"I don't know what to say." Areena stared back at Mira with the trust Eve had wanted to see radiating in her eyes. "It just happened."
"When you picked up the knife," Eve interrupted, "did you notice anything different?"
"Different?" Areena blinked as she focused on Eve again. "No. It was exactly where it was supposed to be, hilt toward me to make the movement fast and smooth. I swept it up, to give the audience that one shocked instant to see the blade. The lighting's designed to catch it, to glint off the edges. Then I charged. It's only two steps from the table to Richard. I take his right arm, between the elbow and the shoulder, with my left hand, holding him, draw back with the right, then… the impact," she said after another long drag, "of the prop knife against his chest releases the pack of stage blood. We hold there for an instant, just two beats, intimately, before the others onstage rush forward to pull me away."
"What was your relationship with Richard Draco?"
"What?" Areena's eyes had glazed.
"Your relationship with Draco. Tell me about it."
"With Richard?" Areena pressed her lips together, her hand running up between her breasts to massage the base of her throat as if words were stuck there, like burrs. "We've known each other several years, worked with each other before – and well – most recently in a London production of Twice Owned."
"And personally?"
There was a hesitation, less than a half beat, but Eve noticed and filed it away.
"We were friendly enough," Areena told her. "As I said, we've known each other for years. The media in London played up a romance between us during that last work. The play was a romance. We enjoyed the benefit of the interest. It sold tickets. I was married at the time, but that didn't discourage the public from seeing us as a couple. We were amused by it."
"But never acted on it."
"I was married, and smart enough, Lieutenant, to know Richard wasn't the kind of man to throw out a marriage for."
"Because?"
"He's a fine actor. Was," she corrected, swallowed hard before she drew one last time on her cigarette. "He wasn't a particularly fine human being. Oh, that sounds vicious, horrible." Her hand lifted to her throat again, fingers restless against flesh. "I feel vicious and horrible saying it, but I – I want to be as honest as I can. I'm afraid. I'm terrified you'll think that I meant this to happen."
"At the moment, I don't think anything. I want you to tell me about Richard Draco."
"All right. All right." She drew in a breath, sucked on the cigarette as if it were a straw. "Others will say it in any case. Richard was very self-interested and egocentric, as many… most of us are in this business. I didn't hold it against him. And I jumped at the chance to work with him in this play."
"Are you aware of anyone else who, believing him not a particularly fine human being, might have held that against him?"
"I imagine Richard insulted or offended everyone attached to this production at one time or another." She pressed a fingertip to the inside corner of her eye, as if to relieve some pressure. "Certainly there were bruised feelings, complaints, mutters, and grudges. That's theater."
The theater, as far as Eve was concerned, was a screwy business. People wept copiously, gave rambling monologues when any half-wit lawyer would have advised them to say yes, no, and shut the hell up. They expounded, they expanded, and a great many of them managed to turn the death of an associate into a drama where they themselves held a starring role. "Ninety percent bullshit, Peabody."
"I guess." Peabody crossed the backstage area, trying to look everywhere at once. "But it's kind of cool. All those lights, and the holoboard, and there're some really mag costumes if you're into antique. Don't you think it'd be amazing to be standing out front and having all those people watching you?"
"Creepy. We're going to have to let some of these people go before they start whining about their civil rights."
"I hate when that happens."
Eve smirked, scanned her memo pad. "So far, we're getting an interesting picture of the victim. Nobody really wants to say so, but he was well disliked. Even when they don't want to say so, they do anyway, while they dab tears from their eyes. I'm going to look around back here. Go ahead and have the uniforms cut these people loose. Make sure we have all pertinent data on them, that they're issued the standard warning. Set up interviews for tomorrow."
"At Central or in the field?"
"Let's keep it light and go to them. For now. After you've set them up, you're relieved. Meet me at Central at oh eight hundred."
Peabody shifted her feet. "Are you going home?"
"Eventually."
"I can hang until you do."
"No point in it. We'll do better with a fresh start tomorrow. Just scramble the interviews in. I want to talk to as many people as possible as soon as possible. And I want a follow-up with Areena Mansfield."
"Yes, sir. Great dress," she added as she tucked her memo log away. "You're going to have to get the blood and sweeper gunk off the skirt before it sets in."
Eve looked down, scowled at the elegant black column. "Damn it. I hate not being dressed for the job." She turned, strode deeper backstage, where a uniform stood by a huge, locked cabinet.
"Key." She held out a hand while the uniform took out a key in an evidence bag. "Anybody try to get in this thing?"
"The prop master came back – old guy, pretty shaky. But he didn't give me any hassle."
"Fine. Go out front and tell the sweepers they'll be cleared to run this area in about ten minutes."
"Yes, sir."
Alone, Eve unlocked the cabinet and pulled the double doors open. She frowned, noting the box of cigars, the old-fashioned telephone, and a few other items neatly arranged in an area marked Sir Wilfred's Office.
Another section held props that had been used in the bar scene. The courtroom section was empty. Apparently, the prop master was very careful about replacing and arranging his props, and did so directly after the scene where they were needed was wrapped.
Someone that meticulous wouldn't have mistaken a kitchen knife for a dummy.
"Lieutenant Dallas?"
Eve glanced back and saw the young brunette from the last act moving from the shadows of the wings into the lights of backstage. She'd changed from her costume and wore a simple black jumpsuit. Her hair had been combed out of its tight waves and fell straight and richly brown down the center of her back.
"I hope I'm not disturbing your work." She had the faintest accent, soft and southern, and an easy smile on her face as she walked closer. "I was hoping to have a word with you. Your aide told me I was free to go, for the moment."
"That's right." Eve cast her mind back over the program she'd scanned after the murder. "Miss Landsdowne."
"Carly Landsdowne, Diane in this tragic production." She shifted her large blue eyes to the cabinet. "I hope you don't think Pete had anything to do with what happened to Richard. Old Pete wouldn't hurt a fly if it was buzzing in his ear."
"Pete would be the property master?"
"Yes. And as harmless as they come. That can't be said for everyone in this little circus."
"Obviously. Is there something specific you want?"
"Only to say what I doubt most of the others will, at least initially. Everyone hated Richard."
"Including you?
"Oh, absolutely." She said it with a brilliant smile. "He'd step on your lines every chance he got, cut off your mark, anything that would draw the attention onto him and off anyone else. Offstage, he was a vicious little worm. His world revolved around one thing, his own ego."
She gave a delicate shrug. "You'll hear it from someone eventually, so I thought it would be best if you heard it from me. We were lovers for a brief period. It ended a couple of weeks ago, in a nasty little scene. Richard was fond of nasty little scenes and staged this one for the biggest impact. During our first full dress rehearsal."