“We both believe the person behind the attacks is in Los Angeles. It’s okay for you to go, Tinkie. Take Chablis and go home to Oscar. Talk to him about adopting. There are a lot of children who would love to have you for a mom.”
She nodded her agreement. “I’ll deal with my family issues when I get home. Right now, we need to think about a possible killer. It’s true, we believe the attacker is in California. But until we have proof, I’m not willing to leave you here alone.”
My cell phone rang and I snapped it open. Millie’s voice came through loud and clear.
“I’ll give you Tor’s private number,” she said when I told her what I needed. “Since you’re a friend of mine, he’ll tell you what he knows.”
“Thanks, Millie.”
“Sarah Booth, you should see the spread Cece did on you in the newspaper. She got some photographs from the filming. You’re magnificent. Everyone in town is raving about it. Several men are desperate for you to come home.”
“Several?”
“Harold Erkwell had the newspaper matted, framed, and hung in the café. He’s so pleased for you. I had no idea he harbored such deep affection for you.”
“Give Harold a kiss for me,” I instructed her. “He’s been a good friend.”
“And what shall I give Coleman?” she asked.
I closed my eyes. Why was it that I had to keep making this break over and over again? “Give him my regards and tell him I’m happy and fine.”
There was a pause. “I will.”
“Thanks for Tor’s number, and tell Cece I’m going to get even with her when I get… home.” No matter what, Zinnia would always be home.
I hung up and Tinkie suggested that we get the dogs and go back to the mansion to make the call to Tor. We still hadn’t retrieved our things, but we weren’t going to stay there overnight.
On the way to the vet’s clinic, we stopped by the Petaluma police. One of the officers who’d come to the house, Sergeant Calla, told us they’d gathered a number of prints, but they were waiting for Estelle to regain consciousness. If she could identify her attacker, they would be all over it.
Sergeant Calla did have one interesting thing to report-aside from the prints Tinkie and I had made, there were two other sets. Estelle’s and a stranger’s. While the forensics team had collected a pretty good impression of a size nine and a half athletic shoe, they hadn’t matched it with anything in their system. They were working with Sheriff King for some help in the States.
“We’re more hopeful on the fingerprints recovered from the dust in the passage and closet,” he said. “We take it seriously that Ms. Marquez was nearly killed. We’ll find the perpetrator and he or she will be punished. Estelle’s father is an important man.”
“Thank you, Sergeant,” Tinkie said, batting her eyelashes in a way that looked helpless and sexy. “We’ll be in touch.”
We picked up the dogs-Chablis’s glowing recovery report going a long way to making Tinkie ecstatic-and headed for the Marquez place.
Night was falling. Another day had come to a close, and we both knew we had to leave Costa Rica. Despite Tinkie’s generosity with her time, she had her own life to manage. So far, the filming of the movie had proceeded without me, but my scenes were coming up and quickly.
Which made me wonder again why Federico hadn’t called me back.
I put in another call to Graf, who was delighted to hear from me but could shed no light on what was happening with the director.
“He’s disappeared, Sarah Booth,” he said. “Ricardo is trying to track him down. Jovan is frantic. I did call Sheriff King. He told me if this was a publicity stunt he’d put all of us in jail, but he is checking into it.”
“Is there a chance this is a publicity stunt?” I had a terrible feeling. What if everything that had happened in Petaluma-the falls, the attacks, everything-was a way of getting buzz going for the movie? Maybe someone had seen Suzy Dutton’s death and the resulting publicity as an opportunity to promote this film.
I’d assumed that being “cursed” was a bad thing, but what if it translated into box office interest?
And what about Estelle? She was severely injured. This wasn’t a bump on the head or a tumble. She might lose her hands and feet. Surely Federico would have no part in harming his own daughter. Surely.
“Find Federico, Graf. Do whatever it takes, but find him. Get him to call me.”
“I’ll go back to the edit room.”
“I love you,” I told him before I hung up.
“You look awful,” Tinkie said. “What is it?”
“What if all of this started out as a publicity stunt and then went too far?”
“I don’t believe it,” Tinkie said. “A dead daughter isn’t going to translate into very good press.”
“What if he didn’t intend for her to die? Maybe he expected us to find her much sooner.” But that was crazy. He hadn’t given us a single clue.
“And what about the ghost?” Tinkie asked. “Did he manipulate that, too?”
“I don’t know,” I had to say. There were visual and special effects tricks available to Federico that I’d never heard of.
I was spared further Tinkie interrogation by the shrill ring of my cell phone. When I answered, it was Sergeant Calla.
“Could you and Mrs. Richmond come to the station?” he asked. “My men found a pair of shoes in the garden that match the print in the passageway. We’d like you to identify them if you can.”
“We’re on the way.” I motioned for Tinkie to do a U-turn, and we headed back to town.
When we got there, Sergeant Calla met us in a small, sparsely furnished room. Another officer brought in a pair of beat-up athletic shoes. He put them on the desk in front of us. I felt Tinkie tense, but I kept a poker face.
“Do you recognize those shoes?” he asked.
I could hear Jitty in a corner of my mind, calling me a stool pigeon and worse, but I had to answer. “Those belong to Federico Marquez.” I’d seen them numerous times. He wore them for walks on the beach with Jovan. “Where did you find them?”
“Hidden in the garden beside the house. They’d been buried beneath some mulch and leaves. Daniel Martinez was very upset over Estelle’s attack, and as a special favor to him I brought in the tracking dogs. They found the shoes.”
I didn’t look at Tinkie. She really adored Federico, and I knew she was crushed. I wasn’t feeling so great, either. Aside from the larger issue that Federico was a monster, I didn’t think he could get a pass from jail to finish his movie. My bright and shining career was suddenly in shambles.
“Why would Senor Marquez want to harm his daughter?” Sergeant Calla asked.
“I don’t know,” I answered.
“I’m not certain he did this,” Tinkie said. “Someone could have planted those shoes. He wore them on the beach and left them at the back door. Everyone and his brother had access to them.”
“She has a good point,” I said.
“We have calls in for Senor Marquez to contact us, but he hasn’t done so.” Calla looked at me as if I could explain it.
I shrugged. “I’ve been calling him most of the day. He’s disappeared from the set. No one can find him.” I realized after I said it how suspicious it made him look.
“We’re afraid someone has harmed Federico,” Tinkie said, taking the bull by the horns.
“What makes you think that?” Calla asked.
“He has a multimillion-dollar movie three-quarters of the way made and he disappears? The timing doesn’t make sense. None of it. Why do all of these things now, when he has a shot of really getting back on top as a director? Rumors around Hollywood for the past six months have been that this movie is going to make him the most sought-after director working today. Why would he jeopardize this when the movie is going great?”
Tinkie’s passion was unexpected, but her logic was impeccable. “Yeah, why?” I brilliantly echoed.