The corner of silver puzzled her for a time, then suddenly she laughed. “Of course! One Christmas, Rosamund gave us all matching frames for photographs. Leather and silver, for traveling. She said we might choose our own photographs, and I had one of Rosamund and Nicholas I put in mine.”
“What did Nicholas and Olivia keep in theirs?”
“Nicholas wanted one of his parents. It was in his bedroom, for a time. I don’t know what Olivia chose, but she said she wouldn’t be traveling much, and might like one of George in India, because he’d done her traveling for her. I remember Rosamund hugging her, pain in her face.”
“And the leather?”
“Well, Olivia kept a leather notebook by her bed. There was a strap that closed it, and a small lock. I thought it was a journal. But she said no, it was for thoughts in the night. I didn’t understand what she meant, until I discovered she was a poet.” She picked it up, turning it in her fingers. “How sad that she burned it. If that’s what it was.”
“She? Do you think Olivia did this?”
“Who else? Cormac was the first one down here, he might have taken things he didn’t want us to find. Personal things. Something to do with his relationship to Olivia. But somehow I don’t picture him out on a hillside in the dark, with a fire blazing. The smart thing would have been to carry them back to London and burn them there, where no one would notice.”
“Why in the dark? Why do you think this was done at night?”
Rachel shrugged. “It has that kind of feeling. Clandestine?”
Next, he took her into the house and up to Olivia’s room. She entered it reluctantly, looking around her as if somehow she’d see the other woman standing silently in the shadows. He opened the closet and began to work. She watched, trusting him in spite of herself to explain when he was ready, but she started when one of the canes fell to the floor with a loud clatter, indicating that she was very tense. He continued to remove boxes from the back of the closet without a word, then pulled out the shelf, and carried it to the window.
Rachel followed him, and bent over him, curiosity aroused, their heads nearly touching as he worked, using his penknife carefully to draw out the strip of wood, then the cotton. Finally, on the windowsill as before lay the row of small gold objects, sparkling in the sun, telling a tale without words.
Rachel gasped, moving them about in turn with her fingertip.
“That’s Rosamund’s ring. Her father gave it to her when she was very young. And a silver box of wax, so that she could seal all her letters. She wore it on her little finger, sometimes, even when she’d outgrown it. And I remember Anne wearing that locket! She’d let me look at the pictures, if I was quiet in church. Were these Richard’s? The cuff buttons? Olivia used to put them in for him, to help Nanny—he couldn’t be still for an instant. And that fob’s Nicholas’, he was so proud of it. James gave him his first watch, and Rosamund gave him the fob. It was a beautiful watch. Stephen let me have it—when—when he was going through Nicholas’ room. The fob had been in the family for ages. I thought perhaps he’d taken that. And that pipe cleaner is James’, he carried it everywhere he went. I always thought it was much too handsome to use in a pipe, and he laughed when I told him so. I don’t know about the crucifix. Was that the one Susannah mentioned? Brian’s? I never saw Cormac wearing one.”
‘‘Yes, it has Brian’s initials on the back. See?”
He turned it over, and she peered at it for a moment. “They all have initials on them,” he told her. “The mark of the owner.”
“How very odd. Where did you find these? Surely not inside that board! And where did they come from? Olivia must have had the ring and the locket, but surely not Richard’s and James’ things. Or Brian’s. Cormac might have wanted that crucifix.”
“They were hidden in the board, just as I showed you. One fell out—the locket—when I was going through the closet looking for Olivia’s papers. After a time I discovered the others.”
“But why were they hidden? I don’t understand!”
“They’re trophies of the dead. I thought that Olivia had collected them from each of her victims. Something they’d treasured and she’d coveted. Now, I don’t know.” He picked up the board again, and the wood that slotted so perfectly into it. “It was Nicholas who worked in wood. It was his skill that must have made this hiding place. I realize that now. Not Olivia’s. And it was Nicholas who led the hunt for the crucifix. Susannah mentioned that. What better place to keep them safe than Olivia’s closet? She wouldn’t be likely, would she, to go moving shelves around on her own.”
There was pain in her eyes. “You can’t think—but there’s the fob. Why should Nicholas add a trophy of his own, and not one for Olivia, if he was the killer. If he killed her before he took his own life?” Her face begged him to tell her it couldn’t be true.
“I don’t know what was burned in the fire. But could Olivia have carried things out there, burned them, and come back into the house without Nicholas knowing what she was doing? Especially if it was done at night? Someone made very certain that a number of things were destroyed. Secretly. It would have been easy for him to go out there. At night, while Olivia slept.”
“No, not Nicholas!”
“Rachel, Olivia couldn’t have gone out there without his knowing.”
“She could have! He went into the village, to the church, to visit the rector, to have a meal at the inn, talk to people. She could have done it then.”
“All right. But the fire—and the letter—tell me that one of them knew that it was all over. Nicholas couldn’t possibly have written to you if Olivia planned all this on her own. If he hadn’t known what was about to happen.”
She took a deep breath and let it out slowly. “He may— something might have been worrying him—he might have known, without really knowing. You do sometimes! He might have—suspected what she was planning. They understood each other so well.”
“And on the moors yesterday,” he went on, ignoring her interjection, “they found what looked like a small boy’s clothing. Wrapped in oiled cloth, to keep it from rotting too soon. That means someone stripped the boy’s body. Took away the clothing that might have made it easier to identify him. That’s planning, Rachel. Someone planned his disappearance!”
“If you found his clothing, you must have found his bones,” she pointed out, desperate now.
“No. I told you, the body had been stripped. If you’re going to that trouble, you don’t leave the body and the clothing in the same hole. It would make no sense, would it? Next point. I have a witness who says that Brian FitzHugh was talking to someone on the beach just before he died. Can you see Olivia trying to make her way down through those rocks? Wouldn’t Brian have gone up to meet her, to save her the effort? Finally, if Nicholas was jealous of Rosamund’s remarriage to Brian, he wouldn’t be eager to see Thomas Chambers move in to fill FitzHugh’s shoes either. And it looked very much as if that could happen. But Chambers lived in Plymouth, not Borcombe. Nicholas couldn’t reach him. He could stop his mother from taking a new husband. In the grave, she wouldn’t betray him again. She was his.”
She backed over to the bed, her eyes still on his face, her own very bleak, her mind listening, whatever her heart was denying. She sank down on the edge of the coverlet, and as she did, he caught that same illusive hint of perfume again, and so did she. Straightening hastily, she moved across the room to the desk instead. As far from the fragrance as she could get. “You can’t prove it!” Rachel told him defiantly. “You can’t prove any of this. And I won’t let you ruin Nicholas’ memory with speculation and doubt. Olivia was famous. They won’t let you tear her down either, wait and see. You’ll end up ruining yourself. But I’m going to find out what drives you so hard, and I’m going to stop you, before I’ve lost my own way, and start believing this filth. This was a close, happy family! Why do you want to destroy it?”