As he sat waiting for the ceremony to begin he regarded the altar decorations, the stained-glass windows at either hand, the arrangements of flowers. Other people entered and were seated. He realized that he was sweating. He glanced about. He was the only one wearing an overcoat. He wondered whether the others would think that strange. He wondered whether the perspiration was causing his makeup to run. He unbuttoned his coat, let it hang open.
The sweating continued, and his feet began to hurt. Finally, he leaned forward and loosened the shoelaces. As he did, he heard his shirt tear across his back. Something also seemed to have loosened even further in the vicinity of his shoulders. Another flap of skin, he supposed. When he straightened he felt a sharp pain. He could not lean all the way back in the pew. His hump seemed to have grown, and any pressure on it was painful. So he assumed a position partway forward, bowed slightly as if in prayer. The organist began playing. More people entered and were seated. An usher conducted an elderly couple past his row and gave him a strange look as he went by.
Soon everyone was seated, and Croyd continued to sweat. It ran down his sides and his legs, was absorbed by his clothing which became blotchy, then drenched. He decided that it might be a bit cooler if he slipped his arms out of the coat's sleeves and just let it hang about his shoulders. This was a mistake, for as he struggled to free his arms he heard his garments tear in several more places. His left shoe burst suddenly, and his toes protruded grayly from its sides. A number of people glanced his way as these sounds occurred. He was grateful that he was incapable of blushing.
He did not know whether it was the heat or something psychological that set off the itching again. Not that it mattered. It was a real itch, whatever had brought it on. He had painkillers and amphetamines in his pocket, but nothing for skin irritation. He clasped his hands tightly, not to pray but to keep from scratching-though he threw in a prayer too, since the circumstances seemed about as appropriate as they came. It didn't work.
Through perspiration-beaded lashes he saw the priest enter. He wondered why the man was staring at him so. It was as if he did not approve of non-Episcopalians sweating in his church. Croyd clenched his teeth. If only he still had the power to make himself invisible, he mused. He'd fade for a few minutes, scratch like mad, then phase back and sit quietly.
By dint of sheer will he was able to hold himself steady through Mendelssohn's "March." He was unable to focus on what the priest was saying after that, but he was now certain that he was not going to be able to remain seated through the entire ceremony. He wondered what would happen if he left right then. Would Claudia be embarrassed? On the other hand, if he stayed, he was certain that she would be. He must look ill enough to justify it. Still, would it become one of those incidents that people would talk about for years afterward? ("Her brother walked out…") Perhaps he could stay a little longer.
There was movement on his back. He felt his coat stirring. He heard female gasps from behind him. Now he was afraid to move, but the itching became overpowering. He unclasped his hands to scratch, but in a final act of resistance he seized hold of the back of the pew before him. To his horror, there came a loud cracking noise as the wood splintered within his grip. There followed a long moment of silence.
The priest was staring at him. Claudia and Sam had both turned to stare at him, where he sat clutching a six-foot length of broken pew-back and knowing that he couldn't even smile or his fangs would show.
He dropped the wood and clasped himself with both arms. There were exclamations from behind as his coat slipped away. With his full strength he dug his fingers into his sides and scratched cross-body.
He heard his clothes tear and felt his skin rip all the way up to the top of his head. He saw the hairpiece fall away to his right. He threw down the clothing and the skin and scratched again, hard. He heard a scream from the rear and he knew that he would never forget the look on Claudia's face as she began to cry. But he could no longer stop. Not until his great batlike wings were unfurled, the high, pointed vanes of his ears freed, and the last remnants of clothing and flesh removed from his dark, scaled frame.
The priest began speaking again, something that sounded like an exorcism. There came shrieks and the sounds of rapid footfalls. He knew that he couldn't exit through the door where everyone else was headed, so he leapt into the air, circled several times to get a feeling of his new limbs, then covered his eyes with his left forearm and crashed out through the stainedglass window to his right.
As he beat his way back toward Manhattan he felt that it would be a long time before he saw the in-laws again. He hoped that Carl wouldn't be getting married for a while. He wondered then whether he'd ever meet the right girl himself…
Catching an updraft he soared, the breezes sobbing about him. The church looked like a disturbed anthill when he glanced back. He flew on.
WITNESS
by Walter Jon Williams
When Jetboy died I was watching a matinee of The Jolson Story. I wanted to see Larry Parks's performance, which everyone said was so remarkable. I studied it carefully and made mental notes.
Young actors do things like that.
The picture ended, but I was feeling comfortable and had no plans for the next few hours, and I wanted to see Larry Parks again. I watched the movie a second time. Halfway through, I fell asleep, and when I woke the titles were scrolling up. I was alone in the theater.
When I stepped into the lobby the usherettes were gone and the doors were locked. They'd run for it and forgotten to tell the projectionist. I let myself out into a bright, pleasant autumn afternoon and saw that Second Avenue was empty. Second Avenue is never empty.
The newsstands were closed. The few cars I could see were parked. The theater marquee had been turned off: I could hear angry auto horns some distance off, and over it the rumble of high-powered airplane engines. There was a bad smell from somewhere.
New York had the eerie feeling that towns sometimes got during an air raid, deserted and waiting and nervous. I'd been in air raids during the war, usually on the receiving end, and I didn't like the feeling at all. I began walking for my apartment, just a block and a half away.
In the first hundred feet I saw what had been making the bad smell. It came from a reddish-pink puddle that looked like several gallons of oddly colored ice cream melting on the sidewalk and oozing down the gutter.
I looked closer. There were a few bones inside the puddle. A human jawbone, part of a tibia, an eye socket. They were dissolving into a light pink froth.
There were clothes beneath the puddle. An usherette's uniform. Her flashlight had rolled into the gutter and the metal parts of it were dissolving along with her bones.
My stomach turned over as adrenaline slammed into my system. I started to run.
By the time I got to my apartment I figured there had to be some kind of emergency going on, and I turned on the radio to get information. While I was waiting for the Philco to warm up I went to check the canned food in the cupboard-a couple cans of Campbell's was all I could find. My hands were shaking so much I knocked one of the cans out of the cupboard, and it rolled off the sideboard behind the icebox. I pushed against the side of the icebox to get at the can, and suddenly it seemed like there was a shift in the light and the icebox flew halfway across the room and damn near went through the wall. The pan I had underneath to catch the ice-melt slopped over onto the floor.
I got the can of soup. My hands were still trembling. I moved the icebox back, and it was light as a feather. The light kept doing weird shifts. I could pick up the box with one hand.