“Inspector Rutledge,” he said, moving towards the steps. “I arrived last night and came to have a look around. Constable Dawlish provided me with keys.”
“Oh!” she said, smiling up at him with relief on her face. “I thought I heard voices when I walked in. I didn’t know who might have found their way in. The press has been very troublesome.”
She was slim, perhaps in her thirties—it was hard to tell— her oval face pink from walking, her light brown hair curling ridiculously around it, escaping from the knot at the back of her neck. Not pretty, yet very attractive. She waited until he had reached the hall and said, “I’m so glad they’ve finally sent someone from Scotland Yard. I’m Rachel Ashford. The one who’s been fighting to get these ... deaths ... reopened.”
“Lady Ashford?”
Her smile changed. “My husband is dead. His brother has the title now. Sir Henry. Did he tell you that Lady Ashford wanted to reopen the investigation? How very like him!”
“You’re Peter Ashford’s widow?” Rutledge asked, surprised. “I was in school with him.”
“Peter died in the war. Trying to take Mount Kilimanjaro, out in Kenya.”
“I’m sorry. I hadn’t heard.” So much for Bowles’ “titled old bitch.” But it was a shock, Peter’s death. Another name added to the long list of friends gone. More than once he’d felt the guilt of surviving. As if it was somehow obscenely selfish, when so many had died. After a moment, he made himself go on. “And you believe the investigations done by Inspector Harvey and Constable Dawlish were mishandled?”
“Yes.”
“Why?”
“Because—oh, because of intuition, I suppose.” She made a wry face at him. “And I can’t help but feel that coincidence can only be stretched so far. Three deaths in the same family in little more than a month? I—I knew Livia and Nicholas, they weren’t at all what the papers say, an invalid and her devoted keeper. It’s wrong, the notion that they could have killed themselves because of ill health!”
“I understood that Olivia Man—Marlowe—was crippled. And that Nicholas Cheney had been gassed in the war.”
“Well, yes,” she said defensively, “certainly that’s true, since you put it so baldly. Olivia lost the strength of one leg in childhood, from the crippling disease. She used a chair for a long time, then Nicholas carved a brace for her, and after that, she could move about as she pleased. It was wonderful! I can still hear her laughter when she first tried it—we were all outside her bedroom door, while Nanny put it on—and she began to laugh, and Nicholas was jumping up and down beside me, shouting encouragement, and Rosamund was crying, and Richard was pounding on the door, he was so beside himself with excitement ...” Her voice faded and she looked up the stairs defensively, as if afraid she’d hear the children’s voices again. “If she killed herself,” Rachel continued after a moment, “it wasn’t because of her leg! She accepted it, she lived with it, she’d come to terms with the pain—it wasn’t something that drove her to despair and suicide.”
The sunlight pouring through the open door failed to reach them or warm the vastness of the hall. But he could hear birds somewhere, singing.
“If she had wanted to kill herself—for whatever reason—” Rutledge said, “why would she allow Nicholas to join her in death? Why not see that he survived, and got on with life. However hard it might seem to be at first? Why not kill herself in her bedroom, with no one to see?”
She pressed her fingers to her eyes, as if they still hurt from crying. Or to hide them from him. “I’ve asked myself that a hundred—a thousand—times since then. They were very close, Olivia and Nicholas. I’d have said, if anyone had ever thought to ask me, that she would have jumped into the sea in the night, rather that let him die with her. It doesn’t mean that perhaps in the first shock he might not have wished to follow, but Nicholas had a cool head, a clear mind, he wasn’t the dramatic, overly emotional sort of man who could leap into the sea himself the next morning. When she was already dead.” Dropping her hands, she said painfully, “If you understand what I’m saying?”
He did, though Hamish was grumbling that it made no sense. “Yet they died together.”
“Yes, and that’s what put me off in the very beginning. I didn’t say much to the others; they wouldn’t have wanted to hear me worrying over what couldn’t be changed. Or making it worse by starting a fuss over it. But the more I thought about the circumstances, the more I was convinced that something was very wrong, very—unusual.”
“Do you think one of your cousins—including Stephen— could be capable of murdering Olivia and Nicholas? For whatever reasons?”
She stared at him, stunned. “Oh, God, no! Susannah and Stephen couldn’t have killed either of them. And Daniel, what on earth for?”
Rutledge smiled. “Where there’s murder, there’s usually a murderer.”
“But not one of us!” she cried, alarmed.
How often had he heard the same cry when he’d begun an investigation into suspicious death. Murder, possibly. But not one of us. A stranger. A madman. An envious neighbor or colleague. The woman down the road. But not one of us. Then the finger-pointing began, as suspicion and fear and uncertainty and old memories came to the surface.
“Who, then?” he asked gently.
“That’s why I called Henry and begged him to ask the Yard to come down here and look into the deaths. Someone who could be objective, someone with the experience to judge what had really happened. Not a village policeman who preferred the safest answer to embarrassing the family any more than it already was. I mean, suicide is unacceptable enough— murder would be, well, a family calamity.” She looked at him, seeing him for the first time. The thin face. The haunted eyes. Intelligence, too, but something more. She couldn’t quite put her finger on it.
“There were no photographs upstairs. Do you have any of the family that I could borrow for a time?” He was mainly interested in Olivia Marlowe, the woman behind the poems. But it helped, often, to see the faces of the dead if you were late at the murder scene.
“We’d taken them all. The house will be put up for sale soon, and we didn’t want to leave—I’ve just come to fetch the ships,” she said, flustered. “I—I haven’t had the courage yet to go in there. Where they—where it happened. There are photographs in my things, I’ll find them. Where are you staying?”
“The Three Bells,” he said, curious about her reaction. “What can you tell me about Stephen FitzHugh’s death?”
She shivered, not looking over his shoulder at the stairs, though her head had turned that way. “It was awful. He was lying at the foot of the steps, his eyes wide, a little blood— I couldn’t tell if it was from his ear or his mouth—smeared across his cheek. Cormac said he died as we watched, but I saw nothing change, didn’t hear a sigh or—or anything. And I was kneeling there, beside him, my hand on his chest, calling his name. It was—I’ve seen men die before. I was in London when the Zeppelins came over, I was there when they pulled people out of one of the buildings. But this was Stephen.” She collected herself with an effort and turned towards the open door. “I’d better leave now,” she said ruefully. “Men don’t like it when women start to cry, and I’ve found it hard sometimes ...”
He let her go, watching her slim figure hurry down the drive and turn towards the sea.
So that was Lady Ashford, born Rachel Marlowe, and cousin to the people who lived here. Peter’s wife. Widow. He remembered Peter, tall and fast at games, level-headed and very good at whatever he did. He’d had a gift for languages, he could pick them up with apparently no effort, and speak them like a native. All that wasted in an obscure action on the flanks of a mountain whose one claim to fame was that Queen Victoria had had two mountains in East Africa, and had given Kilimanjaro to the Kaiser, next door in Tanganyika, who’d had none. Bloody silly thing to do in the first place. And Englishmen had died trying to retake it from the Germans under that master strategist, Von Lettow-Vorbeck, who knew how to pin down men who would otherwise have been fighting in France.