Mom doesn’t seem to hear. Or maybe … She presses a hand to her lips, like she might catch the words before they pop out of the dark and become real. Or maybe it’s stronger and you’re healing faster. This is what the key warned us about. Every time you take it in, it leaves a little bit of itself behind, and vice versa.
The manuscript doesn’t say exactly that. The key says stain, like an old watermark. You could say that about any experience, Meredith.
Yes, but some stains have a way of not coming out. Mom’s jaw sets in a don’t try to talk your way outta this one, buster jut Lizzie knows. She saw it just last week, when Mom set out an apple pie to cool and then didn’t buy Lizzie’s explanation when she said the cat must’ve done it. (Sometimes, Lizzie thinks they really ought to get a dog; they’ll eat anything.) Maybe it can make you activate the Mirror without you being aware or having any memory of doing it.
Now, Meredith … Dad says her name as if Mom is five, like Lizzie, and bawling her head off over a scraped knee. You’re getting hysterical over nothing. You saw my hands. Besides, I can’t go through the Dark Passages to any other Now because you have the Sign of Sure, remember? Without it, I’ve got no way of getting back to this Now, and I would never risk that. Sweetheart, please believe me. That woman in the attic? She’s just some weird, demented vagrant.
Maybe she is. Mom’s mouth goes as thin as one of the seams on Lizzie’s memory quilt: scraps of every bit of clothing Lizzie’s ever worn sewn into special patterns and decorated with Mom’s thought-magic glass, including the twinkly Sign of Sure, which Mom didn’t make but is like the panops and Dickens Mirror—very old and from some other Now. Then let’s talk about you, all right? I know you, Frank. It’s been years since London, and it’s all wearing off, isn’t it? You’re having trouble with this new book. So you’re tempted, aren’t you? When he doesn’t answer, Mom grabs his arm. Talk to me.
I … All of a sudden, Dad can’t look Mom in the eye. It’s just a little writer’s block.
I knew it. Mom’s face crinkles, like she’s as sick as Lizzie after all that apple pie. God, I knew we should’ve found a way to destroy that thing, because it’s never little with you, Frank. When the book just isn’t coming, you get desperate. That’s exactly how you were in London, and look what happened.
No. Dad’s jaw is working, like there’s a bad taste, or a ton of words piled up on his tongue that he knows he oughtn’t let slip between his teeth; enough words for a whole other and much scarier story, the kind he writes best: books guaranteed to melt your eyeballs. That wasn’t exactly how I felt in London. There were … other things going on.
Like what? When Dad doesn’t answer, Mom crosses her arms over her chest. Like what, Frank?
Things you obviously can’t or don’t want to remember, Meredith.
And just what does that mean?
Only that things happened. Dad looks away. When you … when we weren’t together. That’s when things were—Dad licks his lips—bad.
Yes, as in desperate. Do you even remember what you said?
Yes. Dad’s lips must be very stiff, because he’s having a hard time getting his mouth to move. I said I felt … crowded.
You said it felt like your skin was too tight, like there was something growing in your chest. You even worried you might have cancer, remember? Mom shakes her head. I just never connected the dots or understood how much you craved the rush. I should’ve known you’d lose control.
Me? Lose control? Dad gives a tired little laugh. Oh, Meredith, you have no idea. You really don’t. Do you … can you even remember what we were like before the Mirror?
Remember? For a second, Mom looks confused. Her eyelids flutter as if there’s been a sudden strong breeze, or Dad’s thrown her off with a trick question. I’m not sure what you … Mom’s eyebrows pull together. What else is there to remember? I mean, it was so long ago.
But I remember you in the beginning, Meredith. Dad’s face changes a little, like something inside hurts. Every detail. Each moment. Where we met. Your hair. Your smell. Everything.
What are we …? Now Mom looks a little scared, as if she’s being asked to play a silly little piano piece that she never practiced because she thought it was so easy and only now realizes this was a big mistake. What are we talking about? The beginning of what? Do you mean when you couldn’t sell anything? Is that it? When the publisher canceled your contract for the second book because the first one didn’t do well? Or … or … Mom’s eyes drop as if the answer’s fallen out of her brain and gone boinka-boinka-boinka onto the floor. Or when we lived in that miserable little trailer and you taught grade school English and we had to live on food stamps …
No, Meredith. Dad captures her hands in his. That’s all stuff in any article or bio or on the back of a book jacket, for God’s sake. I mean … do you remember what I was back then? Do you remember how much I loved you? How I would do anything to keep you from … Turning Mom’s hands, Dad kisses each palm and both wrists—and the long, stripy scars from where Mom hurt herself way before Lizzie. Oh, Meredith … Love, that man is still here. I’m right in front of you.
Of course. Mom’s eyes are shiny and wet. Of course I know that. But that … Taking back her hands, she blows out, getting rid of the bad. That’s not what we’re talking about. Don’t try to change the subject, Frank. We’re talking about you, not me. Don’t you realize we almost lost you in London? Do you know how hard it was to put that thing back into the Dark Passages because you didn’t want to let go?
Yes. At that, Dad’s face crumples, caving in on itself as a sand castle collapses beneath waves that just won’t stop. But that wasn’t the only reason.
Because it’s an addiction, Frank. Mom grips Dad’s arm so hard her fingers star to a claw. You let it trick you into believing you were in control; that what you wrote was your idea. That what’s on the page stays on the page. Dad mumbles something Lizzie can’t catch, and Mom says, Excuse me?
I said, you should know.
What does that mean? Don’t try to put London on me. That was not my fault. The skin around Mom’s mouth is as white as the special skin-scrolls onto which Dad pulls his stories. You were the one who put together that letter by Collins and then his story about Dee’s Black Mirror with what Mary Dickens wrote about her father. It was you who realized all the mirrors Dickens installed in the chalet weren’t even listed when Gad’s Hill went up for auction.