If there was a climax to all that had come before, a Beat epiphany and holy epitomized moment, this was it: Jack was there at the kitchen table and his mother at the stove, yes, but there was a third person present, arrived among us like one of the bearded mystics out of the East. And who could it be with that mad calculating bug-eyed big-lipped look of Zen wisdom and froglike beauty? I knew in an instant: it was Allen. Allen himself, the poet laureate of Beatdom, come all the way from Paris for this far-out moment with Jack and his mother in their humble little Beat kitchen on the cold North Shore of Long Island. He was sitting at the table with Jack, spinning a dreidel and singing in a muddy moist sweet-wine-lubricated voice:
Dreidel, dreidel, dreidel,
I made it out of clay,
And when it’s dry and ready,
Then Dreidel I will play.
Jack waved Ricky and me into the room and pushed us down into two empty chairs at the kitchen table. “Flipped,” he murmured as the dreidel spun across the tabletop, and he poured us each a water glass of sticky Mogen David blackberry wine and my throat seized at the taste of it. “Drink up, man, it’s Christmas!” Jack shouted, thumping my back to jolt open the tubes.
That was when Mémère came into the picture. She was steaming about something, really livid, her shoulders all hunched up and her face stamped with red-hot broiling uncontainable rage, but she served the flapjacks and we ate in Beat communion, fork-grabbing, syrup-pouring and butter-smearing while Allen rhapsodized about the inner path and Jack poured wine. In retrospect, I should have been maybe a hair more attuned to Jack’s mother and her moods, but I shoved flapjacks into my face, reveled in Beatdom and ignored the piercing glances and rattling pans. Afterward we left our Beat plates where we dropped them and rushed into the living room to spin some sides and pound on the bongos while Allen danced a disheveled dance and blew into the wooden flute and Bill looked down the long tunnel of himself.
What can I say? The legends were gathered, we cut up the Benzedrine inhalers and swallowed the little supercharged strips of felt inside, feasted on Miss Green and took a gone Beat hike to the liquor store for more wine and still more. By dark I was able to feel the wings of consciousness lift off my back and my memory of what came next is glorious but hazy. At some point — eight? nine? — I was aroused from my seventeen-year-old apprentice-Beat stupor by the sound of sniffling and choked-back sobs, and found myself looking up at the naked-but-for-a-seaman’s-pea-coat form of Ricky Keen. I seemed to be on the floor behind the couch, buried in a litter of doilies, antimacassars and sheets of crumpled newspaper, the lights from the Christmas tree riding up the walls and Ricky Keen standing over me with her bare legs, heaving out chesty sobs and using the ends of her long gone hair to dab at the puddles of her eyes. “What?” I said. “What is it?” She swayed back and forth, rocking on her naked feet, and I couldn’t help admiring her knees and the way her bare young hitchhiking thighs sprouted upward from them to disappear in the folds of the coat.
“It’s Jack,” she sobbed, the sweet rasp of her voice catching in her throat, and then she was behind the couch and kneeling like a supplicant over the jean-clad poles of my outstretched legs.
“Jack?” I repeated stupidly.
A moment of silence, deep and committed. There were no corny carols seeping from the radio in the kitchen, no wild tooth-baring jazz or Indian sutras roaring from the record player, there was no Allen, no Jack, no Mémère. If I’d been capable of sitting up and thrusting my head over the back of the sofa I would have seen that the room was deserted but for Bill, still locked in his comatose reverie. Ricky Keen sat on my knees. “Jack won’t have me,” she said in a voice so tiny I was hardly aware she was speaking at all. And then, with a pout: “He’s drunk.”
Jack wouldn’t have her. I mulled fuzzily over this information, making slow drawn-out turtlelike connections while Ricky Keen sat on my knees with her golden eyes and Mary Travers hair, and finally I said to myself, If Jack won’t have her, then who will? I didn’t have a whole lot of experience along these lines — my adventures with the opposite sex had been limited to lingering dumbstruck classroom gazes and the odd double-feature grope — but I was willing to learn. And eager, oh yes.
“It’s such a drag being a virgin,” she breathed, unbuttoning the coat, and I sat up and took hold of her — clamped my panting perspiring sex-crazed adolescent self to her, actually — and we kissed and throbbed and explored each other’s anatomies in a drifting cloud of Beat bliss and gone holy rapture. I was lying there, much later, tingling with the quiet rush and thrill of it, Ricky breathing softly into the cradle of my right arm, when suddenly the front door flew back and the world’s wildest heppest benny-crazed coast-to-coasting voice lit the room like a brushfire. I sat up. Groped for my pants. Cradled a startled Ricky head.
“Ho, ho, ho!” the voice boomed, “All you little boysies and girlsies been good? I been checkin’ my list!”
I popped my head over the couch and there he was, cool and inexplicable. I couldn’t believe my eyes: it was Neal. Neal escaped from San Quentin and dressed in a street-corner-Santa outfit, a bag full of booze, drugs, cigarettes and canned hams slung over his back, his palms hammering invisible bongos in the air. “Come out, come out, wherever you are!” he cried, and broke down in a sea of giggles. “Gonna find out who’s naughty and nice, yes indeed!”
At that moment Jack burst in from the kitchen, where he and Allen had been taking a little catnap over a jug of wine, and that was when the really wild times began, the back-thumping high-fiving jumping jiving tea-smoking scat-singing Beat revel of the ages. Ricky Keen came to life with a snort, wrapped the jacket round her and stepped out from behind the couch like a Beat princess, I reached for the wine, Jack howled like a dog and even Bill shifted his eyes round his head in a simulacrum of animacy. Neal couldn’t stop talking and drinking and smoking, spinning round the room like a dervish, Allen shouted “Miles Davis!” and the record player came to life, and we were all dancing, even Bill, though he never left his chair.
That was the crowning moment of my life — I was Beat, finally and absolutely — and I wanted it to go on forever. And it could have, if it wasn’t for Jack’s mother, that square-shouldered fuming old woman in the Christmas dress. She was nowhere to be seen through all of this, and I’d forgotten about her in the crazed explosion of the moment — it wasn’t till Jack began to break down that she materialized again.
It was around twelve or so. Jack got a little weepy, sang an a capella version of “Hark the Herald Angels Sing” and tried to talk us all into going to the midnight mass at St. Columbanus’ church. Allen said he had no objection, except that he was Jewish, Neal derided the whole thing as the height of corny bourgeois sentimentality, Bill was having trouble moving his lips and Ricky Keen said that she was Unitarian and didn’t know if she could handle it. Jack, tears streaming down his face, turned to me. “Buzz,” he said, and he had this wheedling crazed biggest-thing-in-the-world sort of edge to his voice, “Buzz, you’re a good Catholic, I know you are — what do you say?”
All eyes focused on me. Silence rang suddenly through the house. I was three sheets to the wind, sloppy drunk, seventeen years old. Jack wanted to go to midnight mass, and it was up to me to say yea or nay. I just stood there, wondering how I was going to break the news to Jack that I was an atheist and that I hated God, Jesus and my mother, who’d made me go to parochial school five days a week since I’d learned to walk and religious instruction on Sundays to boot. My mouth moved, but nothing came out.