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The next morning he was still more depressed, with Marcia Tait haunting his mind. In contrast to the easy comradeship of the liner, this dun-colored town was even more bleak. He was hesitating whether to go out to 16a Hamilton Place, the address on the card, and prowling aimlessly round Piccadilly Circus, when the matter was decided for him. At the mouth of Shaftesbury Avenue he heard a voice bellow his name, with friendly profanity, and he was almost run down by a big yellow car. People were staring at the car. From its massive silvered radiator-cap to the streamlined letters CINEARTS STUDIOS, INC., painted along the side, it was conspicuous enough even for the eye of Tim Emery, who drove it. Emery yelled to him to climb aboard, and Emery was in a bad humor. Bennett glanced sideways at the sharp-featured face, with its discontented mouth and sandy eyebrows, as they shot up Piccadilly.

"God," said Emery, "she's batty. The woman's gone clear batty, I tell you!" He hammered his fist on the steeringwheel, and then swerved sharply to avoid a bus. "I never saw her like it before. Soon as she gets to this town, she goes high-hat. No publicity, she says. No publicity, mind you." His voice rose to a yelp. He was genuinely bewildered and worried. "I've just been round to see our English branch. Wardour Street bunch. Swell lot of help they are! Even if she did walk off the lot, I've still got to see she gets the breaks in the papers. Can you imagine, now-can you just imagine, I ask you-any woman who…"

"Tim," said Bennett, "it's none of my business, but you must realize by this time she's determined to put on that play."

"But why? Why?"

"Well, revenge. Did you see the papers this morning?"

"Say," observed Emery in an awed voice, "she's sure got it in for these Limey managers, hasn't she? That won't do her any good. But why bother about what they say in this town, when she can pull down two thousand a week in a real place? God, that's what burns me up! As though she'd got a…h’mm," said Emery, muttering to himself. "Woman With A Purpose. That'd make a swell lead. You could get a great publicity story out of it. If I could shoot the works on that but I can't. I've got to stop it."

"Short of hitting her over the head and kidnapping her," said Bennett, "I don't see what you can do about it."

Emery peered sideways. The rims of his eyes were red, and his breath in the sharp air was heavily alcoholic. Bennett saw the signs of an embarrassing and theatrical, if honest, attack of sentimentality.

«Listen," said Emery, breathing hard. He had treated the suggestion with the utmost seriousness. "Kidnap her? Man, I wouldn't ruffle a hair of that girl's head, I wouldn't hurt her little finger so much as, for one split second in the world; and Lord help the man who tries it, that's all I've got to say. Yes. I love that woman like she was my own Margarette, and I want to see her have everything in the world…"

"Watch the road," said Bennett sharply. "Where are we going?"

"Out to reason with her, if she's there." "His white, fiercely earnest face turned away again. "She went shopping this morning — in a wig, mind you. A wig. But I was telling you: if she wants to make a picture of this Charles-the-Second thing, all right. Why not? It's swell box-office. Radiant Pictures did one like that last year, and it got top rating from Variety. (That's the show you put Nell Gwynn in, isn't it? Uh-huh. I thought so.) All right. We'll fix it up with Baumann. We'll shoot a million dollars into production. A million-dollars," said Emery, savoring the words, "Yes, and so everything's right we'll bring over some of these Oxford guys to act as technical advisers. You think I don't want an artistic success? Well, I do. That's just what I do want," he said fiercely, and the car swerved again. He meant it. Jerking his neck sharply, he went on: "If that's what she wants, she'll get it. But not here. What kind of a guy is this Bohun, I'm asking you? — when he don't know his own mind from one minute to the next? Soft. That's Bohun. And here's their trick. To get her away from me, in case I'd make her see reason, they're taking her down to this place in the country; then we've lost her, see? But I won't bother with that end of it. She can go to the country. But there may be ways of queering their game right here in London."

"How?"

"Oh, ways." He wrinkled up his forehead and lowered his voice. "Look. Keep this under your hat. Do you know who's putting up the money for this show? Eh?"

"Well?"

"It's Canifest," said Emery. "This is where we turn:'

He maneuvered through the traffic at Hyde Park Corner, and swung into the courtyard of a white-stone block of flats overlooking the brown earth and spiky trees of the Park. Emery beat the hall-porter into submission about not announcing their names; then growled and slid a banknote into his hand. They went up through a cathedral dimness to a landing where the door of Number 12 stood open. "Like a funeral," said Emery, sniffing the thick odor of flowers; but he stopped as he heard voices inside.

In a blue drawing-room, bright with wintry sun through wide windows, were three men. One of them, who leaned back in a window-seat smoking a cigarette, was a stranger to Bennett. On a table among a litter of crushed orchids lay a brown-paper parcel unwound from its wrappings, showing gaudy ribbon and a gaudily colored nude siren painted on the lid of a five-pound chocolate box. John Bohun stood on one side of the table, Carl Rainger on the other. And, as Bennett watched them, he knew that there was danger here. You had only to come into the rooms of Marcia Tait, among her belongings and things that she had touched, to feel the damnable atmosphere tightening again.

"I don't know whether you are aware of it," John Bohun's voice rose sharply, hornet-like in suggestion, and lowered again. "It is customary to allow people to open their own parcels. Manners, we sometimes call it. Did you ever hear anything of the sort?"

"Oh, I don't know;" said Rainger stolidly. He had a cigar between his teeth, and did not lift his eyes from the box. He reached out and touched the ribbons. "I was curious."

"Were you really?" said Bohun without inflection. He leaned over the table. "Get away from that box, my friend, or I'll smash your fat face in. Is that clear?"

The man in the window-seat said, "Look here!" Extinguishing his cigarette with a hurried motion, he got up. Rainger did back away from the table then. He was still composed, his eyes motionless.

"It seems to me, John," the third man observed, in a sort of humorous rumble which might have cooled any animosities but these, "that you're kicking up the devil of a row over this thing, aren't you?" He came up to the table, a big man of slow movements, and fished among the wrappings. Then he glanced over his shoulder at Rainger, speculatively. "And yet after all, Mr. Mr. Rainger, it's only a box of chocolates. Here's the card. From an admirer who has no doubts. Does Miss Tait get so few presents that you're suspicious of this one? I say, you didn't think it was a bomb, did you?"

"If that fool," said Rainger, pointing his cigar at Bohun, "is sane enough to let me explain. "

Bohun had taken a step forward when Emery knocked perfunctorily at the open door and hurried in. Bennett followed him. The others jerked round to look at them. Momentarily this interruption broke the tension, but it was as though the room were full of wasps, and you could hear the buzzing.

"Hello, Tim," said Rainger. The malice crept into his voice, though he tried to keep it out. "Good morning, Mr. Bennett. You're in time to hear something interesting."

"By the way, Rainger," Bohun remarked coolly, "why don't you get out of here?"

The other raised his black eyebrows. He said: "Why should I? I'm a guest here, too. But I happen to be interested in Marcia, and her health. That's why I'm willing to explain even to you and Mr.," he imitated the other's manner, "Mr. Willard. There's something wrong with those chocolates."

John Bohun stopped and looked back at the table. So did the man called Willard, his eyes narrowing. He had a square, shrewd, humorous face, deeply lined round the mouth, with a jutting forehead and heavy grayish hair. "Wrong?" he repeated — slowly.