Austin had stood amid his suitcases, breathing in the air of defeat and frustration and anger he felt certain it would be useless to express. He stared out the lobby window at the street. The sky was cloudy and the wind slightly chilled. He heard Barbara say behind him, as much to herself as to him, “Oh well. We'll do something. We'll find another place. It's too bad. Maybe it'll be an adventure.”
Austin looked at the clerk, a little beige man with neat black hair and a white cotton jacket, standing behind his marble desk. The clerk was smiling. This was all the same to him, Austin realized: that they had no place to go; that they were tired of Paris; that they had brought too much luggage and bought too much to take home; that they had slept badly every night; that the weather was inexplicably changing to colder; that they were out of money and sick of the arrogant French. None of this mattered to this man — in some ways, Austin sensed, it may even have pleased him, pleased him enough to make him smile.
“What's so goddamned funny?” Austin had said to the smug little subcontinental. “Why's my bad luck a source of such goddamned amusement to you?” This man would be the focus of his anger. He couldn't help himself. Anger couldn't make anything worse. “Doesn't it matter that we're guests of this hotel and we're in a bit of a bad situation here?” He heard what he knew was a pleading voice.
“April fool!” the clerk said and broke out in a squeaking little laughter. “Ha, ha, ha, ha, ha, ha, ha. It is only a joke, monsieur,” the man said, so pleased with himself, even more than when he'd told Austin the lie. “The airport is perfectly fine. It is open. You can leave. There is no trouble. It's fine. It was only a joke. Bon voyage, Mr. Austin. Bon voyage.”
3
For the two days after she had left him standing in the street at midnight, after he had kissed her the first time and felt that he had done something exactly right, Austin saw a great deal of Joséphine Belliard. He'd had plans to take the TGV to Brussels and then go on to Amsterdam, and from there fly to Chicago and home. But the next morning he sent messages to his customers and to the office, complaining of “medical problems” which had inexplicably “recurred,” although he felt it was “probably nothing serious.” He would conclude his business by fax when he was home the next week. He told Barbara he'd decided to stay in Paris a few extra days — to relax, to do things he'd never taken the time to do. Visit Balzac's house, maybe. Walk the streets like a tourist. Rent a car. Drive to Fontainebleau.
As to Joséphine Belliard, he decided he would spend every minute he could with her. He did not for an instant think that he loved her, or that keeping each other's company would lead him or her to anything important. He was married; he had nothing to give her. To get deluded about such a thing was to bring on nothing but trouble — the kind of trouble that when you're younger you glance away from, but when you're older you ignore at risk. Hesitancy in the face of trouble, he felt, was probably a virtue.
But short of that he did all he could. Together they went to a movie. They went to a museum. They visited Notre Dame and the Palais Royal. They walked together in the narrow streets of the Faubourg St.-Germain. They looked in store windows. They acted like lovers. Touched. She allowed him to hold her hand. They exchanged knowing looks. He discovered what made her laugh, listened carefully for her small points of pride. She stayed as she had been — seemingly uninterested, but willing — as if it was all his idea and her duty, only a duty she surprisingly liked. Austin felt this very reluctance in her was compelling, attractive. And it caused him to woo her in a way that made him admire his own intensity. He took her to dinner in two expensive places, went with her to her apartment, met her son, met the country woman she paid to care for him during the week, saw where she lived, slept, ate, then stood gazing out her apartment windows to the Jardin du Luxembourg and down the peaceful streets of her neighborhood. He saw her life, which he found he was curious about, and once he'd satisfied that curiosity he felt as though he'd accomplished something, something that was not easy or ordinary.
She told him not much more about herself and, again, asked nothing about him, as if his life didn't matter to her. She told him she had once visited America, had met a musician in California and decided to live with him in his small wooden house by the beach in Santa Cruz. This was in the early seventies. She had been a teenager. Only one morning — it was after four months — she woke up on a mattress on the floor, underneath a rug made out of a tanned cowhide, got up, packed her bag and left.
“This was too much,” Joséphine said, sitting in the window of her apartment, looking out at the twilight and the street where children were kicking a soccer ball. The musician had been disturbed and angry, she said, but she had come back to France and her parents’ house. “You cannot live a long time where you don't belong. It's true?” She looked at him and elevated her shoulders. He was sitting in a chair, drinking a glass of red wine, contemplating the rooftops, enjoying how the tawny light burnished the delicate scrollwork cornices of the apartment buildings visible from the one he was in. Jazz was playing softly on the stereo, a sinuous saxophone solo. “It's true, no?” she said. “You can't.”
“Exactly right,” Austin said. He had grown up in Peoria. He lived on the northwest side of Chicago. He'd attended a state U. He felt she was exactly right, although he saw nothing wrong in being here at this moment, enjoying the sunlight as it gradually faded then disappeared from the rooftops he could see from this woman's rooms. That seemed permissible.
She told him about her husband. His picture was on the wall in Léo's room — a bulbous-faced, dark-skinned Jew, with a thick black mustache that made him look like an Armenian. Slightly disappointing, Austin had thought. He'd imagined Bernard as being handsome, a smooth-skinned Louis Jourdan type with the fatal flaw of being boring. The real man looked like what he was — a fat man who once wrote French radio jingles.
Joséphine said that her affair had proved to her that she did not love her husband, although perhaps she once had, and that while for some people to live with a person you did not love was possible, it was not possible for her. She looked at Austin as if to underscore the point. This was not, of course, how she had first explained her feelings for her husband, when she said she'd felt she could resume their life after her affair but that her husband had left her flat. This was how she felt now, Austin thought, and the truth certainly lay somewhere in the middle. In any case, it didn't matter to him. She said her husband gave her very little money now, saw his son infrequently, had been seen with a new girlfriend who was German, and of course had written the terrible book, which everyone she knew was reading, causing her immense pain and embarrassment.
“But,” she said, and shook her head as if shaking the very thoughts out of her mind. “What I can do, yes? I live my life now, here, with my son. I have twenty-five more years to work, then I'm finished.”
“Maybe something better'll come along,” Austin said. He didn't know what that might be, but he disliked her being so pessimistic. It felt like she was somehow blaming him, which he thought was very French. A more hopeful, American point of view, he thought, would help.
“What is it? What will be better?” Joséphine said, and she looked at him not quite bitterly, but helplessly. “What is going to happen? Tell me. I want to know.”