"No."
Still crying into the disintegrating Kleenex.
"No threatening letters or phone ..."
"No."
"... calls, no one who owed him money ..."
"No."
". . . or who he may have borrowed from?"
"No."
58
"Any problems with his employer . . .?"
"It's his own business."
Present tense again. Swinging back and forth between past and present, adjusting to the reality of sudden death.
"What sort of business would that be?" Carella asked.
"He's a lawyer."
"Could we have the name of his firm, please?"
"Schumacher, Benson, and Loeb. He's a senior partner."
"Where is that located, ma'am?"
"Downtown on Jasper Street. Near the Old Seawall."
"Was he having trouble with any of his partners?"
"Not that I know of."
"Or with anyone working for the firm?"
"I don't know."
"Had he fired anyone recently?"
"I don't know."
"Mrs Schumacher," Brown said, "we have to ask this. Was your husband involved with another woman?"
"No."
Flat out.
"We have to ask this," Carella said. "You're not involved with anyone, are you?"
"No."
Chin up, eyes defiant behind the tears.
"Then this was a happy marriage."
"Yes."
"We have to ask," Brown said.
"I understand."
But she didn't. Or maybe she did. Either way, the questions had rankled. Carella suddenly imagined the cops of the Four-Five asking his mother if her marriage had been a happy one. But this was different. Or was it? Were they so locked into police routine that they'd forgotten a person had been killed here? Forgotten, too, that this was the person's wife, a person in her own right? Had catching the bad guy become so important that you trampled over all the good guys in the process? Or, worse, did you no longer believe there were any good guys?
59
"I'm sorry," he said.
"Mrs Schumacher," Brown said, "would it be all right if we looked through your husband's personal effects? His addrese book, his appointment calendar, his diary if he kept..." "He didn't keep a diary."
"Anything he may have written on while he was making or receiving telephone calls, a notepad, a . . ."
"I'll show you where his desk is."
"We'd also like to look through his clothes, if you don't..."
"Why?"
"Sometimes we'll find a scrap of paper in a jacket pocket, or a matchbook from a restaurant, or . . ."
"Arthur didn't smoke."
Past tense exclusively now.
"We'll be careful, we promise you," Carella said.
Although he had not until now been too overly careful.
"Yes, fine," she said.
But he knew they'd been clumsy, he knew they had alienated her forever. He suddenly wanted to comfort her the way he'd comforted his mother, but the moment was too far gone, the cop had taken over from the man, and the man had lost.
"If we may," he said.
Margaret showed them where her husband's clothes were hanging in the master bedroom closet. They patted down jackets and trousers and found nothing. A smaller room across the hall was furnished as a study, with a desk and an easy chair and a lamp and rows of bookshelves bearing mostly legal volumes. They found the dead man's address book and appointment calendar at once, asked Margaret if they might take them for reference, and signed a receipt to make it all legal. In the desk drawer above the kneehole, in a narrow little box some three inches long and seven inches wide, they found a stack of blank wallet-sized refill checks and a small red snap-envelope containing the key to a safe-deposit box.
Which was how, on Monday morning, they located another bundle of erotic letters.
60
Wednesday, June 14 Hi!
I'm putting on my new sexy lingerie, a red demi—bra (so—called because it pushes up my breasts and leaves my nipples uncovered) a garterbelt with red silk stockings, and the tiniest red panties you ever saw in smooth soft silk. On top of that I'll wear the new suit I got yesterday. It cost an arm and a leg but it was irrestible, a prim—looking blue thing with avshort, double-breasted jacket and — the piece de resistance — a skirt with an interesting arrangement in front: a big split artistically draped with intricate folds so that it looks very decent when I stand up but when I sit down and spread my legs a little I'm practically inviting the man sitting next to me to put his hand through that split and touch me between the legs.
Is this the sort of letter you want me to write? I think I may enjoy this.
In my fantasy, we'll check into a hotel and then go down to the restaurant together and find a booth in.an out-of-the-way corner somewhere and you would be that man sitting next to me and you would put your hand through that split in the skirt and you would touch my cunt, which would be very hot, very wet, and very very hungry for your attention. In no time at all, you would bring me to climax, and then it would be my turn. I would unzip your fly and find your cock, which I'm sure, would already be stone hard. It would spring out into my
hand, and I would play with it under the table until it got harder and harder, and then when nobody was looking, I would pretend to pick up a napkin from the floor, and I would lower my mouth onto your cock, and suck you till you begged me to let you come but I wouldn't let you no matter how hard you begged, I'd just keep sucking your big cock until you were almost weeping, and then I'd say, "Come on, let's go up to the room."
He would compose ourselves, leave the restaurant, and take the elevator back upstairs. And inside the room, I'd take off the blue suit, and you'd tear off that wisp of red panty, and you'd say something about me driving you crazy, and I'd unzip you once again, and sink to my knees, and put your big cock in my mouth again. You'd take off the rest of your clothes, and slowly slip out of my mouth, and then you'd lift me to you and start licking my breasts. I would come again, you always make me come so fast, even just sucking my nipples, but I would know you weren't finished with me yet, I would know you wanted more from me, you always want more and more from me. You would pick me up and carry me to the bed, and you would kneel over me with my legs wide open and your cock in your hand, and you would begin fucking me slow and steady, and then harder and harder and harder, give it to me, baby, fuck me now.
See you later.
Bye!
"Gives me a hard-on, this woman," Brown said, and shook his head, and said, "Whoosh," and slid the letter back under the rubber band that held the stack of letters together. He was sitting beside Carella in one of the squad's unmarked cars, a three-year-old Plymouth sedan with the air conditioner on the fritz, both men sweltering as they drove uptown again to the Schumacher apartment. It had taken them an hour and a half this morning to get a court order to open Schumacher's safe-deposit box, and another half hour to get to the bank, not far from his office on Jasper Street. The box had contained only the letters and a pair of first-class airline tickets to Milan, one in Schumacher's name, the other in Susan Brauer's.
62
There were seventeen letters in all, five fewer than Schumacher had written. The first one - the one Brown had been reading - was dated three days after Schumacher's first letter, and seemed to be in direct response to it. Like his letters, none of these were signed. Each of the letters was neatly typed. Each started with the same salutation and ended with the same complementary close. Hi\ and Bye\ Like a vivacious little girl writing to someone she'd met in camp. Some little girl, Brown thought.
"You think he was losing interest?" he asked.
"I'm sorry, what?" Carella said.
His mind had been drifting again. He could not shake the image of his mother in the bakery shop, wandering the shop, touching all the things that had belonged to his father.