As he touched the ground, Moonbird asked:
Play me one more song.
Do you fear that you will never hear one again?
Humor an old sauroid servitor. Dragons have their reasons.
Very well.
Pol uncased his guitar, not even bothering to dismount.
"What are you doing?" Nora inquired.
"Request performance," he answered, and he began a long, slow, nostalgic ballad.
Thank you, Moonbird replied, when it was finally concluded. That was soothing, and you reminded me of a story that a griffin once told me--
I'm afraid that I do not have the time to hear it now. More of those metal birds with bombs could--
Did you notice anything special as you sang?
No. What do you mean?
The bellowing sounds. They stopped.
Pol climbed down and assisted Nora in alighting. He patted Moonbird's neck.
Thanks.
"How do you intend to approach this one?" Nora asked. "The same way as..."
She had barely noticed the twirling motion of Pol's left hand, two fingers extended, slightly bent. As they moved near to her face, it felt as if a black bandage were sliding across her eyes....
Pol caught her as she slumped, bearing her to a spot beneath the branches of the nearby trees, largely sheltered from overhead view.
Guard her while I'm inside, he told Moonbird. If more of those things show up, it would be better if you stay hidden here for so long as you are undetected.
I can break them.
But then Nora will be unprotected. No. Only fight if you are discovered.
Moonbird snorted and drops of spittle fell upon the ground and began to smolder.
Very well. I can at least listen to the music.
Pol turned away and approached the high, wide entrance. A snuffling, growling sound commenced somewhere within--distant or near, he could not be certain. It shifted about him, moving, growing, diminishing.
The corridor he had entered ended abruptly several paces before him. There was a lower, narrower opening to his right and the strand led directly into it.
He halted and hung the guitar by its strap. He began to play, a slow, lullaby-like tune, into which he poured a wrist-throbbing desire to calm, to charm any listener. Several strands drifted near and he caught them on the neck of the instrument and saw them grow taut and begin to pulse in time with the music.
Slowly, he turned, still playing, and entered the opening.
He found himself in a dim passageway, a narrow band of sky visible high above him, running like a blue brook to separate into several tributaries at a place where a number of corridors met. He stood still for a time, strumming and humming, letting his eyes adjust to the lesser light. He realized then that the snorts and snufflings had ceased, though there was now a sound of heavy breathing all about him.
He moved forward, following the pale green strand. He turned right when it did, and left and immediately left again. Two more paces bore him into a circular chamber, ten equidistant doorways in its walls, including the one from which he had just emerged.
His strand led through the one to the immediate right, though another section of it crossed the chamber, stretched between two other doors. He ignored this and followed it to the right.
There came a series of left-right, left-right, then left-left, right-right turns which left him dizzy. He paused to regain control of his music. The sounds of breathing still came heavily about him, filling all the passageways, accompanied now by a strong barnyard odor. A tiny bit of cloud drifted across the blue band above him. Switching to another tune--still languid, dreamlike--he continued on.
After a time, he entered a circular chamber with ten doors, following the strand across it. He felt that it was the same one through which he had passed earlier, because of a familiar pattern of cracks in the wall, but there was no trace of the green strand passing between the adjacent doors across the way.
Then, looking behind him, he realized that the jade strand was shrinking or being gathered before him as he progressed. It was then that it occurred to him that while the force within the object he sought made it easy to describe a spell that would lead him to it, finding his way back out again might be a little more difficult without such a goal.
He ducked and squatted as he traversed a low passage--hell of a place to get caught!--and turned sideways as he negotiated a narrow one. He then entered upon a fresh series of turns, most of them doubling back upon themselves.
How long? he wondered. Surely I don't have to go through the entire thing....
Shortly thereafter, he realized that the breathing sounds had grown louder. And it was not long after that that he entered the long, low hall where the minotaur paced....
Mouseglove leaned forward again. The light in Mark's penthouse had been out for the better part of an hour, yet he had learned by observation that the sometime flashing device which had replaced the man's left eye was capable of very effective night-vision. He was also aware of Mark's restless disposition, of his inclination to pace within his quarters, to burst suddenly forth and embark upon surprise inspections of his installations, his factories, the barracks, his laboratories, his fields.
Is it better to assume that sleep has claimed him? he wondered. He's had a busy day. Still, he's so full of nervous energy... He could come out at any time. Once he's off and running again, it would be easy....
More maps than he really needed were folded in the various pockets of his cloak. The package containing the seven figurines was there, also. The grenades--about which he felt even more uncomfortable, having earlier witnessed their power--hung from his belt, along with one of his daggers. He carried a parcel containing food and a pistol he had stolen.
He leaned back behind the duct again and breathed more deeply of the chill and smoky night air. The longer he waited, of course, the greater the risk of discovery by one of the gnomes or machines. He was certain that he had spotted all of the stationary alarm devices, yet there were mobile units.
Still, he realized that he could not enter the flier and secure it about him without making some noise. Even if Mark were already sleeping, it would be well to let him drift further along into oblivion.
He looked up at the stars. The moon had not risen. Good for stealth. Less good for one's first flight. He touched each grenade. He checked his supplies. He had no intention of being captured. Especially after having seen what they had done to that centaur they had brought in earlier. And he was convinced that the poor brute had not even understood what it was that they wanted to know.
Patience had long been a way of life with Mouseglove. He commenced massaging major muscles, pausing periodically to listen, to peer about him.
Over an hour went by.
Time, he decided. The belly of the night. Two hundred paces now. Slow and steady. Patron of Thieves, be with me... .
It was time to think of nothing, to be an eye, to be an ear, to breathe just so, to feel vibrations. The hatch would have to be on the side facing Mark's door....
Twenty more paces, ten... What are they burning in those factories, anyway? It bites the nose...
He circled the vehicle twice, seeking alarms. Finally, he extended his hand, touched the smooth, cold body of the ship...
Now, little man, there is no retreat, he told himself.
He cracked the hatch, drawing slowly and steadily upon it. Silently, it came open. A moment later, he was inside, scanning the rooftop, seeking the hatch's interior handle. There would be an unavoidable noise in closing it. He located the handle and pulled downward upon it until it was only opened a crack....