"I don't actually like killing people, but I won't hesitate to do it," Cohn told the three of them. "I needed to make that point, and the consultant seemed like a more worthless piece of shit than a farmer. But, I got nothing against killing farmers or desk clerks or anyone else. That clear?"
They all nodded.
Cohn said, "Now, one of you girls is going with my friend. The other one will sit here with me. With me and the farmer. Which one of you two handles the safe-deposit boxes?"
One of the women glanced at the other, and Cruz picked it up. "Okay, Ann. You handle the boxes? You stay here. Karen, you come with me, like I told you."
Cruz and Karen walked out to the front door, and Cruz waved at Lane, who shut down the van and got the tool and weapons bag from the back.
He followed them inside, and Cruz put Karen back behind the desk, and took up a station in the hallway, behind her.
"Remember, dear, if you try to run, or if somebody comes in here and you give us away, I'll kill both you and them. Do you understand, Karen?"
"Don't hurt me; I have a daughter," Karen whimpered.
"We won't hurt you if you do what we tell you," Cruz said. "We shot that other man to make the point-we don't want a massacre here, but we want you to believe us. We'll kill you if we have to."
While she was giving the little lecture, Lane went back to the chapel, looked at Cohn, who nodded to Ann. Lane squatted in the aisle, his masked face a few inches from Ann's, and said, "Which are the biggest money boxes? Just judging what you think, from what people put in them."
"Oh, God," she said, her chin trembling. She glanced at the dead man. "Honest, I don't know many of them. I think-wait-sixty-six. And maybe, uh, forty-two. And one. I think one."
"Okay. I'm going to go open those," Lane said. "If they're empty, something bad might happen to you. If they're not empty, if they're good-well, you should try to think of more numbers before I get back."
"There might be something in two. An old man keeps stuff there, he keeps it in his hand in his pocket, so it's something, but I don't know what."
"Keep thinking," Lane said, and he touched her face with his gloved left hand, which made her flinch.
"Time's a-wastin'," Cohn said cheerfully. Lane picked up his bag, got the strong-room key from Cruz, who'd gotten it from Karen, and went inside.
The room was just as shown in Cruz's photos, with a wall of steel boxes set in a concrete wall. He put the bag down, picked up the oversized drill, plugged it in, and started on the lock on Box 2, the old man's box, just out of curiosity. He timed the cut.
Forty-eight seconds, and the lock cylinder was gone. "Excellent," Lane breathed. He could do all of them in an hour.
He flipped open the outer door, pulled the box-slowly, it was heavy, so heavy that he thought something was holding it in the slot. He stopped, and looked to see what was binding, saw nothing, and with some effort, pulled it the rest of the way out, and sagged with the weight of it. He put it on the floor, and popped the lid: and found, from front to back, a stack of small gold bars. Each was two inches wide, four or five inches long. They were laid three across, three down the length of the box. He dug them out: five deep. Forty-five bars that must weigh a couple of pounds each.
"Holy shit," he said. He put them in the tool bag, hefted the bag. He could carry it, he could even run with it, but not far. "Holy shit."
He went on to Box 1.
Cruz played the part of the late-night executive woman, a step up from an ordinary desk clerk; you saw them in all the better hotels. If she stayed back, lingering in the hall, nobody would pick up the mask. And she was close enough to control Karen. Karen was not holding up well, clutching at her hands, on the edge of weeping. Cruz was watching her closely, and the two men coming in from behind, down the stairwell, almost took her by surprise.
When she heard them, she instinctively stepped toward Karen, so the men wouldn't see the mask, walked behind the desk and then out the other side, and one of the men said to Karen, "Hey, is there anyplace we ' are you all right?"
Cruz turned and saw them, two guys in ruffled shirts and tux pants, one still wearing a cummerbund, the other without, and she pointed her gun at them and said, "If you move or make any noise I will kill you. This is a robbery…" and before they could react, she half-shouted, "Jim."
Lane popped out of the strong room behind them, and they turned, scared now, and saw Lane with the heavy black mask and the Uzi, and one of them said, "Oh, my gosh," and the other one, "Oh, Jesus," and Lane said, "Into the chapel. Right there, across the hall, into the chapel. You won't be hurt if you pay attention…"
They moved into the chapel and Cohn took them: "Glad to see you fellas. Notice the dead man lying in the aisle…"
Lane went back to his drill, and Cruz, back in the hall, with one eye on the stairway now, looked at her watch. Twelve minutes. Seemed like an eternity.
Karen started shaking again, and there was a gust of odor from her direction, and Cruz said, "Did you…"
Karen started crying and nodded and said, "I peed my pants."
"Ah, Jesus," Cruz said. "Get in the chapel. Get in the chapel."
"Don't shoot me…"
Karen was replaced by Ann, who seemed calmer.
"There's no reason to be afraid, as long as you do what we tell you," Cruz explained, with some asperity. "There was no reason for Karen to do that."
"She's scared," Ann said. She had a little accent, which made Cruz think she was from somewhere else, like Armenia or Russia. A peasant, like Cruz's own mother: peasants were tough, and needed watching. "There's nothing to be scared about."
"Then why's there a dead man in there?" Ann asked. A man and his wife, both in formal dress, pushed through the door.
Cruz said quietly, so only Ann could hear, "Good evening. Can we help you?"
Ann smiled at them and said, "Good evening," and Cruz moved back out of sight, and heard the man say, "Hi," and the two of them went on past the desk and down the hall to the elevators. A minute later, they were gone.
"See, that was easy," Cruz said. She looked at her watch. Eighteen minutes. She said to the desk clerk, "Come here. Just to the strong-room door."
The woman followed her back, not too close, and Cruz pushed the door open with a foot and asked, "How are we doing?"
"I'm working in a fuckin' gold mine in here," Lane said. He was sweating over the drill, had rolled the mask away from his face. "I can't believe it. A fuckin' gold mine."
And he hit the next box with the drill.
Chapter 2 4
Lucas woke in the dark, disoriented, his neck twisted a little by the pillow propped against the arm of the couch. His pant legs and shirtsleeves were pulled up, and felt wrinkled and unclean, and his mouth tasted sour. He squinted through the dark at the red numbers of the alarm clock: 2:56. The alarm would go off in four minutes.
Not an easy sleep: he'd been disturbed by a sense of something undone, unrecognized, the running tail of a thought, but he couldn't quite catch it.
He sat up, in the light of a single lamp in the corner of the room, turned off the clock, picked up his shoes and then dropped them again, stretched and tiptoed down the hall through the master bedroom-Weather was breathing deeply, evenly, into her pillow- and into the bathroom. He shut the door, brushed his teeth by the light of a nightlight, splashed cold water in his face, and snuck back through the bedroom to the couch, and put on his shoes.
He stuck his face out the front door: the night was cool, almost cold. He relocked the door, got a light jacket from the front closet, and walked out to the car. The cool air felt good, fresh, and drove the sleep further back. He pulled out onto Mississippi River Boulevard, the lights of Minneapolis winking across the river valley, turned the corner and headed down to Cretin Avenue.