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Archie hugged the Hoover to his chest and took it into the crowded living room, where, under several pairs of reproachful eyes, he got out his toolbox and started work on it.

‘Look at him,’ said one of the Italian grandmothers, the more glamorous one with the big scarves and fewer moles, ‘he take everything, capisce? He take-a her mind, he take-a the blender, he take-a the old stereo – he take-a everything except the floorboards. It make-a you sick…’

The woman from the council, who even on dry days resembled a long-haired cat soaked to the skin, shook her skinny head in agreement. ‘It’s disgusting, you don’t have to tell me, it’s disgusting… and naturally, we’re the ones left to sort out the mess; it’s muggins here who has to-’

Which was overlapped by the nurse: ‘She can’t stay here alone, can she… now he’s buggered off, poor woman… she needs a proper home, she needs…’

I’m here, Archie felt like saying, I’m right here you know, I’m bloody right here. And it was my blender.

But he wasn’t one for confrontation, Archie. He listened to them all for another fifteen minutes, mute as he tested the Hoover’s suction against pieces of newspaper, until he was overcome by the sensation that Life was an enormous rucksack so impossibly heavy that, even though it meant losing everything, it was infinitely easier to leave all baggage here on the roadside and walk on into the blackness. You don’t need the blender, Archie-boy, you don’t need the Hoover. This stuff’s all dead weight. Just lay down the rucksack, Arch, and join the happy campers in the sky. Was that wrong? To Archie – ex-wife and ex-wife’s relatives in one ear, spluttering vacuum in the other – it just seemed that The End was unavoidably nigh. Nothing personal to God or whatever. It just felt like the end of the world. And he was going to need more than poor whisky, novelty crackers and a paltry box of Quality Street – all the strawberry ones already scoffed – to justify entering another annum.

Patiently he fixed the Hoover, and vacuumed the living room with a strange methodical finality, shoving the nozzle into the most difficult corners. Solemnly he flipped a coin (heads, life, tails, death) and felt nothing in particular when he found himself staring at the dancing lion. Quietly he detached the Hoover tube, put it in a suitcase, and left the house for the last time.

But dying’s no easy trick. And suicide can’t be put on a list of Things to Do in between cleaning the grill pan and levelling the sofa leg with a brick. It is the decision not to do, to un-do; a kiss blown at oblivion. No matter what anyone says, suicide takes guts. It’s for heroes and martyrs, truly vainglorious men. Archie was none of these. He was a man whose significance in the Greater Scheme of Things could be figured along familiar ratios:

Pebble: Beach.

Raindrop: Ocean.

Needle: Haystack.

So for a few days he ignored the decision of the coin and just drove around with the Hoover tube. At nights he looked out through the windscreen into the monstropolous sky and had the old realization of his universal proportions, feeling what it was to be tiny and rootless. He thought about the dent he might make on the world if he disappeared, and it seemed negligible, too small to calculate. He squandered spare minutes wondering whether ‘Hoover’ had become a generic term for vacuum cleaners or whether it was, as others have argued, just a brand name. And all the time the Hoover tube lay like a great flaccid cock on his back seat, mocking his quiet fear, laughing at his pigeon-steps as he approached the executioner, sneering at his impotent indecision.

Then, on the 29th of December, he went to see his old friend Samad Miah Iqbal. An unlikely compadre possibly, but still the oldest friend he had – a Bengali Muslim he had fought alongside back when the fighting had to be done, who reminded him of that war; that war that reminded some people of fatty bacon and painted-on-stockings but recalled in Archie gunshots and card games and the taste of a sharp, foreign alcohol.

‘Archie, my dear friend,’ Samad had said, in his warm, hearty tones. ‘You must forget all this wife-trouble. Try a new life. That is what you need. Now, enough of all this: I will match your five bob and raise you five.’

They were sitting in their new haunt, O’Connell’s Pool House, playing poker with only three hands, two of Archie’s and one of Samad’s – Samad’s right hand being a broken thing, grey-skinned and unmoving, dead in every way bar the blood that ran through it. The place they sat in, where they met each evening for dinner, was half café, half gambling den, owned by an Iraqi family, the many members of which shared a bad skin condition.

‘Look at me. Marrying Alsana has given me this new lease on living, you understand? She opens up for me the new possibilities. She’s so young, so vital – like a breath of fresh air. You come to me for advice? Here it is. Don’t live this old life – it’s a sick life, Archibald. It does you no good. No good whatsoever.’

Samad had looked at him with a great sympathy, for he felt very tenderly for Archie. Their wartime friendship had been severed by thirty years of separation across continents, but in the spring of 1973 Samad had come to England, a middle-aged man seeking a new life with his twenty-year-old new bride, the diminutive, moon-faced Alsana Begum with her shrewd eyes. In a fit of nostalgia, and because he was the only man Samad knew on this little island, Samad had sought Archie out, moved into the same London borough. And slowly but surely a kind of friendship was being rekindled between the two men.

‘You play like a faggot,’ said Samad, laying down the winning queens back to back. He flicked them with the thumb of his left hand in one elegant move, making them fall to the table in a fan shape.

‘I’m old,’ said Archie, throwing his cards in, ‘I’m old. Who’d have me now? It was hard enough convincing anybody the first time.’

‘That is nonsense, Archibald. You have not even met the right one yet. This Ophelia, Archie, she is not the right one. From what you leave me to understand she is not even for this time-’

He referred to Ophelia’s madness, which led her to believe, half of the time, that she was the maid of the celebrated fifteenth-century art lover Cosimo de’ Medici.

‘She is born, she lives, simply in the wrong time! This is just not her day! Maybe not her millennium. Modern life has caught that woman completely unawares and up the arse. Her mind is gone. Buggered. And you? You have picked up the wrong life in the cloakroom and you must return it. Besides, she has not blessed you with children… and life without children, Archie, what is it for? But there are second chances; oh yes, there are second chances in life. Believe me, I know. You,’ he continued, raking in the 10p’s with the side of his bad hand, ‘should never have married her.’

Bloody hindsight, thought Archie. It’s always 20/20.

Finally, two days after this discussion, early on New Year’s morning, the pain had reached such a piercing level that Archie was no longer able to cling to Samad’s advice. He had decided instead to mortify his own flesh, to take his own life, to free himself from a life path that had taken him down numerous wrong turnings, led him deep into the wilderness and finally petered out completely, its breadcrumb course gobbled up by the birds.