“I know. Anna…” Drue put out both her sturdy little hands in their pigskin gloves and caught the maid’s hands. “Anna, tell me quickly. Will he live?”
“He-he-I don’t know, Ma’am. It only happened last night. Miss-you’d really better go. Before they know.”
Drue took a long breath and said, “I hoped you would come to the door, you or Beevens. Anna, I’m coming in. What room is he in?”
“His own room. He, oh, but, Madam,” said Anna, on the verge of tears. Drue stepped inside the hall. I followed and closed the door behind me, for Anna was too stricken to move. There was a quick impression of a massive hall and stairway that was all dark wood paneling, and a floor made of squares of black and white marble; of high-backed chairs and long Italian tables; of rich but subdued color in the tapestries and rugs. Anna wrung her clean pink hands together, and Drue said, “It’s all right, Anna. I’m a nurse, you remember; they sent me here to take care of him.”
She too gave a quick look along the depths of the great hall; there were doors, solid slabs of dark carved wood, but there was a kind of thickness and padded quality in the place that made me feel no one was likely to hear our voices. She went quickly to the stairway and stopped and seemed to listen, looking upward. Her soft, green tweed suit was sleekly tailored to her slender, erect figure; her profile against the dark wood paneling was clear and white, and her crimson mouth was rather set, yet obviously it was held so only by the strongest effort of will.
Just then something happened that threatened it. For there was a tiny scamper of sound somewhere near, a pause and a silence which had a quality of the most intent observation. We all looked at the back of the hall; at the entrance to some passage stood a small creature in a veritable agony of watchfulness. Stood there for only a second or two, then Drue said with a break in her voice, “Sir Francis,” and with a tiny rush of feet, a throbbing sound in its throat, the little thing hurled itself across the great hall and toward us.
Toward us? Toward Drue. It leaped into her arms and strove frantically, almost sobbing, to lick her face and her hands. It was a Yorkshire terrier, a tiny thing, his long forelock hanging down over his glistening eyes.
Anna said, “He’s never forgotten, Miss.”
Drue held the little terrier tight and put her face down against its little frenzied body for a long moment. Then she looked up the stairway and put her hand to her mouth again. It was no longer the firm resolute line it had been. She took a quick breath, and, still holding the little dog, started up the stairs. The maid made a futile, prohibitive move forward and stopped. Drue did not look back. So again I followed.
And Anna finally followed me. As I turned at the wide landing and looked back, I saw her coming after me, her footsteps soft on the thickly carpeted stairway, round face lifted anxiously and faintly purple as she passed below a band of purple light from the stained glass window above the landing.
When I reached the top of the stairway, Drue was already halfway down a long wide corridor which seemed to run the length of the house and was intersected once by a narrow corridor which seemed to go toward a servants’ wing. Along the main corridor toward the north end of the house a man-the workman who had met us at the train-seemed to be sorting my bags from Drue’s by examining the initials and tags. Our rooms then were to be where he left our bags. I made a mental note of the door he opened and went along the hall southward, in Drue’s wake. Anna followed me.
Halfway along it Drue stopped. The hall was gloomy, for it was a dark day in the early spring with a fine, cold rain falling. But I could see her pause for an instant with her hand on a doorknob; then she opened the door and disappeared. The maid, Anna, who by that time was just behind me, said, “Holy Mother of God! But I could do nothing…” And wrung her hands again.
Probably I had some idea of clarifying the situation and my own confused state of mind at the same time. For I stated my position then, in a loud clear voice. “You don’t understand. I am a nurse. My name is Sarah Keate. Miss Cable is a nurse, too. Your local doctor, Dr. Chivery, sent for us last night. I was sent here to nurse a Mr. Craig Brent…” I stopped, for the maid didn’t hear a word I said. She, too, opened the door and went into the room beyond and naturally, again, I followed.
It was a large bedroom, dusky, so the big, canopied four-poster in the middle of it was outlined bulkily against the gray light from the windows along the opposite wall. There was a fireplace with a couch drawn up before it; and the massive shapes of too much and too heavy furniture. Then I saw Drue, and she was kneeling at the side of the bed with her head down.
Anna gave a wavering little sound, a kind of angry moan. She went to a table and turned on the light in a lamp that stood there. Then I could see more clearly; a man lay on the bed, looking very long under the white blanket cover, and Drue had her face on his hand which lay outside.
Anna stepped toward the kneeling, slender figure and said softly, “Oh, you mustn’t. If his father finds you here…”
Drue lifted her head. She had flung off her hat, so her light brown hair, brushed upward from her temples and breaking into short curls on the top of her small head, shone softly, like gold, in the light and looked disheveled, like a child’s. Her face was very pale; she looked upward beseechingly at Anna and whispered, “Is he going to die?”
“No, no,” cried Anna. “No, please God.”
There was a moment of complete silence, with only the fine rain whispering against the windowpanes. Then Drue said, “No. I won’t let him die. I’m a nurse. I know what to do…” Her fingers were on his pulse. “Where is the chart? The doctor must have left orders. Give them to me…”
Anna went back to a table, and Drue rose in a swift motion and followed her. I went closer to the bed and stood there looking down at my patient-Craig Brent. He was asleep.
Obviously it was a drugged sleep. I didn’t know, then, what was wrong, and I didn’t like the drawn look in his face, young and lean, with good bones, a rather stern, brown profile, and deeply hollowed eyes. I didn’t like his pulse either when I put my fingers lightly on his wrist.
Whatever this man, this house and the people in it meant to Drue, to me then, the main thing was my patient. Drue and the maid had withdrawn with the chart to a curtained doorway which seemed to lead to a dressing room. I followed. It was a small room, with windows along one side and cupboards lining the other; at the other end of it was another door leading into a bathroom. Drue was reading the doctor’s orders intently, and Anna was close beside her, watching Drue’s face and knotting her fingers nervously in her apron. Drue was white, and the upward gleam of the light outlined the clean line of her chin and cheekbones, and cast a soft shadow around her eyes. She looked up directly at me with a poignant appeal in her eyes and her mouth. She thrust the tablet into my hands and said to Anna in a whisper that was as chilled and cold as the rain outside, “Anna, who shot him?”
Well, that gave me a real and most unwelcome start; it was the first I’d known of that. They had said at the registry office (or rather, I remembered suddenly, Drue had said when she persuaded me to take the case with her) only that there’d been an accident. Not that it was a shooting accident. I don’t like shootings. I held the tablet in a hand suddenly gone stiff.
Anna shook her head. “They said accident,” she whispered. In fact, our whispers and the dreary day, the silence in the great, thick-walled house and the whisper of rain against the windows gave the whole thing a kind of eeriness. Drue’s small hands caught Anna’s shoulders.
“Anna, you must tell me. What happened?”
“I don’t know, Miss Drue. I swear I don’t know. They found him in the garden, there by the hedge…”
“In the garden? When?”