It was a mess without precedence. Clothes on the beds, the desk, piled up against the walls, pouring out the open closet. I'd never seen so many clothes. And hair magazines, photonovelas in shreds. Over her bed, Yvonne had pictures torn out of magazines, girls and boys holding hands, riding bareback on the beach. On the dresser, a Chinese paper horse with trappings of silky red fringe and gold foil guarded a bright yellow portable radio, a fancy makeup kit with twenty shades of eye shadow, and a picture of a young TV actor in a two-dollar frame.
I gathered the stuff off my bed, a wet towel, pair of overalls, pink sweatshirt, a dirty plate, and tried to decide which would be less offensive, throwing them on the floor or the other bed. The floor, I decided. In the dresser, though, she'd left two drawers empty, and there were a half-dozen free hangers in the closet.
I ordered my clothes into neat piles in my drawers, hung the best things, made the bed. There was no room for the rest. Don't touch my stuff or I'll kill you, she'd said. I'd spoken exactly those words myself. Now I remembered my room at Claire's, seeing it for the first time and wondering how I would ever fill it up. She 'd given me too much, I couldn't hold on. I deserved this. I arranged my things in the shopping bags and slid them under the metal frame of the old-fashioned bed, all my artifacts. All the people I had been. It was like a graveyard under there. I hung the cartoon that Paul Trout had made of me over my bed. I never let anyone touch me. I wondered where he was now, whether I would ever hear from him again. Whether someone would love him someday, show him what beauty meant.
After I'd unpacked, I crossed the narrow hall to the kitchen, where Rena sat with another girl, her dark-rooted hair dyed magenta. Each had an open Heineken bottle and they shared a filthy glass ashtray. The counters were all dirty dishes and takeout debris. "Astrid. This is other one, Niki." Rena turned to the magenta-haired girl.
This girl sized me up more carefully than the pregnant girl. Brown eyes weighed me to the tenth of an ounce, patted me down, checked the seams of my clothing. "Who hit you? " I shrugged. "Some girls at Mac. It's going away." Niki sat back in her mismatched dinette chair, skinny arms behind her head. "Sisters don't like white girls messing with their men." Tilted her head back to sip from her beer, but didn't take her eyes off me. "They give you that haircut too?"
"What, you're Hawaii 5-0?" Rena said. "Leave her be." She got up and fished another beer out of the battered refrigerator, covered with stickers from rock bands. A glimpse of the interior didn't look promising. Beer, takeout cartons, some lunch meat. Rena held a beer up. "Want one?"
I took it. I was here now. We drank beer, we smoked black cigarettes. I wondered what else we did on Ripple Street.
Rena searched for something in the cabinets, opening and slamming the chipped beige doors. There wasn't anything but a bunch of dusty old pots, odd glasses and plates. "You eat chips I buy?"
"Yvonne," Niki said, drinking her beer.
"Eat for two," Rena said.
Niki and Rena went off somewhere in the van. Yvonne lay on one side, asleep on the couch, sucking her thumb. The white cat curled against her back. There was an empty bag of Doritos on the table. The TV was still on, local news. A helicopter crash on the 10. People crying, reporters interviewing them on the shoulder of the freeway. Blood and confusion.
I went out onto the porch. The rain had stopped, the earth smelled damp and green. Two girls my age walked by with their kids, one on a tricycle, the other in a pink baby carriage. They stared at me, plucked eyebrows rendering their faces expressionless. A powder-blue American car from the sixties, somebody's pride and joy, all shining chrome and white upholstery, roared by, the engine deep and explosive, and we watched it rise to the top of Ripple Street.
A crack opened in the clouds to the west, and a golden light washed over the distant hills. Down here, the street was dark already, it would get dark early here, the hillside across the freeway blocked the light, but there was sunlight at the high end of the street and on the hills, gilding the domes of the observatory, which perched on the edge of the mountain like a cathedral.
I walked toward the light, past businesses and little houses advertising child care, two-story fourplexes with wooden stairs and banana trees and corn growing in the yard, the Dolly Madison bakery. An electronics shop. A movie prop outlet, Cadillac Jack's, a Conestoga wagon in its fenced lot. Salazar Mazda repair shop on the corner, where Fletcher Drive crossed the river.
From the bridge, the view opened to the river, warmed in the last light like a gift, streaming between bruised gray clouds. The river ran under the road, heading for Long Beach. I rested my arms on the damp concrete railing and looked north toward the hills and the park. The water flowed through its big concrete embankments, the bottom covered with decades of silt and boulders and trees. It was returning to its wild state despite the massive sloped shore, a secret river. A tall white bird fished among the rocks, standing on one leg like in a Japanese woodcut. Fifty views of the L.A. River.
A horn honked and a man shouted "Give me a piece of that" out of a car window. But it didn't matter, nobody could stop on the bridge anyway. I wondered if Claire was here, if she could see me. I wished she could see this crane, the river bottom. It was beautiful and I didn't deserve it, but I couldn't help lifting my face to the last golden light.'
THE NEXT DAY Rena woke us before dawn. I was dreaming I was drowning, a shipwreck in the North Atlantic, it was just as well to wake up. The room was still dark, and freezing cold. "Workers of the world, arise," Rena said, banishing our dreams with the smoke of her black cigarette. "You got nothing to lose but Visa Card, Happy Meal, Kotex with Wings." She turned on the light.
Yvonne groaned in the other bed, picked up a shoe and threw it halfheartedly at Rena. "Fuckin' Thursday."
We dressed with our backs to each other. Yvonne's heavy breasts and lush thighs were startling in their beauty. I saw Matisse in her lines, I saw Renoir. She was only my age, but by comparison I had the body of a child.
"Gonna report that puta to the INS. Kick her ass back to Russia." She pawed through the piles of clothes, pulled out a turtleneck, sniffed it, threw it back. I stumbled down the hall to wash my face, brush my teeth. When I came out, she was already in the kitchen, pouring coffee into a battered Thermos, stuffing handfuls of saltines in a bag.
In the cold darkness, clouds of white vapor escaped from the tailpipe of the Ford panel van, ghostly in its whitewash, which didn't entirely conceal the gray bondo underneath. In the big captain's chair, Rena Grushenka smoked a black Sobranie with a gold tip and sipped coffee from a Winchell's slotted cup. Rolling Stones played on the tape deck. Her high-heeled boots tapped time on the dash.