“Better.”
He had an easel ready, a large canvas waiting. But he didn’t start painting. Merely scrutinized me as if something still weren’t quite right.
“You’re too tense. The painting will appear unnatural. But I know what will help.”
I shifted the cushion to where my leg met the chair arm and watched Lenoir open a cabinet filled with bottles of all shapes and sizes. He selected a wine bottle and a shorter squat thing of heavy green glass. I narrowed my eyes as he pulled a leaf-shaped flat spoon from a drawer.
“Monsieur, forgive me, but I don’t care for absinthe.”
I didn’t actually know if I cared for it; I just knew that I didn’t want any. I’d heard enough stories in Sangland, read enough penny-dreadfuls, and studied enough art history on Earth to know that Sang’s combination of wormwood and laudanum would render me a useless, addicted zombie.
“My dear, this isn’t the rot-gut they sell on the street. This is an herbal preparation by the esteemed Dr. Ordinaire. I take just the tiniest drop in my own bloodwine.”
He added a dash of green liquid to a wineglass, placed the flat spoon over the rim, set a sugar cube on it, set the sugar on fire, and poured a full glass of red bloodwine over the blue-flaming sugar cube, causing most of it to melt away. After stirring the deep purple mixture, he poured half the liquid into another wineglass and brought it to me. I took it as if grasping a viper. I was suspicious, angry, and scared, but the dare in his eyes kept me from flinging the unwanted drink across the studio. Angering Lenoir could be the end of my stardom; one word from him, one breath that he’d rejected me, and the seats of Paradis would be empty, the paper full of lies surrounding my name. I would never be snatched up and delivered to Cherie, to save her from whatever hell held her. This man—this strange, dark, secretive man—held the keys to Mortmartre.
It also didn’t escape me that girls disappeared all the time in Paris with no repercussions, no justice. I was better equipped to survive than most, but no one knew my weaknesses as well as a fellow Bludman. The bravado I’d shown Vale was no longer justified.
Lenoir clinked his glass against mine and sipped, his mouth curving up in a lazy, sensual smile that served as a dare. We both knew he was proving that it wasn’t poison. We both knew I now had no choice but to taste it.
“To the Red Fairy,” he said.
I held the glass to my nose and sniffed. It was a cacophony of smells good and bad: the sharpness of anise, the maple-syrupy sweetness of fennel, the bite of wormwood, the sour velvet of wine, and, most attractive, the warm, salty goodness of fresh blood. I wanted to taste it. And I hated myself for that.
Lenoir took another sip and raised his eyebrows. “You didn’t strike me as the sort of woman easily frightened by rumors and a few bits of plant. Would I be drinking it myself if it were deleterious? Would I stand where I stand, hold the power I hold, if this drink was dangerous?” He sipped again, his Adam’s apple bobbing. “Drink, Demi.”
I touched my lips to the glass, let the plummy liquid wash against my mouth. The Red Fairy, he’d called it. Taste exploded over my tongue, and without another thought, I sipped it. What was the point of being nearly indestructible if you didn’t enjoy the hell out of yourself every now and then?
After my second sip, he nodded slowly, his dark eyes smoldering like storm clouds at night. “That’s better, chérie. Lean back. And hold still.”
Taking his half-empty glass with him, he found his place behind the easel. After a brief pause, his brush began to move furiously, faster than seemed possible. The oily tang of paint filled the air. Moments later, the sun lit on my hair, warming me all over with the feel of crayons melting on a radiator. I took another sip and relaxed, my eyes caught on the glittering motes of dust dancing in the sunbeam. They looked like fairies, and if I squeezed my eyes shut and watched through my eyelashes, I could almost see their wings.
“Your head, chérie.” He waved at the air, and I realized my cheek had fallen over completely.
I righted myself and felt the room spin sweetly, but something he’d said had caught my attention.
“Cherie,” I murmured.
“Yes?”
Cherie sounded the same as chérie. I giggled. That wasn’t the way to go about it.
“You paint lots of girls, don’t you, monsieur?”
He peeked around the easel, brush moving furiously. “You know I do. Have you been to the Louvre yet?”
“No. But I’ve seen reproductions. When I was in Sangland.”
“I’m sure one of your paramours will take you there soon. A reproduction misses the life, the subtlety, of the original.”
“Have you ever painted a Bludman before?”
“Of course. A private client. Ahnastasia Feodor, the Tsarina herself. She’s in Paris often so her mate can perform, you know. Such ostentation.” He sighed and sipped his bloodwine. Or absinthe. Bloodsinthe? I giggled again.
“So most of your victims are daimons?”
He raised an eyebrow at me. “Of course. As this is the pleasure district of Mortmartre, most of my subjects are daimons. There’s occasionally a human girl in the mix, but honestly, who could expect a mere human to keep up with the performance a daimon can provide? When you feed on joy or lust, you’re always going to have more to give to your work.” His eyes twinkled for just a moment. “To be quite honest, it’s been so long since I’ve painted a girl with flesh-colored flesh that I know I’ll have to mix and remix the colors, trying to capture all the subtleties. Blue and red are so much more straightforward.”
Glancing down at his empty wineglass, he seemed surprised to see that he’d drunk it all. When I looked down at my own glass, barely a few deep-red drops remained, and it hung from my talons just a few bare inches from the plush carpet. I had completely forgotten I was holding it. Talking to Lenoir was hypnotic, like having tunnel vision. When I was around him, he was all there was, a vacuum.
Wait.
I looked up. The afternoon sun had moved all the way across me and now painted me with dark shades of red, like a rash.
“Monsieur, it’s late! Past time to go. I must perform soon.”
He looked confused for the briefest moment, before placing his brush reverently on his table. “Is it? Time does have that tendency to fly.” I rushed to the door, and he stopped me with a hand on my arm. “Your dress, chérie,” he said gently, his voice low and husky. I realized for the first time that he’d taken off his gloves to paint me, and his hands were dark like mine, their nails white and sharp. I’d never been touched by the bare hands of a male Bludman, if you didn’t count Criminy, and I shivered all over like a spooked horse.
All I could do was nod and rush back to the screen. I didn’t look back at him as I changed into my layers, more glad than ever for the Sang cover of a corset and the safety of petticoats. The cats attacked my skirts and the laces of my boots but darted away when I tried to pet them, slicing at me with their claws. When I was mostly dressed, I looked for a mirror in which to arrange my hair, as fashionable ladies never walked the streets with their hair loose.
“Allow me.”
He appeared behind me, his fingers nimble as they twirled my hair into a low chignon and pinned it swiftly into place. I wanted to bolt; I wanted to stay; I wanted to turn and kiss him and see if he tasted of absinthe and blood. Lenoir sent confusing signals through me, but I understood that my predator’s blud respected the inherent danger in the famous painter and wished to flop on the floor and show him my belly as the lesser creature.
“Where did you learn to dress a lady’s hair?”