How many survivors? How many rooms in this house?
Lungs bursting, she ducked her head to sip more air from the floor, strained through her silk T-shirt. The smoke alarms were deafening. More of them were going off in sequence as the smoke climbed upward through the house.
And this was happening in seconds that were hours long.
She would never find the others. The alarms were maddening her with their screaming urgency. She wished – they – would – just – stop!
And they did.
The smoke alarms were shutting down one by one. Were their plastic covers melting in the heat? Now she could hear the flames, the crack and dull roar, but not see them. Above her, there was a shriek that was not mechanical – not human.
The pet bird.
That creature could not have lasted six seconds in this lethal atmosphere. Someone had to be sheltering it from the poisoned air. Mallory crawled toward the sound of the screaming cockatiel, and her groping hands met the next flight of stairs. Coughing, choking, she rose to a stand, found the rail and took the stairs three at a time, stone blind, to the next landing. Back down to the floor, crawling again, drinking air from the ground and finding it poisoned. Coughing, coughing. On her right side, a door opened into the hall, slamming into her shoulder, and two bodies tumbled out. Mallory sucked better air from the closet floor as her hands passed over the two women wrapped in one another’s arms – one living, Nedda by the long braid, and one dead, Cleo. Mallory pulled the sisters apart, then yanked up Nedda’s coat to shelter the woman’s face from the smoke. Crawling on all fours, she dragged the unconscious Nedda, feeling her way, following the margin of wood floor between the carpet and the railing.
Which way? Was she turned around? Where was the dead man’s body?
Down below, where the music was.
Someone had turned on a radio. She heard the slurry static of changing channels, and now a saxophone was calling her down, luscious siren notes. She moved away from the rail, dragging her burden with her, and found the first stair. Rising, she lifted Nedda onto her back in a fireman’s carry and made her way down, falling, kneeling at the last step on the second floor. Diving down to the ground again for air, all smoke now, coughing, coughing, choking, starved for air, muscles weakening, then shot. The music swelled up all around her, the stab and jab of horns rising to the high notes. Wake up! Get up! Get up! On hands and knees, she crawled with Nedda on her back. Moving toward the music, she found the landmark of the dead man’s body.
She put her mouth to the carpet and sipped all the oxygen there was, then pulled back the sheltering coat and covered Nedda’s mouth with her own.
She kissed her with a breath of air, then rose to stand, lifting the woman again, so heavy – too heavy. Mallory fell, and Nedda rolled off of her and away. The heat was sapping strength from arms and legs.
It would be over soon. She was already half dead.
The single notes of a clarinet were falling down the scale, laughing, taunting. Trumpets screamed high, and the slap of a bass beat with the rhythm of her heart. A sly trombone sang, Go, girl! The sax was back, luring her away from the heat. This way. Then a shout of horns. This way out! This was the sound of adrenaline. She was rising, lifting Nedda onto her back. Down the stairs. So many stairs. The fire was behind her. She could hear it spit and crack. The heat was at her back. Pitching forward now, and falling. One wild hand found the railing, and she leaned all of her weight against it. This eased the heavy burden on her back. Down-stepping, now, half sliding.
Only seconds going by.
Hours of stairs.
She lost the precious air in her lungs before she touched down on level ground. She fell on her knees, and the sharp pain revived her. The music was loudest here. The most lethal air was above her, but she was drinking smoke from the ground, coughing, choking, lungs on fire. She could not get up one more time. Music all around her, no direction. Up was down, and there was no longer a concept of forward or back. The way out was lost. The door was on the moon. She opened her eyes, stinging, burning, hoping for a sliver of street light from the front windows to orient her position in the room. Instead, she saw the glow of flames, a small fire that lit up the brass knob of the door. A signal fire to light her way? Yes, and she was up on all fours, crawling toward it, the heavy weight on her back pressing her kneecaps down on knife points. Paying dearly for every foot of ground.
Someone turned off the radio.
Seconds passing, listening for footsteps.
The door flew open. Clean air rushed in – and life itself – with the sound of heavy boots pounding toward her, flashlights blinding her. Eyes closing again, her body collapsed. Hands were lifting Nedda’s body off her back, then helping Mallory to rise, feet off the ground, strong arms enfold- ing her, carrying her out. She looked down to see the small fire by the door. It was nested in a hubcap. Another pair of boots sent it flying.
Outside, gulping air, lungs burning, searing, eyes opening, almost blind for the stinging tears. A fireman set her down on the sidewalk, yelling, „Where the hell is that ambulance?“
More firemen were dropping from the truck and running toward the house. And one carried Nedda Winter to the ambulance as it screamed up to the curb. No one but Mallory saw the small ball of feathers drop from the old woman’s coat pocket. The bird thudded to the sidewalk, weakly fluttering its wings. It rolled off the curb and into the gutter.
Slowly, Mallory was bending down to this lame creature, reaching for it, when a fireman gripped her by the shoulders. Unable to speak, she pointed upward toward the door, then found the words, coughing, wheezing, to tell him there was someone else alive in there. Someone had turned off the radio. He shook his head, not making any sense of this, then let her go. Her knees buckled, and more hands were reaching out, breaking her fall, as she slumped to the ground and lay on her side. She opened her eyes to see the bird a few feet away from her face. It was struggling to breathe.
She watched it die.
Mallory was rolled onto her back, and her face was covered with a plastic mask attached to a tank of oxygen.
A raggedy man knelt on the ground beside her. „Sorry about your hubcap,“ he said, as a paramedic covered his shoulders with a blanket.
She recognized him as the derelict who had used Bitty Smyth’s cell phone to call out the fire engines. Beneath the blanket, he was shivering in shirtsleeves. To fuel his little signal fire, he had burned his coat.
The corridor was filled with detectives from Special Crimes Unit. Riker knew that most of them had already pulled a double shift, yet they were pumped, jazzed on coffee and busy hammering firemen and paramedics, doctors and nurses for information, taking statements, doing paperwork and biting down on stale sandwiches from the hospital canteen. They were tying up loose ends and taking care of business – all for Mallory – one of their own. Every single one of those beautiful bastards had responded to the call of an officer down.
But she would not stay down.
Dirty and tired and stinking of smoke, Mallory was still working her case. Detective Janos, a brutal-looking man the size and shape of a refrigerator carton, hovered near her, sometimes stealing up behind her to gingerly replace the blanket around her shoulders each time she shook it off. The rest of the squad was giving her a wide berth. Had she been any other cop, they would be slapping her on the back, swallowing her up in bear hugs, and there would be a disgraceful exhibition of tears in the eyes of grown men. This scene of human warmth, tears and joy, was what Riker had wanted for Mallory.