“Dance with me,” she said.
“Can’t dance,” I said. “I’m a white girl.”
“Don’t say can’t.” She grinned, her hips shifting in subtle circles like a stream over rocks. She grabbed my hand and pulled me off the daybed.
I stood awkwardly before her, tried to copy her movements, but even slightly inebriated, I was aware of how ridiculous I was, how out of time with the music, how out of step. Her body moved in ten directions at once, all harmonized, supple as ribbon. She laughed, then covered her smile with her hand. “Feel the music, Astrid. Don’t look at me. Close your eyes and be inside it.”
I closed my eyes, and felt her hands on my hips, moving me. Each hip turned independently of the other. She let go, and I tried to keep the rhythm, letting my hips swing in big arcs to the complex beat. I lifted my arms and let the waves of motion travel along the length of me. I closed my eyes and imagined us in Brazil, on a beach with a palm-covered bar, dancing dangerously with men we would never see again.
“Oh Astrid, you’ve got to come to Carnival,” Olivia said. “We’ll tell your keeper your class is taking a trip to see the Liberty Bell, and steal you away. For three days in a row you don’t sleep, you don’t eat, you just dance. I promise, you’ll never move like a white girl after Carnival.”
When the songs turned quiet, she put her arm around my waist, danced with me close. Her perfume still smelled fresh, despite the heat and the sweat, like pine trees. I was as tall as Olivia now, and her holding me made me awkward, I was stepping on her feet.
“I’m the man,” she said. “All you have to do is follow.”
I could feel her leading me, her hand open on the small of my back, always dry, even in the heat.
“You’re growing up so fast,” she said softly in my ear as we danced like waves on Copacabana. “I’m so glad I found you now. In a year or two, it would have been different.”
I imagined she was a man, dancing with me, whispering. “Different how?”
“Everything would have been decided,” she said. “Now you’re so open. You could go any number of ways.” She danced me in slow circles, teaching my feet how to move, my hips to trace the sign of infinity.
THE WINDS of September fanned harvests of fire on the dry hills of Altadena, Malibu, San Fernando, feeding on chaparral and tract homes. The smell of the smoke always brought me back to my mother, to a rooftop under an untrustworthy moon. How beautiful she had been, how perfectly unhinged. It was my second season of fire without her. Oleander time. I read that the Jews celebrated their New Year now, and decided I too would calculate time from this season.
Coyotes drifted down into the city at night, driven by thirst. I saw them walking down the center line on Van Nuys Boulevard. The smoke and ash filled the basin like a gray bath. Ashes filtered into my dreams, I was the ash girl, born to these Santa Anas, born to char and aftermath.
At the height of the fires, 105 in the shade, I went back to school. The world burned and I started the tenth grade at Birmingham High. Boys blew me kisses in the halls, waved money at me. They heard I would do things. But I could hardly see them, they were just shapes in the smoke. Conrad, the chunky boy from the park, was in my typing class. He slipped me joints in the hall. He didn’t ask me to suck him off now. He could see the flames in my hair, he knew my lips would scorch him. I liked the feeling. I felt like my mother in oleander time. Lovers who kill each other now will blame it on the wind.
I sent my mother pictures of Olivia, making gumbo, stirring the huge pot, dancing the samba with her pink palms and feet, driving with her Grace Kelly scarf tied around her head, how bright her skin looked against the white.
Dear Astrid,
I look at the fires that burn on the horizon and I only pray they come closer, immolate me. You have proved every bit as retarded as your school once claimed you were. You’ll attach yourself to anyone who shows you the least bit of attention, won’t you? I wash my hands of you. Do not remind me that it has been two years since I last lived in the world. Do you think I would forget how long it has been? How many days hours minutes I have sat looking at the walls of this cell, listening to women with a vocabulary of twenty-five words or less? And you send pictures of your Mulholland rides, your great good friend. Spare me your enthusiasms. Are you trying to drive me mad?
IN OCTOBER the leaves began to redden and fall, the black plums and cutleaf maples, the sweet gums. I came home from school, planning what I would tell Olivia about a teacher who had asked if I would stay after school, he wanted to talk to me about my “home life situation,” imagining how she would laugh when I imitated his hangdog look. I wanted to know which kind of man he was, when I saw something that sucked the winds out of my sails, they flapped and then hung empty in midocean. Olivia’s car hidden under its canvas cover.
I’d just seen her, and she’d said nothing about leaving. How could she go and not tell me? Maybe it was an emergency, I thought, but she could have left a note for me somewhere, I’d have found it. I waited two days, three, but still the leaves piled up in her yard, floated in and lay on her car cover like Japanese paper screens.
I sat in my room at Marvel’s, sullen and stoned, sketching the curtains. The stripes were the only thing that interested me now, that made sense. I didn’t write to my mother, I couldn’t stand for her to gloat over my loss. She wrote to me, and told me she was corresponding with a classics professor whose name had three initials. He was sending her original translations of some of the more obscene passages of Ovid and Aristophanes. She said she liked the contrast with Dan “The Man” Wylie’s mash notes. She also had a lively exchange going with an editor of a small press in North Carolina, and Hana Gruen, a famous feminist in Cologne who had heard of her plight. She wrote me about her new cellmate, she had finally gotten rid of the last one, sent her off to the Special Care Unit babbling about witchcraft. Of course, none of it had anything to do with me, except teeth.
Dear Astrid,
I have a loose tooth garnered in a contretemps on Barneburg B. I cannot possibly lose a tooth here—the idea of a prison dentist is just too grotesque. I see a thin man palsied with early Parkinson’s, florid with alcoholism, rife with malpractice. Or a stout woman, a real pig slaughterer, administering procedures without anesthesia, relishing the victim’s screams.
Astrid, take care of your teeth. No one will take you to a decent dentist now. If anything goes wrong, they’ll let them rot in your head and you’ll have to pull the lot when you’re 24. I floss every day, even in here, brush with salt, massage my gums. Try to get some vitamin C, if they won’t buy it, eat oranges.
At least she couldn’t vanish, I thought as I folded the letter back into the envelope. But she couldn’t see me, either. I needed Olivia to come back and feed me.
THERE WAS a water ring around the moon, raven’s eye in the mist. It was the first of November. I didn’t tell anyone it was my birthday. To celebrate a birthday without Olivia was worse than having it forgotten. I felt like a painting of Icarus, falling into the sea, all you could see was his legs, and the peasant and the cow kept plowing.
I lay out in the backyard in the cold on the picnic table, brushed my cheek against my blue cashmere shoulder. There was already a seed hole in the front. I flaked the last of the joint into a beer can in the cold yard, then threw the can over the back fence, making the dog bark. I wished the BMW man were there, it was his time of night, and Olivia would be playing Oliver Nelson, “Stolen Moments.” They would have a fire in the fireplace, they would dance slow, the way Olivia danced with me, he would whisper in her ear, the way she whispered in mine. Now I could dance, but she had left me without music.