Nothing left to do, nothing expected of him until the Monday after this Monday expected, there’s no reason he’s here, no excuse, he should go home, his wife’s pregnant, expecting any breath, any any, but he won’t, if it’s expectations we’re talking, how he doesn’t, he stays, he works late; wraps a rubberband around his fingers as if in the hand of phylacteries, Shadai, holds a paperweight in the rubberband, tugs to tension, lets go, with the rubberband as a sling today’s paperweight’s hurled across desk, floor, office, through the air, misses the trash — a David he’s not. Around the trash are scattered months of paperweights, all the same model, moonily lucent and round — his secretary’s always picking these up for him whenever she goes on vacation wherever she goes, Loreta, he’ll remember it now: this specimen like the others says MIAMI across the top and he hates Miami, that he’ll never forget, that’s where his father lives, where his mother did, too, but his father; my daughters won’t grow up to marry like that, so he says, my daughters’ll never grow up. Holes in the wall where he’d overshot the trash, when the paperweights’d hit plaster, insulation, embedded.
It’s just around that time for Maintenance, the sanitation engineers due to slink in, dragging with them their pails and mops: he always avoids their eyes on his way out, reddened, sloshy, inflamed with powdered soaps, disinfectant sprays, it’s too terrible — how in their blindness, you see how you’re cleansed. A flesh hunched into woman stops at the door, smiles lone tooth, thumbs at his trash. He nods, she lifts it to dump into her trash kept on wheels.
TGIF. MIAMI. M.y I. A.ches M.y I, why these stupid diversions. Paperweights, there are none in his trash.
Wasting in his office, waiting for the Voice — amid the wilderness of petty dispute, for a test, a message garbled with grace, anything pressingly Urgent, requiring Attention whether immediate in action or reflective in referral and thought, anything to keep him in re: here, and so to keep him away from there, preemptive prophecy rescheduling Them. Home. And a goodnight to the window scheduled to his face. Merry Xmas. Nu, to you, too, take it easy…as he orders his work, shuffles paper, clips, throws all to a drawer of the stomach. Soon, his desk’s empty except for the calendrical blotter, his planner, which is showing two months and this month, the months prior and next shown smaller than this, shrunk, the past inked in with slashes. Fingers stained have marked with dark the month foretold at lower right. A moon revolves around the days of his planner, bleeds through boxes of weeks, wax to wane, fulling and renewing itself.
Too many engagements to appointment his keeping; familiar keys amid the wide, soothing hallway fluorescence: he nods to the janitorial shadow darkening the door to his office, which nods in return as it’s sunned, as it’s setting.
I rest my case, my feet and their boils.
A diploma, hung from a reverent nail, slid verticalways, then fell from the wall last week; he’d propped it on a shelf since, against a wall of family photos, which are doubles of those hung in the house. A tarnished metal nameplate upon the obverse of his door. An artifact already, scrape it with a toothbrush for six million years. If any teeth might survive. His name’s embossed on its brass. Though it’s nearly unreadable by now, quartercentury into this work, his name’s still what it was, and is good.
ISRAEL ISRAELIEN. And then a, a comma. And then it says ESQ., as if you had any doubts.
A sign out front, over Reception:
Goldenberg, Goldenberg, & Israelien
Attorneys-At-Law
The Goldenbergs? Are they brothers? Were they husband and wife, or father and son, mother and daughter, or father and daughter or mother and son? Or else just irrelative? What? May I ask who’s calling, asking who wants to know? Israel doesn’t, he never did, he’s never met them, not even sure they exist, ever existed. He’s now the firm’s senior partner, seniormost, and whoever the Goldenbergs were, if they were, he’s sure they’re long dead, they should be. Forgotten. Goldenberg? I don’t know. Goldenberg? Never heard of him, her, or them. Sorry. Wish I could help you.
I don’t know them from Adam. But his name was Goldberg…
Though perhaps, Hanna wastes thought on later nights — she’d never ask Israel, how to admit to that ignorance after a generation of marriage, she thinks — perhaps they weren’t people at all, rather those two golden mountains, the Poconos, and the silver valley between, where her mother and she’d vacation when she was young and could still swim the lake. One rumor among the secretaries was that the name was originally GOLDENBERG, GOLDENBERG, & GOLDENBERG, ATTORNEYS-IN-LAW, as one of the Goldenbergs had been a woman who’d taken her husband’s — and partner’s — last name, and that the third Goldenberg, Goldenberg Sr., had been Goldenberg’s — Goldenberg Jr.’s, the husband’s — older brother, they’d gossip: meaning they were in-laws, Goldenberg and Goldenberg the wife of Goldenberg, Goldenberg’s brother, née Silbertal as it’s said, and so — with lawyerly respect for the precise, the fineprint — they were attorneys-in-law, as well. Who knows. Though it’s also been said that Israel had started his own practice from nothing, and that the first order of business was to think up two names, to put up front, on the sign, on the stationary, to keep himself humble, in clients.
Quiet. He’s working. Don’t disturb.
In front of that sign the length of the wall, an ergonomic chair keeps the form of a woman at sit: obese, spine troubles around L-4, L-5 and lets everyone know, circulation problems in the buttocks, venous leg ulcers, ingrown toenails, bad breath. A desk keeps the chair. High and wood.
Israel loses himself to his planner: liquids, inks and shavings, rushed meals, spilled coffees and creamers, grains of sugar and sweeteners, unlettered doodles, a scribble of numbers the sum of all times.
Just how late is he? Enumerate this: it’s either the fifth or the sixth day of a week in the third, ninth, or twelfth month depending, December/Kislev whichever way you look at it, he more like squints at his watch though it’d stopped three hours ago. And his eyes. Hymn. Or maybe he’s already dead.
He looks at the hands writ on the wall, he’s alive.
Later, he looks again: the hands are two roots, growing further apart until they’ve grown near, again intertwine. Now it’s nearly a handful of hours past that twinning, their mingle. Fingers, two hands of them, scratch at his beard. He glances up from his planner, prints thumbs into face. Thinking about the time in his secretary’s office. Her clock he bought with the rest of her furniture.
And so he gets up and goes to her office and checks her clock to make sure it’s the same and it is, give or take and he’s taking, a sweet from her snack-drawer, sucks it on his way back to his chair.
Through the window, the sun passes: his fountainpen as the gnomon of the sundial that is his desk, and with it he scribbles a shopping list, oneitemed on an empty matchbook atop his planner at an angle of shadow equal to the latitude of his office, floors high at the top, how he’s risen.
Why not dictation — he’s thinking about calling up Loreta at home, having her take this down: Challah, two loaves.
And then, remind me again, what’re the names of my daughters? Loveneedy, Liv wants hugs and kisses. Judith does the best she can better. Give Simone her space. Easy does it Isabella. Zip it Zeba get a grip. Like father like mother as Asa. Be good to Batya, make nice to praise her effort. Don’t be meaner, support Rubina. How to remember, he’s asking, how could I forget.