His jacket was wet through and his arms hung limp at his sides by the time he turned away and limped back over the sodden lawn, a soldier returning from the wars. He dragged himself across the street to the car, and all he could think of was Ted Casselman, down at the Dew Drop — he would know what to do — and he actually had the door open, one foot poised on the rocker panel, when he glanced up for a final bewildered look, and a movement on the Novaks’ porch caught his eye. All at once the storm door swung back with a dull flash of light and there she was, Muriel, rescued from oblivion. She was in her housecoat still and it was bedraggled and wet, and her long white hair hung tangled round her shoulders so that she was like some old woman of the woods in a children’s tale. Anna Novak hovered behind her, a tragic look pressed into the immobile Slavic folds of her eyes. Muriel just stood there, gazing across the street to where he hovered at the door of the car, half a beat from release.
The wind came up then and rattled the branches of the trees that were still standing. Someone was calling a dog up the street: “Hermie, Hermie! Here, baby!” The rain slackened. “Willis!” Muriel suddenly cried, “Willis!” and the spell was broken. She was coming down the steps, grand and invincible, her arms spread wide.
What could he do? He dropped his foot to the pavement, ignoring the pain that shot through his hip, and opened his arms to receive her.
BACK IN THE EOCENE
Abscissa, ordinate, isosceles, Carboniferous, Mesozoic, holothurian: the terms come to him in a rush of disinterred syllables, a forgotten language conjured by the sudden sharp smell of chalk dust and blackboards. It happens every time. All he has to do is glance at the bicycle rack out front or the flag snapping crisply atop the gleaming aluminum pole, and the memories begin to wash over him, a typhoon of faces and places and names, Ilona Sharrow and Richie Davidson, Manifest Destiny, Heddy Grieves, the Sea of Tranquillity and the three longest rivers in Russia. He takes his daughter’s hand and shuffles toward the glowing auditorium, already choked up.
Inside, it’s worse. There, under the pale yellow gaze of the overhead lights, recognition cuts at him like a knife. It’s invested in the feel of the hard steel frames and cushionless planks of the seats, in the crackling PA system and the sad array of frosted cupcakes and chocolate-chip cookies presided over by a puffy matron from the PTA. And the smells — Pine Sol, floor wax, festering underarms and erupting feet, a faint lingering whiff of meat loaf and wax beans. Wax beans: he hasn’t had a wax bean, hasn’t inserted a wax bean in his mouth, in what — twenty years? The thought overwhelms him and he stands there awkwardly a moment, just inside the door, and then there’s a tug at his hand and his daughter slips away, flitting through the crowd like a bird to chase after her friends. He finds a seat in back.
The big stark institutional clock shows five minutes of eight. Settling into the unforgiving grip of the chair, he concentrates on the faces of his fellow parents, vaguely familiar from previous incarnations, as they trudge up and down the aisles like automatons. Voices buzz round him in an expectant drone. High heels click on the linoleum. Chairs scrape. He’s dreaming a scene from another auditorium an ice age ago, detention hall, the soporific text, shouts from beyond the windows and a sharp sweet taste of spring on the air, when Officer Rudman steps up to the microphone.
A hush falls over the auditorium, the gale of chatter dropping off to a breeze, a stir in the rafters, nothing. His daughter, ten years old and beautiful, her feet too big and her shoulders slumped, strides up the aisle and drops into the chair beside him as if her legs have been shot out from under her. “Dad,” she whispers, “that’s Officer Rudman.”
He nods. Who else would it be, up there in his spit and polish, his close-cropped hair and custom-fit uniform? Who else, with his sunny smile and weight lifter’s torso? Who else but Officer Rudman, coordinator of the school’s antidrug program and heartthrob of all the fifth-grade girls?
A woman with frosted hair and remodeled hips ducks in late and settles noiselessly into the chair in front of him. “Good evening,” Officer Rudman says, “I’m Officer Rudman.” Someone coughs. Feedback hisses through the speakers.
In the next moment they’re rising clumsily in a cacophony of rustling, stamping and nose blowing, as Officer Rudman leads them in the Pledge of Allegiance. Hands over hearts, a murmur of half-remembered words. He’s conscious of his daughter’s voice beside him, and of his own, and he shifts his eyes to steal a glimpse of her. Her face is serene, shining, hopeful, a recapitulation and refinement of her mother’s, and suddenly it’s too much for him and he has to look down at his feet: “…with liberty and justice for all.” More coughing. The seats creak. They sit.
Officer Rudman gives the crowd a good long look, and then he begins. “Drugs are dangerous,” he says, “we all know that,” and he pauses while the principal, a thick-ankled woman with feathered hair and a dogged expression, translates in her halting Spanish: “Las drogas son peligrosas.” The man sits there in back, his daughter at his side, tasting wax beans, rushing with weltschmerz and nostalgia.
Eocene: designating or of the earliest epoch of the Tertiary Period in the Cenozoic Era, during which mammals became the dominant animals.
Je romps; tu romps; il rompt; nous rompons; vous rompez; ils rompent.
They didn’t have drugs when he was in elementary school, didn’t have crack and crank, didn’t have ice and heroin and AIDS to go with it. Not in elementary school. Not in the fifties. They didn’t even have pot.
Mary Jane, that’s what they called it in the high school health films, but no one ever called it that. Not on this planet, anyway. It was pot, pure and simple, and he smoked it, like anyone else. He’s remembering his first joint, age seventeen, a walkup on Broome Street, holes in the walls, bottles, rats, padlocks on the doors, one puff and you’re hooked, when Officer Rudman beckons a skinny dark-haired kid to the microphone. Big adult hands choke the neck of the stand and the mike drops a foot. Stretching till his ankles rise up out of his high-tops, the kid clutches at the microphone and recites his pledge to stay off drugs in a piping timbreless voice. “My name is Steven Taylor and I have good feelings of self-esteem about myself,” he says, his superamplified breathing whistling through the interstices, “and I pledge never to take drugs or to put anything bad in my body. If somebody asks me if I want drugs I will just say no, turn my back, change the subject, walk away or just say no.”
Brain-washing, that’s what Linda called it when he phoned to break their date for tonight. Easy for her to say, but then she didn’t have a daughter, didn’t know, couldn’t imagine what it was like to feel the net expand beneath you, high out over that chasm of crashing rock. What good did it do you? she said. Or me? She had a point. Hash, kif, LSD, cocaine, heroin. He’d heard all the warnings, watched all the movies, but how could you take anyone’s word for it? Was it possible, even? He’d sat through driver’s ed, sobering statistics, scare films and all, and then taken his mother’s Ford out on the highway and burned the tires off it. Scotch, gin, whiskey, Boone’s Farm, Night Train, Colt 45, Seconal, Tuinal, Quaalude. He’d heard all the warnings, yes, but when the time came he stuck the needle in his arm and drew back the plunger to watch the clear solution flush with his own smoldering blood. You remember to take your vitamins today?