'Fuck sensitivity. Lived with a pig, that's how sensitive he was, dirty sod.'
Wilt considered this estimation of the private life of the great author dubious. So, evidently, did the warder. 'Pig?' said Wilt, 'I don't think he did you know. Are you sure?'
'Course I'm sure. Fucking pig by the name of Buckingham.'
'Oh, him,' said Wilt, cursing himself for having encouraged the beasdy man to read Forster's biography as background material to the novels. He should have realized that any mention of policemen was calculated to put 'Fireworks Harry' in a foul mood. 'Anyway, if we look at his work as a writer, as an observer of the social scene and...'
McCullum wasn't having any of that. 'The social scene my eye and Betty Martin. Spent more time looking up his own arsehole.'
'Well, metaphorically I suppose you could...'
'Literally,' snarled McCullum, and turned the pages of the book. 'How about this? January second "...have the illusion I am charming and beautiful...blah, blah...but would powder my nose if I wasn't found out...blah, blah...The anus is clotted with hairs..." And that's in your blooming Forster's diary. A self-confessed narcissistic fairy.'
'Must have used a mirror, I suppose,' said Wilt, temporarily thrown by this revelation. 'All the same his novels reflect...'
'I know what you're going to say,' interrupted McCullum. 'They have social relevance for dieir time. Balls. He could have got nicked for what he did, slumming it with one of the State's sodding hatchet men. His books have got about as much social relevance as Barbara bloody Cartland's. And we all know what they are, don't we? Literary asparagus.'
'Literary asparagus?'
'Chambermaid's delight,' said Mr McCullum with peculiar relish.
'It's an interesting theory,' said Wilt, who had no idea what the beastly man was talking about, 'though personally I'd have thought Barbara Cartland's work was pure escapism whereas...'
'That's enough of that,' interrupted the warder, 'I don't want to hear that word again. You're supposed to be talking about books.'
'Listen to Wilberforce,' said McCullum, still looking fixedly at Wilt, 'bloody marvellous vocabulary he's got, hasn't he?'
Behind him the warder bridled. 'My name's not Wilberforce and you know it,' he snapped.
'Well then, I wasn't talking about you, was I?' said McCullum. 'I mean everyone knows you're Mr Gerard, not some fucking idiot who has to get someone literate to read the racing results for him. Now as Mr Wilt here was saying...'
Wilt tried to remember. 'About Barbara Cartland being moron fodder,' prompted McCullum.
'Oh yes, well according to your theories, reading romantic novels is even more detrimental to working-class consciousness than...What's the matter?'
Mr McCullum was smiling horribly at him through the mesh. 'Screw's pissed off,' he hissed. 'Knew he would. Got him on my payroll and his wife reads Barbara Cartland so he couldn't stand to listen. Here, take this.'
Wilt looked at the rolled-up piece of paper McCullum was thrusting through the wire. 'What is it?'
'My weekly essay.'
'But you write that in your notebook.'
'Think of it like that,' said McCullum, 'and stash it fast.'
'I'll do no...'
Mr McCullum's ferocious expression had returned. 'You will,' he said.
Wilt put the roll in his pocket and 'Fireworks' relaxed. 'Don't make much of a living, do you?' he asked. 'Live in a semi and drive an Escort. No big house with a Jag on the forecourt, eh?'
'Not exactly,' said Wilt, whose taste had never been drawn to Jaguars. Eva was dangerous enough in a small car.
'Right. Well now's your chance to earn 50K.'
'50K?'
'Grand. Cash,' said McCullum and glanced at the door behind him.
So did Wilt, hopefully, but there was no sign of the warder. 'Cash?'
'Old notes. Small denominations and no traceability. Right?'
'Wrong,' said Wilt firmly. 'If you think you can bribe me into...'
'Gob it,' said McCullum with a nasty grunt. 'You've got a wife and four daughters and you live in a brick and mortar, address 45 Oakhurst Avenue. You drive an Escort, pale dog-turd, number-plate HPR 791N. Bank at Lloyds, account number 0737...want me to go on?' Wilt didn't. He got to his feet but Mr McCullum hadn't finished. 'Sit down while you've still got knees,' he hissed. 'And daughters.'
Wilt sat down. He was suddenly feeling rather weak. 'What do you want?' he asked.
Mr McCullum smiled. 'Nothing. Nothing at all. You just go off home and check that piece of paper and everything's going to be just jake.'
'And if I don't?' asked Wilt feeling weaker still.
'Sudden bereavement is a sad affair,' said McCullum, 'very sad. Specially for cripples.'
Wilt gazed through the wire mesh and wondered, not for the first time in his life, though by the sound of things it might be the last, what it was about him that attracted the horrible. And McCullum was horrible, horrible and evilly efficient. And why should the evil be so efficient? 'I still want to know what's on that paper,' he said.
'Nothing,' said McCullum, 'it's just a sign. Now as I see it Forster was the typical product of a middle-class background. Lots of lolly and lived with his old Ma...'
'Bugger E. M. Forster's mother,' said Wilt. 'What I want to know is why you think I'm going to...'
But any hope he had of discussing his future was ended by the return of the warder. 'You can cut the lecture, we're shutting up shop.'
'See you next week, Mr Wilt,' said McCullum with a leer as he was led back to his cell. Wilt doubted it. If there was one thing on which he was determined, it was that he would never see the swine again. Twenty-five years was far too short a sentence for a murdering gangster. Life should mean life and nothing less. He wandered miserably down the passage towards the main gates, conscious of the paper in his pocket and the awful alternatives before him. The obvious thing to do was to report McCullum's threats to the warder on the gate. But the bastard had said he had one warder on his payroll and if one, why not more? In fact, looking back over the months, Wilt could remember several occasions when McCullum had indicated that he had a great deal of influence in the prison. And outside too, because he'd even known the number of Wilt's bank account. No, he'd have to report to someone in authority, not an ordinary screw.
'Had a nice little session with "Fireworks"?' enquired the warder at the end of the corridor with what Wilt considered to be sinister emphasis. Yes, definitely he'd have to speak to someone in authority.
At the main gate it was even worse. Anything to declare, Mr Wilt?' said the warder there with a grin, 'I mean we can't tempt you to stay inside, can we?'
'Certainly not,' said Wilt hurriedly.
'You could do worse than join us, you know. All mod cons and telly and the grub's not at all bad nowadays. A nice little cell with a couple of friendly mates. And they do say it's a healthy life. None of the stress you get outside...'
But Wilt didn't wait to hear any more. He stepped out into what he had previously regarded as freedom. It didn't seem so free now. Even the houses across the road, bathed in the evening sunshine, had lost their moderate attraction; instead, their windows were empty and menacing. He got into his car and drove a mile along Gill Road before pulling into a side street and stopping. Then making sure no one was watching him, he took the piece of paper out of his pocket and unrolled it. The paper was blank. Blank? That didn't make sense. He held it up to the light and stared at it but the paper was unlined and as far as he could see, had absolutely nothing written on it. Even when he held it horizontally and squinted along it he could make out no indentations on the surface to suggest that a message had been written on it with a matchstick or the blunt end of a pencil. A man was coming towards him along the pavement. With a sense of guilt, Wilt put the paper on the floor and took a road map from the dashboard and pretended to be looking at it until the man had passed. Even then he checked in the rear-view mirror before picking up the paper again. It remained what it had been before, a blank piece of notepaper with a ragged edge as though it had been torn very roughly from a pad. Perhaps the swine had used invisible ink. Invisible ink? How the hell would he get invisible ink in prison? He couldn't unless...Something in Wilt's literary memories stirred. Hadn't Graham Greene or Muggeridge mentioned using bird-shit as ink when he was a spy in the Second World War? Or was it lemon juice? Not that it mattered much. Invisible ink was meant to be invisible and if that bastard had intended him to read it, he'd have told him how. Unless, of course, the swine was clear round the bend and in Wilt's opinion, anyone who'd murdered four people and tortured others with a blowtorch as part of the process of earning a living had to be bloody well demented. Not that that let McCullum off the hook in the least. The bugger was a murderer whether he was sane or not, and the sooner he fulfilled his own predictions and became a cabbage the better. Pity he hadn't been born one.