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Even now, he told himself, the jade probably could not be safely placed upon the market. For there would be records still and the museum still existed. But five hundred years from now, a thousand years from now, it could be safely sold. For by then the very fact of the theft would have been forgotten or so deeply buried in the ancient records that it could not be found.

It would make, he told himself, a satisfactory stake for the second life—if he could only find it. Diamonds, he thought, or rubies would be scarcely worth the effort. But jade was different. It would keep its value, as would any work of art. The converters could turn out diamonds by the bushel and they could, in fact, turn out jade as well, by the ton if need be. But they could not turn out carven jade or paintings. Art objects still would retain their value, perhaps appreciate in value. For while the converters could turn out the raw material, any kind of raw material, they could not duplicate a piece of craftsmanship or art.

A man, he told himself, had to use some judgment in selecting what he meant to cache away against Revival Day.

The tobacco had burned out and the pipe made gurgling noises as he sucked at it. He took it from his mouth and tapped out the ash against his boot heel.

Tomorrow morning there'd be fish on the lines that he had set and he still had flour and other makings for a plate of flapjacks. He got up from the ground and went down to the canoe to get his blanket roll.

A good night's sleep and a hearty breakfast and he'd be on his way again—looking for the island with a sandbar at its point shaped somewhat like a fishhook and the two pines just landward of the sandbar. Although, he knew, the sandbar's shape might well have changed or been wiped out entirely. The one hope that he had were the two pine trees, if they still survived.

He stood at the water's edge and glanced up at the sky. The glitter of the stars was unmarred by any cloud and the moon, almost full, hung just above the eastern cliffs. He sniffed the breeze and it was clean and fresh, with a hint of chill in it. Tomorrow, he told himself, would be another perfect day.

18

Daniel Frost stood on the sidewalk and watched the lights of Ann Harrison's car go down the street until it turned a corner and disappeared from sight.

Then he turned and started up the worn stone steps that led back into the apartment building. But halfway up he hesitated and then turned about and walked down the steps to the street again.

It was too nice a night, he told himself, to go back into his room. But even as he told it to himself, he knew that it was not the beauty of the night, for here, in this ramshackle neighborhood, there was nothing that held any claim to beauty. It was not, he knew, the attractiveness of the night that had turned him back, but a strange reluctance to go back into the room. Wait a while, perhaps, and its emptiness might wear off a little, or his memory might become slightly dulled so that he could accept the emptiness the better.

Until this night he had never known how empty and how drab and colorless and mean that room had been— not until he had come back from the park where he had met Joe Gibbons. And then, for a little time, it had come to a fullness of color, warmth, and beauty with Ann Harrison within the four small walls. There had been some candles and a dozen roses—and the price he'd paid for the roses had seemed to him outrageous—but it was neither the candles nor the roses, or the both of them together, that had transformed the place. It had been Ann who had brought the miracle.

The room had been mean and empty and it had never been before. It had been simply sensible to live in a place like that, a door for privacy, a roof for shelter, a single window to let in the light and one window was enough. A place for eating and for sleeping, a place to spend his time when he wasn't working. There was no need for larger quarters, no thought of greater comfort. For whatever comfort he might need came from the knowledge that week by week he added to the competence he'd take with him when he died.

Why had the room seemed so mean and small when he'd come back to it that evening? Was it, perhaps, because his life likewise suddenly had become mean and small? That the room was empty because his life was empty? And how could his life be empty when he faced the almost certain prospect of immortality?

The street was in shadow, with only a streetlamp here and there. The rundown structures on each side of the roadway were gaunt specters from the past, old somber residential buildings that long ago had outlived any former pride they may have held.

His footsteps rang like hollow drumbeats on the pavement as he walked slowly down the street. The houses mostly were dark, with only here and there a lighted window. There appeared to be no one else abroad.

No one else abroad, he thought, because there was no reason to go anywhere. No cafes, no plays, no concerts— for all of these took money. And if one were to prepare for that second life, he must hold tight to all his money.

A drab, deserted street and a drab and empty room — was this all that the present life could offer to a man? Could he have been wrong? he wondered. Could he have been walking in a dream, blinded by the glory of the life to come?

All alone, he thought—alone in life and alone upon the street.

Then a man stepped out of a recessed doorway. "Mr. Frost?" he asked. "Yes," said Frost. "What can I do for you?" There was something about the man that he didn't care for, a faint hint of impertinence, a sense of insolence in the way he spoke.

The man moved a step or two closer, but said nothing. "If you don't mind," said Frost, "I have…" Something stung him in the back of the neck, a vicious, painful sting. He lifted a hand to smite at whatever might have stung him, but his hand was heavy, and half lifted, it would lift no further. He seemed to be falling, over on one side, in a slow, deliberate fall, not from any blow, not from any violence, but as if he'd tried to lean against something that had not been there. And the curious thing about it was that he didn't seem to care, for he knew that he was falling so slowly he'd not be hurt when he struck the sidewalk.

The man who had spoken to him still was standing. on the sidewalk, and now there was another man as well, someone, Frost realized, who had come up behind him. But they were faceless men, enshrouded in the shadow of the buildings and they were no one that he knew.

17

He was in a dark place and he seemed to be silting in a chair and in the darkness of the place a light he could not see shone on the metallic structure of a strange machine.

He was comfortable and drowsy and he felt no desire to move, although it bothered him that he did not recognize the place. It was somewhere, he was certain, he had never been before.

He closed his eyes again and sat there, the hardness of the chair beneath him, across his back and seat, and the hardness of the floor underneath his feet the one reality. He listened and there seemed to be a sort of humming, an almost silent hum, the sort of noise that an idle piece of equipment might make while it waited for a task to be assigned to it.

There was a burning on each cheek and a burning on his forehead, a tingling sensation with a little fire ir it and he wondered what had happened and where he was and how he'd gotten there, but he was so comfortable, so very close to sleep, that he didn't really mind

He sat quietly and now it seemed that in addition to the machinelike hum, he could hear the ticking oi time as it went flowing past him. Not the ticking of a clock, for there was no sound of a clock, but the tick of time itself. And that was strange, he thought, for time should have no sound.

Embarrassed by the thought of the tick of time, he stirred a little in the chair and lifted a hand to feel the tingle in his cheek.