some vastness beyond the world and he was simply the medium of revelation. It's interesting to wonder if he looked back from the führerbunker, beneath the burning city, to the early days of his power. Did he think of the small groups of tourists who visited the little settlement where his mother was born and where he'd spent summers with his cousins, riding in ox carts and making kites? They came to honor the site, Klara's birthplace. They entered the farmhouse, poked around tentatively. Adolescent boys climbed on the roof. In time the numbers began to increase. They took pictures, slipped small items into their pockets. Then crowds came, mobs of people overrunning the courtyard and singing patriotic songs, painting swastikas on the walls, on the flanks of farm animals. Crowds came to his mountain villa, so many people he had to stay indoors. They picked up pebbles where he'd walked and took them home as souvenirs. Crowds came to hear him speak, crowds erotically charged, the masses he once called his only bride. He closed his eyes, clenched his fists as he spoke, twisted his sweat-drenched body, remade his voice as a thrilling weapon. 'Sex murders,' someone called these speeches. Crowds came to be hypnotized by the voice, the party anthems, the torchlight parades."
I stared at the carpet and counted silently to seven.
"But wait. How familiar this all seems, how close to ordinary. Crowds come, get worked up, touch and press-people eager to be transported. Isn't this ordinary? We know all this. There must have been something different about those crowds. What was it? Let me whisper the terrible word, from the Old English, from the Old German, from the Old Norse. Death. Many of those crowds were assembled in the name of death. They were there to attend tributes to the dead. Processions, songs, speeches, dialogues with the dead, recitations of the names of the dead. They were there to see pyres and flaming wheels, thousands of flags dipped in salute, thousands of uniformed mourners. There were ranks and squadrons, elaborate backdrops, blood banners and black dress uniforms. Crowds came to form a shield against their own dying. To become a crowd is to keep out death. To break off from the crowd is to risk death as an individual, to face dying alone. Crowds came for this reason above all others. They were there to be a crowd."
Murray sat across the room. His eyes showed a deep gratitude. I had been generous with the power and madness at my disposal, allowing my subject to be associated with an infinitely lesser figure, a fellow who sat in La-Z-Boy chairs and shot out TVs. It was not a small matter. We all had an aura to maintain, and in sharing mine with a friend I was risking the very things that made me untouchable.
People gathered round, students and staff, and in the mild din of half heard remarks and orbiting voices I realized we were now a crowd. Not that I needed a crowd around me now. Least of all now. Death was strictly a professional matter here. I was comfortable with it, I was on top of it. Murray made his way to my side and escorted me from the room, parting the crowd with his fluttering hand.
16
This was the day Wilder started crying at two in the afternoon. At six he was still crying, sitting on the kitchen floor and looking through the oven window, and we ate dinner quickly, moving around him or stepping over him to reach the stove and refrigerator. Babette watched him as she ate. She had a class to teach in sitting, standing and walking. It would start in an hour and a half. She looked at me in a drained and supplicating way. She'd spoken soothingly to him, hefted and caressed him, checked his teeth, given him a bath, examined him, tickled him, fed him, tried to get him to crawl into his vinyl play tunnel. Her old people would be waiting in the church basement.