“But what if you get caught?”
“I’ve told you already. I never get caught. Look down there, where the smoke is rising — it’s almost purple. That’s the slums; they’re full of bars and hoodlums. People go there to drink and fight.”
“You’re scaring me! Have you ever been there?”
Milos roared with laughter. “I’ve been through them, but don’t worry, I never drink and I don’t fight either. At least, not in bars.”
“That’s right, you said you’re a wrestler, didn’t you?”
“Greco-Roman wrestling.”
“What’s that like?”
“Same as freestyle wrestling except you’re not allowed to grab your opponent’s legs. Or punch or bite or put a stranglehold on him.”
“So what’s the idea of the sport?”
“You have to get the other man down on his back by attacking just his upper body and make his shoulders touch the ground. It’s called a fall.”
“It sounds primitive.”
“I am primitive.”
“I don’t believe you. Are you good at . . . at Greco-Roman wrestling?”
“I’m not bad.”
“The best in your school?”
“Yes, I think so.”
Milos said this without sounding arrogant. Helen had asked him a question and he was answering it truthfully, that was all. She was impressed. Once again, she felt she could be in no danger beside this boy with his large hands, even though she hardly knew him. They both looked up. The countless stars seemed to be blazing unusually brightly. Their sparkling, silent, distant light filled the frozen sky. Helen shivered.
“Are you cold? Do you want to go back?”
“Not until you’ve told me what you had to tell me, Milos. You promised.”
He hesitated for a moment. A cat put its head out from behind a chimney, watched them briefly, surprised to find two humans up here, and then moved gracefully away.
“We must look weird up here on the roof!”
“Come on, tell me, Milos!”
“OK. Are you ready?”
“I’m ready.”
“Then let’s begin at the beginning. It was last spring. A new boy arrived at the school. Odd kind of guy, about our age, taller than average but sturdy too, shoulders like a furniture mover, long face, blunt features, right thumb very crooked, nose had been bashed in, scars on his arms and hands, hair standing up in tufts. In fact the sort of tough-looking character I’d be very wary of in the ring. Out in the yard his first evening he came over to us and spoke to Bart, hesitating a bit. ‘Seems like you’re Bartolomeo Casal?’ Bart looked him in the face and said yes, that was him. I wondered for a moment if the guy was going to throw himself at Bart and attack him. But no, he opened his huge mouth, buried his face in his hands and kept on saying, almost groaning, ‘I don’t believe it! I don’t believe it!’ He seemed so shattered that we took him off into a corner of the yard where no one would see us. ‘You certainly kept me on the run!’ said the boy. ‘Three years I’ve been looking for you! Three years I’ve been getting myself chucked out of every boarding school I could find on purpose, trying to track you down! The detention cells I’ve been in! The beatings I’ve taken! Look at my face, will you?’
“He was all choked up with emotion. He took a dirty handkerchief out of his pocket, cried into it for a bit, and blew his nose. ‘Explain yourself!’ Bart said. ‘We don’t have a clue what you’re talking about. First of all, who are you?’
“‘I’m a cart-horse,’ says this boy.
“‘A what?’
“‘A cart-horse! Don’t you know what that is? I’m the sort that wears themselves out chasing after clowns like your kind! We’re told there’s mail to be delivered; we deliver it, even if it means ten years searching and the person it’s for can’t be found. We’re ready to go through hell and high water to deliver it. Mind you, not for just anyone. Not for those Phalangist bastards! My dad never could stand them. Me neither. To think I’m the one who’s found you! I just can’t believe it! You swear you really are Bartolomeo Casal?’
“‘Yes, I swear it,’ says Bart, feeling more like laughing than anything else by now. ‘But why are you looking for me?’
“‘I just told you,’ says this boy, sounding annoyed. ‘Are you deaf or what? I have a letter for you! Sewn into the lining of my jacket, that’s where your stupid letter is. It’s been going around sewn into people’s linings for twelve years! I’m the fourth cart-horse to carry it. Unpicking the lining and stitching it up again every time I change my jacket or coat, I’m sick of it. I’m a cart-horse, not a fashion designer! See my hands? Right, I’ll go off to the bathroom to fetch it out and then you can have it. Wait here.’
“Bart and I looked at each other, stunned. A minute or so later the guy was back. ‘Thanks,’ said Bart, slipping the worn envelope into his pocket. ‘What’s your name?’
“‘Basil, and you know what I’m going to do now?’
“‘No,’ we said.
“‘I’m going to watch my step, I am. I’m going to be an angel, a little lamb, that’s what. And most of all I’m going to get some rest, because I’ve done my job.’
“Then he shook hands with both of us and lumbered off like a bear. We could hear him snorting ten yards away.
“After that, Basil became friends with Bart and me. It was fascinating to hear his story. He’d been in over six boarding schools; he knew all kinds of secrets. You just had to ask him. The annual assembly, Van Vlyck, the rest of it — it’s through Basil I know about all that.”
“I see. And he must have read the letter too. No one can keep a letter in his pocket for three years without being tempted to read it.”
“Of course not. Unless that person can’t read.”
“You mean Basil can’t?”
“No, none of the horse-men can.”
“The what?”
“Horse-men. Basil was making fun of himself, saying he was a cart-horse; he’s really one of the horse-men. I’ll explain more about them another time, but it’s a fact; they can’t read. From the start, Basil sat in the back row in the classroom. Everyone caught on quickly, and the teachers left him alone.”
“Poor boy. And what was in the envelope?”
“A letter for Bart.”
“Yes, of course, but what was the letter about?”
“All in good time. Bart read it right away in the bathroom while I kept watch at the door. Like in your school, they never leave us in peace. When he came out, he was white as a sheet. ‘Aren’t you feeling well?’ I asked. ‘Who was writing to you?’
“‘My father,’ he said. ‘It’s a letter from my father. . . . I never even knew I had one! He wrote it to me fifteen years ago.’
“Over the next few days, Bart changed. He’s not the talkative sort, but he started questioning lots of our friends one by one. And it was always the same question he asked. ‘Do you remember your parents?’ They’d have turned around and thumped anyone else, but somehow people don’t turn on Bartolomeo Casal. It was odd: he’d go up to boys he hadn’t said a word to in three years and ask them straight out: ‘Do you remember your parents?’ Most of the time the answer was no. But if someone did say yes, he’d go on asking questions for hours.”
“What for?”
“To check up on something his father explained in the letter.”
“Meaning?”
“Bart told me in the end, and that’s the serious thing I wanted to tell you.”
“Go ahead.”
“We . . . how can I put this? We’re not ordinary orphans.”
“Not ordinary orphans?”
“No. Our parents all had something in common.”
“What?”
“They all fought against the Phalange organization when it seized power.”
Helen’s heart was in her mouth. In her seventeen years of life, she’d never been able to form any kind of idea of her parents. She’d often tried imagining what they were like, but in spite of all her efforts, they slipped away from her memory like a fish slipping out of your hands. Hearing someone mention them, even so vaguely, seemed unreal. She felt as if after all this time those two shadowy, ever-elusive figures were giving her a loving wave from infinitely far away. She pressed close to Milos’s shoulder to convince herself that all this was reaclass="underline" the rooftop where she was sitting, the pure, cold night all around her, and this calm, quiet boy on the point of revealing extraordinary secrets.