"I've just got here," he said. "I — what — '
"Come here," said Bohun.
Bennett ran obliquely across the clearing. He did not follow the footsteps that went up and across the stone path to the door. He saw the sixty feet of flat snow-covered space that surrounded the pavilion, and thought it was a lawn. His foot had almost touched the low coping when Bohun spoke again.
"Don't step on that!" he cried, his voice breaking. `Don't step on that, you damned fool. It's thin ice. That's the lake. You'll go through —'
Jerking back, Bennett altered his direction.. He stumbled up the path, breathing hard, and then up the three steps at the end of it which led to the door.
"She's dead," said Bohun.
In the silence they heard roused sparrows shrilling and bickering, and one fluttered across from under the eaves. Bohun's slow-drawn breath turned to smoke in the air; his lips hardly moved. His eyes were fixed with a dull intensity on Bennett's face, and his cheeks looked sunken.
"Do you hear me?" he cried. He lifted a riding-crop and slashed it across the doorpost. "I tell, you Marcia's dead! I've just found her. What's the matter with you? Can't you say something? Dead. Her head-her head is all-"
He looked at sticky fingers, and his shoulders trembled.
"Don't you believe me? Go in and look. My God, the loveliest woman that ever lived, all — all — go and see. They killed her, that's what they did! Somebody killed her. She fought. She would. Dear Marcia. It was no good. She couldn't live. Nothing of mine-ever stays. We were to go riding this morning, before anybody was up. I came out here and…"
Bennett was trying to fight down a physical nausea.
"But," he said, "what's she doing here? In this place, I mean?"
The other looked at him dully. "Oh, no,',' he said at last, as though his vacant mind had found an elusive fact. "You don't know, do you? You weren't there. No. Well, she insisted on sleeping here: all the time she was with us. That was like Marcia. Oh, everything was like Marcia. But why should she want to stay here? I wouldn't have let her. But I wasn't here to stop it… "
"Sir!" called a low, rather hoarse voice from across the clearing. They saw the groom craning his neck and gesticulating. "Sir. Wot is it? Was it you that yelled, sir? I saw you go in, and then-"
"Go back," said Bohun. "Go back, I tell you!" he snarled, as the other hesitated. "I don't need you. I don't need anybody."
He sat down slowly on the top step, and put his head in his hands.
Bennett moved past him. He knew without self-illusion that he was afraid to go in there that he felt empty and shaken at facing the dark, but it had to be done. He cursed himself because his right hand trembled; and he seized his own wrist with the other hand, idiotically.
"Are there," he said, "are there any lights?"
"lights?" repeated Bohun, after a pause. "In? — Oh. Oh, yes. Certainly. Electric lights. Funny. I forgot to turn on lights; forgot all about it. Funny. Ho ho! I "
The jump in his voice made Bennett hurry inside.
So far as he could tell in almost complete darkness, he was in a little anteroom which smelt of old wood and musty silks; but there was a newer perfume trailing through. It brought the face of Marcia Tait too vividly before his mind. He did not, of course, believe she was really dead. That vital loveliness the hand you had touched, the mouth you had (if only once) kissed, and then damned her for making a fool of you — these things did not suddenly dwindle to the flat lines of a drawing, or the wax stillness of a dummy in a coffin. Impossible. She was here, she was all about, palpable even in absence; and so was the flame. But he felt a growing sense of emptiness. Groping in the wall to the left, hurriedly, he found a door open. Inside that, he groped after an electric switch, found one, and hesitated a second before he turned it on…
Nothing. Nothing, when the light went on.
He was in a museum, or a drawing-room — a real drawing-room — of the Stuart times. Nothing had changed, except that the satin had frayed, the colors faded and gone dry. There were the three high arched windows with their square panes. There was the carven fireplace with its blackened stone hood, the floor laid out in chequered squares of black-and-white marble. And it was lit by candle-flames slowly wavering and shifting in brass candelabra on the, walls. So subtly had the illusion been managed that for second Bennett doubted his own sense, and half-expected not to find an electric switch in the wall when he looked. There was suggestion, too, in a disarranged chair with the Stuart arms worked into its oak filigree, in the ashes of a small fire that had gone out. There was a tall door at the rear of the room. When he opened it on darkness, he hesitated still more before the switch clicked.
Only two candelabra burned here, and the shadows were thick. He saw a shadow of the tall bedstead with its red canopy, the dull gleams in many mirrors of a small square room, and then he saw her.
In one stumbling rush he blundered over to make sure. It was true. She was dead. She had been dead for many hours, for she was stone cold: that was what brought home the shock to him most vividly.
Backing away to the middle of the room, he tried to keep himself calm and sensible. It was still impossible. She lay doubled up on the floor between the fireplace and the foot of the bed. In the same wall as the bed, and just across the room from the fireplace, rose an enormous square-paned window through which the gray light fell across her body and face. It dealt kindly with the face, despite the battered forehead and half-open eyes. He had felt blood clotted on the forehead, and matting the long tumbled hair; but Marcia Tait's last expression was less one of anguish than one of fright and defiance, mingled with that assured consciousness of fleshly powers which made her face almost grotesque in death. That, Bennett thought vaguely, was the most terrible feature of all. She wore white: a heavy white lace negligee, which lay about her in a heap, and was torn down along the right shoulder.
Murder. Head beaten in with what? Again trying to keep himself calm and sensible, Bennett fixed his brain desperately on details, and looked about him. Under the hood of the stone fireplace were the ashes of another small fire: as though with a sort of horrible tidiness, it was exactly the size of the one in the other room. Into the ashes had rolled the end of a heavy poker from an overturned set of fire-irons. The poker? Possibly.
On the hearth, and strewing the edge of the gray carpet, he saw smashed fragments of heavy gilded glass from an ancient decanter and there were dark stains near it. Port wine: it still exhaled a stale sweetish odor. Crushed fragments of one or two — yes, two-drinking-glasses lay on the hearthstone. A low tabouret of gilded Japanese lacquer had been knocked over, and an oak chair with a wicker back and scarlet cushion. All these things were on the far side of the fireplace. On the near side of the fireplace, a similar chair stood facing the one that had been overturned.
He tried to visualize what had happened. It was not difficult. Marcia Tait had had a visitor, somebody who sat in the chair that was still upright. The visitor attacked. When he struck, chair, tabouret, decanter, and glasses went over. Marcia Tait ran from him. He struck again, and must have beaten her head long after he had finished her.
The thick air of the room, heavy with spilled wine and stale perfume and smoke, made Bennett feel light-headed. Air! Air, to cleanse even these images away. He moved round her body, towards the big window, and noticed something else. Strewn over the carpet, all in the general direction of the fireplace, lay a number of burnt matches. He noticed them because of their colored stems: they were the fancy green, red, and blue-painted matches you buy on the Continent. But it made no impression on him at the time, although, as he lifted his eyes, he saw on a side-ledge of the fireplace a gold jewel-box, open and containing cigarettes, with a box of ordinary safety matches. Stumbling over to the big window, he wrenched at it, and had got it up part way when he remembered that in cases of this kind you were not supposed to touch anything. Never mind. He still had one driving-glove on; and the chill air was strengthening. He breathed it deeply for a moment before closing the window again. The curtains had not been drawn, and the Venetian blind was still tied up at the top of the window.. Staring out blankly, he saw the unbroken snow touched with bluish shadows. And, beyond the lake and a thin fringe of trees, he saw on higher ground the rear of the line of stables only forty odd yards away, with a little green-shuttered house which evidently belonged to servants. You would never take this for a lake, at first glance, when the snow masked it. It was a good thing John Bohun had warned him not to.