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“I’m Jamaica. Bennie asked me to fill in for the girl who-”

“I see,” she said, pulling her glasses down slightly with one hand and scanning me up and down over the tops of them. “Were you going to get your hair done this afternoon before the show tonight?”

“My hair?”

She shook her head back and forth. “Well, you can’t go on like that. Do you have an appointment to get it styled today?”

“No. This is how I wear my hair.”

She raised her chin up now and looked down through the big lenses at me, her lips pushed out in a disapproving pucker. “Well, this is not how we wear our hair in this fashion show. We’ll have a wig backstage for you tonight. Did you bring some heels?”

I gave a little snort. “I don’t wear heels.”

She widened her eyes. “You don’t wear heels?”

“No.”

Just then, Bennie-who had been watching from the sidelines-interceded. “Jamaica has probably got some cute cowgirl boots. That would be more her style. You have some cowgirl boots, don’t you, kiddo?”

“You want me to wear western boots with a nightgown or pajamas?”

Wynetta laughed out loud. “Pajamas? You’ll find the ensemble you’re wearing over on that rack.” She pointed a pen. “You’re number six.”

There were only a few garment bags left. I found the one with a tag with the number six on it and took it off the rack.

“Come on, Jamaica,” Bennie said. “I’ll show you which dressing room you’re in.”

In the dressing room, a whole lot more undressing was going on than what the name indicated. There were twelve models in the show, and half were assigned to each of the club’s two large backstage rooms. I worked my way down the aisle, meeting a few of the other gals as I went, and found myself a spot at the long counter in front of the aging mirror. I laid the garment bag on the counter and unzipped it. Inside, I found a black leather bustier that laced up over a wide opening in the front and a tiny V-shaped item made of black see-through lace with some strategically placed bits of the same leather as the bustier was made from. “Bennie!” I yelled.

She came running. “Now, Jamaica, it’s only for this one day. Just rehearsal now and for an hour or so tonight.”

“You expect me to wear this?” I held up the thong. There wasn’t enough fabric in the thing to blanket a butterfly.

“Just put it on. Let’s see how you look.”

“I thought I would be wearing a nightgown. Or shorty pajamas. I didn’t agree to trounce around with my behind exposed in a roomful of people!”

Right then, the band struck up a rocking rhythm out front, and Ailsa Ten’s distinctive bass drove the beat. The music was so loud that the mirror on the wall vibrated. The girls in the dressing room began to swing their hips and snap their fingers. Knowing there was no way we could continue our conversation over the band’s high-decibel din, Bennie looked at me with a pleading expression and mouthed the words Remember the bear.

I wasn’t the only one with a backside in plain sight. During a lull in the music, Wynetta instructed us all to line up by number and I counted five of us with derrieres on display. Of course, the other seven made up for what wasn’t exposed in the back by having more flesh uncovered in front. The other girls wore elaborate jewelry, strappy stiletto heels, scarves, tiaras, and other accessories, as if they were all dressed for the prom. I noticed the tan line where I wore my watch, how naked my bare feet looked without polish on the toenails like the other girls had.

Ernie, the sound and lights technician, came by and made notes on his own clipboard, determining what color lighting to use based on the color of our lingerie. When he got to me, he said, “Okay, number six. You’re blonde wearing black.” He looked me over. “Is that a tattoo?”

“What?”

“On your… uh… you know, back… there.”

Wynetta hurried over and gave a big gasp. “Is that a bruise?”

I tried to look over my shoulder but couldn’t see what all the fuss was about. “Probably,” I said. “Is it on the right side?”

Ernie didn’t speak, but with wide eyes, he nodded yes.

“My horse threw me-”

“This just won’t do!” Wynetta threw up her hands. “You’ll have to put some makeup on that tonight to cover that up.”

“I’d rather put some clothes on it to cover it up,” I said.

Wynetta gave me a seething look. “These lingerie ensembles,” she said, pronouncing each word with a brief pause afterward for emphasis, “were provided by a prominent designer from his Dallas showroom. We do not have time to get another outfit for you before the show tonight.” She looked down at my bare feet. “You’ll be wearing boots, right?”

“Sure.”

“Do you have makeup?”

“A little.”

“Never mind. We’ll find some. And we’ll see if we can get you a rope or something to carry at the hip.”

We ran through the program twice, Wynetta referring to each of us by number instead of by name. She coached us to place one foot exactly in front of the other when we walked, and to take long strides, thereby emphasizing the swinging of our hips. This was actually much harder than I ever could have imagined, and I had to concentrate intently to time my steps so that I made it to the points on the stage on cue.

“Number Six with the bruise!” she shouted as I tried my first stroll across the stage. “Do you think you could try walking on the balls of your feet, just so we can imagine what it would look like if you weren’t barefoot like a peasant?”

One at a time, we entered stage left, walked to downstage center, posed, turned around and paused for the back view, then turned front again and waited for a cue in the music. Then we walked to center stage, posed again front, turned and posed back, and then front again. After all that, we sauntered across to stage right and exited into the wings. Six of us then crossed behind the curtain to stage left again and waited. When Number Twelve had completed her solo routine, we all entered together, half from each side, doing a brief ensemble routine, during which Ailsa Ten and the Decade performed a smoking version of Bob Marley’s “One Love.”

After a time-perhaps because of the infectious beat of the music, but surely also because every other girl in the show was equally exposed and the only man in the club was Ernie-I forgot about my bare backside and focused instead on not tripping, not starting too soon or taking too long, and on doing my best to get through it.

“Number Six with the bruise,” Wynetta scolded me on my second time out, “stick out your chest and suck in your stomach!” The band stopped playing.

“I can’t move if I do that,” I countered.

In unison, all the other models’ heads turned and looked at me, as if I had just admitted I was a demon.

“This bustier thing is so tight, it’s got my breasts pushed up to my chin,” I griped.

The room was quiet. Wynetta pulled her glasses down and looked at me over the rims.

I stuck out my chest, feeling like the laces on the front of my top might burst.

Wynetta yelled, “Ernie, will you open the front door again and leave it that way? All this lingerie is going to smell like grease if we don’t get some air in this place!” Then she looked at Ailsa Ten. “Well, go on!”

The band started playing.

When the rehearsal was finished, I was glad to get back into my jeans. I was on my way to the open door at the front of the club when Ernie stopped me. “You can leave through that door now, but use the stage door when you come in tonight.”

“There’s a stage door?”

Wynetta saw us talking and hurried over.

“Yeah, around back,” Ernie said. “It’s unlocked.”