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In another year, with a soft summer, he might have found it easier to slip quickly into the pattern of the city’s life. But this year most people had not been lulled into relaxation — this year they took no vacations from the closed-up, preoccupied attitudes of winter, and so Lucas discovered that New Yorkers putting a meal in front of you in a diner, selling you a movie ticket, or rubbing against you on a crowded bus, could each of them be behind an impenetrable wall.

With another uncle, he might have been taken up into a family much like the one he had left behind. In another house, he might have had a room somewhere where people next door soon struck up an acquaintance. But, as everything was, things so combined that what kind of life he lived for the next year and a half was entirely up to him. He recognized the situation, and in his methodical, logical way, began to consider what kind of life he needed.

2

Espresso Maggiore was essentially one large room, with a counter at one end where the espresso machine was and where the clean cups were kept. There were heavy, elaborately carved tables from Venice and Florence, some with marble tops and some not, and besides the murals, executed in an Italianate modern style by one of the neighborhood artists, there were thickly varnished old oil paintings in flaking gilt frames on the walls. There was a sugar bowl on each table, with a small menu card listing the various kinds of coffee served and the small selection of ices and other sweets available. The walls were painted a warm cream-yellow, and the lights were dim. The music played in the background, from speakers concealed in two genuine Cinquecento cupboards, and from time to time one of the steady patrons would find a vaguely Roman bust or statuette — French neoclassic was close enough — which he would donate to the management for the satisfaction of seeing it displayed on a wooden pedestal somewhere in a corner.

The espresso machine dominated the room. When Lucas Maggiore first opened his trattoria, he had bought a second-hand but nearly new modern electric machine, shining in chrome, looking a good deal like a liquid-cooled aircraft engine, with ATALANTO proclaiming the maker’s name in raised block letters across the topmost tube. When the store was redecorated, the new machine was sold to a kaffeneikon and another machine — one of the old gas-fired models — was put up in its place. This was a great vertical cylinder with a bell top, nickel-plated, with the heads of cherubim bolted to its sides and an eagle rampant atop its bell. Rich with its ornamentation, its sides covered by engraved scrollwork, with spigots protruding from its base, the machine sat on the counter and screamed hisses as it forced steam through the charges of coffee. From noon to three a.m. each day except Monday, gathering thickest around midnight, Villagers and tourists crowded Espresso Maggiore, sitting in the wire-back chairs, most of them drinking cappuccino in preference to true espresso, which is bitter, and interrupting their conversations whenever the machine hissed.

Besides Lucas, there were four other employees of Espresso Maggiore.

Carlo, the manager, was a heavyset, almost unspeaking man of about thirty-five, cut from the same cloth as Lucas Maggiore and hired for that reason. He handled the machine, usually took cash, and supervised the work and cleaning up. He showed Lucas how to grind the coffee, told him to keep the tables wiped and the sugarbowls full, taught him how to wash cups and saucers with the greatest efficiency, and left him alone after that, since the youngster did his work well.

There were three waitresses. Two of them were more or less typical Village girls, one from the Midwest and the other from Schenectady, who were studying drama and came in to work from eight to one. The third waitress was a neighborhood girl, Barbara Costa, who was about seventeen or eighteen and worked the full shift every day. She was a pretty, thinnish girl who did her work expertly and wasted no time talking to the Village young men, who came in during the afternoons and sat for hours over their one cup of coffee because nobody minded as long as the store wasn’t crowded. Because she was there all day, Lucas got to know her better than the other two girls. They got along well, and during the first few days she took the trouble to teach him the tricks of balancing four and five cups at a time, remembering complicated orders, and keeping a running tab in his head. Lucas liked her for her friendliness, respected her skill because it was organized in a way he understood, and was grateful for having one person he could talk to in the rare moments when he felt a desire to do so.

In a month, Lucas had acclimated himself to the city. He memorized the complicated network of straggling, unnumbered streets below Washington Square, knew the principal subway routes, found a good, inexpensive laundry and a delicatessen where he bought what few groceries he felt he needed. He had investigated the registration system and entrance requirements at City College and sent a letter of inquiry to Massachusetts. So, by and large, he had succeeded in arranging his circumstances to fit his needs.

But what his uncle had hinted at on his first day in the city was beginning to turn itself over in Lucas’ mind. He sat down and thought it out systematically.

He was eighteen, and at or near his physical peak. His body was an excellently designed mechanism, with definite needs and functions. This particular year was the last even partly-free time he could expect for the next eight years.

Yes, he decided, if he was ever going to get himself a girl, there was no better time for it than now. He had the time, the means, and even the desire. Logic pointed the way, and so he began to look around.

CHAPTER SEVEN

1

The plane went into its final downward glide over Long Island, slipping into the JFK landing pattern, and the lounge hostess asked Rogers and the man to take their seats.

The man lifted his highball gracefully, set the edge against the lip of his mouth, and finished his drink. He put the glass down, and the grille moved back into place. He dabbed at his chin with a paper cocktail napkin. “Alcohol is very bad for high-carbon steel, you know,” he remarked to the hostess.

He had spent most of the trip in the lounge, occasionally ordering a drink, smoking at intervals, holding glass or cigarette in his metal hand. The passengers and crew had been forced to grow accustomed to him.

“Yes, sir,” the hostess said politely.

Rogers shook his head to himself. As he followed the man down the aisle to their seats, he said, “Not if it’s stainless steel, Mr. Martino. I’ve seen the metallurgical analyses on you.”

“Yes,” the man said, buckling his seatbelt and resting his hands lightly on his kneecaps. “You have. But that hostess hasn’t.” He put a cigarette in his mouth and let it dangle there, unlit, while the plane banked and steadied on its new heading. He looked out the window beside him. “Odd,” he said. “You wouldn’t expect it to still be too early for daylight.”

The moment the plane touched the runway, slowed, and began to taxi toward the gate, the man unfastened his seatbelt and lit his cigarette. “We seem to be here,” he said conversationally, and stood up. “It’s been a pleasant trip.”

“Pretty good,” Rogers said, unfastening his own belt. He looked toward Finchley, across the aisle, and shook his head helplessly as the FBI man raised his eyebrows. There was no doubt about it — whoever this man was, Martino or not, they were going to have a bad time with him.

“Well,” the man said, “I don’t suppose we’ll be meeting socially again, Mr. Rogers. I hardly know whether it’s proper to say good-bye or not.”