(Sure, it’s funny now.)
Now, Eddie. Poor Eddie. How is he going to follow an act like Elizabeth Taylor? Well, he manages somehow. He meets a blond, cute, perky, fun, little actress. Sound familiar?
No, it’s not Debbie again. It’s a tribute to Debbie. It’s Connie Stevens! They meet and have Joely Fisher, from sitcoms, and Tricia Fisher, from New York.
Oh, wait a minute—did Eddie forget to marry Connie?
He did! He forgot to marry her. But eventually they remember. So they get married. But as many people know, legal sex is just shite compared to that premarital stuff that so many couples have in cars, so they divorce. But don’t worry, Eddie’s not alone for long because now he meets and marries Miss Louisiana! She’s three years older than me and she calls me “Dear,” which I love. I love it! Now I thought this relationship would go on and on and on because Louisiana is in her early twenties and Eddie is in his late fifties, so she had so many years to devote to him. But what do you think happens?
Yup, they divorce. I was stunned. But don’t worry he isn’t alone for long. ’Cause now he meets and marries this really lovely woman named Betty Lin. She’s from China and she takes excellent care of Eddie, and believe me, he needs it. And she’s the same age as Eddie, which hasn’t happened since the Debbie and Liz stuff. And the other good thing is Betty has a lot of money, which is handy because Eddie’s gone bankrupt about four times by now. So they’re happy together for ten or fifteen glorious years. But then what do you think happens?
That’s actually a trick question because they don’t divorce.
Betty passes away. But don’t worry, he’s not alone for long because now he dates all of Chinatown! He does this partly as a tribute to Betty and partly because my father has had so many face-lifts that he looks Asian himself. So that way they look like a matched set.
All right, so let’s recap: Eddie and Debbie have me and my brother, Todd. I grow up, sort of, and I marry Paul Simon. Now Paul is a short, Jewish singer. Eddie Fisher is a short, Jewish singer. Short. Jewish. Singer.
Any questions?
My mother makes a blueprint, and I follow it to the letter. So Paul and I have a passionate relationship with a lot of words, big words, clever words, uh-oh, the words get mean so we get divorced. But don’t worry, I’m not alone for long ’cause now I meet Bryan Lourd. Bryan is a talent agent, so fewer words, great sex. We celebrate and we have a child together. Billie Lourd.
Elizabeth and Mike Todd have Liza Todd.
Liza’s a wonderful sculptress, and she meets and marries her art professor. Professor Hap Tivey. Hap is short for Happy—so he’s not Jewish. Anyway, they have Quinn and Rhys. So, Rhys Tivey and Billie Lourd—are they related? (You can peek back at the chart if you haven’t already.)
I told them: “You’re related by scandal.”
I just hope the two of them get married so this will all be worthwhile.
And that is Hollywood inbreeding!
Hollywood inbreeding is sort of like royal inbreeding. And after all, celebrity is sort of like American royalty. So my brother and I are like those sad, sad cases like King Charles the Second of Spain. The last of the Habsburgs.
Charles was so horribly inbred that his aunt was also his grandmother. And his tongue was so large that he couldn’t chew or be understood, and he drooled. Another little challenge was that his organs were dying inside his body (the one on the outside didn’t work that well either because he died childless). But because his organs were dying, he actually smelled. So the people around him would put this perfume on him when he met prospective wives. (And by the way, we sell that perfume out in the lobby at my show.) Another issue for Charles was that he had these little seizures all the time and he would fall over, so the perfume people put weights in his shoes. Anyway, it worked because Charlie actually managed to marry twice, (probably someone with nursing ambitions), which just goes to show that there’s a lid for every pot. Sometimes there are as many as nine lids for the same pot. Also when I was a teenager I could buy pot in lids. But I don’t think you can anymore… can you?
Oh, and Charles’s death caused the War of the Spanish Succession, which I know a lot of you have been discussing at length recently.
So my brother and I grew up smelling and drooling and having seizures, and we did all this in our house, which I called “the Embassy” because it looked less like a house than a place you would get your passport stamped.
Where would you put the Christmas wreath on something like that?
It was a modern house and it had things that most normal houses don’t have. We had eight little pink refrigerators (you know, in case Snow White and the seven dwarfs came over) and we had a lanai and utility closets. Oh… and we had three pools… you know, in case two broke.
There was also my mother’s closet—which I always thought of as The Church of Latter Day Debbie. There was a certain hush, a certain smell of Abolene cream and White Shoulders perfume. It was very quiet; it was very dark; it was subject to its own laws like the phone booth where Clark Kent was transformed into Superman. My mother’s closet was the magical place that she entered as my mom and emerged as Debbie Reynolds.
Her closet was huge, like an enormous room, with an entrance and an exit, lined on each side by clothes of every sort—gowns, slacks, blouses, shoes and hat boxes, all manner of attire imaginable—and even the unimaginable. I remember she had these long pale gowns made out of beads. One in particular was a blue gown shimmering with blue beads. It even had blue fur on the sleeves and on the hem; she could float through a room in a movie star gown. Then, there was a long, shimmery, white chest of drawers where she kept all of her underwear and bras, and slips and stockings all neatly folded up and smelling of sachet. She had this weird, giant underwear that went over her belly button—big underpants and huge bras. I remember thinking, wow, some day when I’m grown up, maybe I’ll get my own enormously big breasts. I used to watch while my mom lifted up her huge fun bags so she could wash underneath them. I eventually did get those big breasts, and now I’m sorry.
My mother’s closet wasn’t off limits, but it was very much hers and, therefore, my younger brother, Todd, and I valued it. It was prized because of how highly we prized our mother. She was often away, and when we missed her, we could go into her closet and do stuff like put our faces into a bunch of clothes and inhale the powdery, flowery scent of her. We would put on shows together in the closet, playing some kind of airplane game and restaurant game. And then there was this hat we for some reason called the “bum-bum” hat. It was this big straw hat with a brim that continued over your eyes with this green mesh you could see out of. We loved nothing more than to put on the bum-bum hat and look through the green mesh at our suddenly transformed surroundings.
My mother was magnificent when she was decked out in all her glory. When she was ablaze with all manner of jewelry and gems, shimmering diamond earrings and her neck encircled with bright stones that caught the light, a gown with matching shoes and stockings, makeup and her tall wig, carefully coiffed by her hairdresser Sidney Guileroff or “Uncle Sidney” as we were encouraged to call him. Sidney’s name could be found in the credits of some of the more classic MGM films of all time. My mother would emerge from her dressing room a vision, so glamorous and so not of this world.