They emerged from the wood and followed the grass-grown lane, round by the small mill-pond. Crossing the park once more, they entered the village by the Yeoborough road.
“What a girl!” said Dangelis to himself, in a voice of unmitigated admiration, as he held open for her, at last, the little gate of the old vicarage garden, and waved his good-bye.
“What a girl! Heaven help that unfortunate Mr. Clavering! If he’s as susceptible as most of these young Englishmen, she’ll make havoc of his poor heart. Will he read the ‘Imitation’ with her, I wonder?”
He strolled slowly back, the way they had come, the personality of the insidious Gladys pressing less and less heavily upon him as his thought reverted to his painting. He resolved that he would throw all these recent impressions together in some large and sumptuous picture, that should give to these modern human figures something of the ample suggestion and noble aplomb, the secret of which seemed to have been lost to the world with the old Flemish and Venetian masters.
What in his soul he vaguely imaged as his task, was an attempt to eliminate all mystic and symbolic attitudes from his work, and to catch, in their place, if the inspiration came to him, something of the lavish prodigality, superbly material, and yet possessed of ineffable vistas, of the large careless evocations of nature herself.
His imaginative purpose, as it defined itself more and more clearly in his mind, during his solitary return through the evening light, seemed to imply an attempted reproduction of those aspects of the human drama, in such a place as this, which carried upon their surface the air of things that could not happen otherwise, and which, in their large inevitableness, over-brimmed and over-flowed all traditional distinctions. He would have liked to have given, in this way, to the figures of Gladys and her mother, something of the superb non-moral “insouciance,” springing, like the movements of animals and the fragrance of plants, out of the bosom of an earth innocent of both introspection and renunciation, which one observes in the forms of Attic sculpture, or in the creations of Venetian colourists. Below the high ornamental wall of Nevilton garden he paused a moment before entering the little postern-gate, to admire the indescribable greenness and luxuriousness of the heavy grass devoted in this place, not to hay-makers but to cattle. There was a sort of poetry, he humorously told himself, even about the great black heaps of cow-dung which alternated here with the golden clumps of drowsy buttercups. They also, — why not? — might be brought into the kind of picture he visioned, just as Veronese brought his mongrels and curs to the very feet of the Saviour!
Dangelis lifted his eyes, to where, through a gap in the leafy uplands, the more distant hills were visible. He could make out clearly, in the rich purple light, the long curving lines of the Corton downs, as they melted, little by little, in a floating lake of aerial blue-grey vapour, the exhalation of the great valley’s day-long breathing.
He could even mark, at the end of the Corton range — and the sight of it gave him a thrilling sense of the invincible continuity of life in these regions — the famous tree-crested circle of Cadbury Camp, the authentic site of the Arthurian Camelot.
What a lodging this Nevilton was, to pass one’s days in, to work in, and to love and dream! What enchantments were all around him! What memories! What dumb voices!
CHAPTER VIII THE MYTHOLOGY OF SACRIFICE
JUNE, in Nevilton, that summer, seemed debarred by some strange interdiction from regaining its normal dampness and rainy discomfort.
It continued unnaturally hot and dry — so dry, that though the hay-harvest was still in full session, the farmers were growing seriously anxious and impatient for the long-delayed showers. It had been, as we have already noted, an unusual season. Not only were there so many blue-bells lingering in the shadowy places in the woods, but among the later flowers there were curious over-lappings.
The little milk-wort blossoms, for instance, on Leo’s Hill, were overtaken, before they perished, by premature out-croppings of yellow trefoil and purple thyme.
The walnut-trees had still something left of their spring freshness, while in the hedges along the roads, covered, all of them, with a soft coating of thin white dust, the wild-roses and the feathery grasses suggested the heart of the year’s prime.
It was about eight o’clock, in the evening of a day towards the end of the second week in this unusual month, that Mr. Hugh Clavering emerged from the entrance of the Old Vicarage with a concentrated and brooding expression. His heart was indeed rent and torn within him by opposite and contrary emotions. With one portion of his sensitive nature he was craving desperately for the next day’s interview with Gladys; with the other portion he was making firm and drastic resolutions to avoid it and escape from it. She was due to come to his house in the afternoon — less than twenty-four hours time from this actual moment! But the more rigorous half of his being had formed the austere plan of sending her a note in the morning begging her to appear, along with the other candidates, at a later hour. He had written the note and it still remained, propped up against the little Arundel print of the Transfiguration, on the mantelpiece of his room.
He went up the street with bowed, absorbed head, hardly noticing the salutations of the easy loiterers gathered outside the door of the Goat and Boy, — the one of Nevilton’s two taverns which just at present attracted the most custom. Passing between the tavern and the churchyard wall, he pushed open the gate leading into the priory farmyard, and striding hurriedly through it began the ascent of the grassy slope at the base of Nevilton Mount.
The wind had sunk with the sinking of the sun, and an immense quietness lay like a catafalque of sacred interposition on the fields and roofs and orchards of the valley. A delicious smell of new-mown grass blent itself with the heavy perfume of the great white blossoms of the elder bushes — held out, like so many consecrated chalices to catch the last drops of soft-lingering light, before it faded away.
Hugh Clavering went over the impending situation again and again; first from one point of view, then from another. The devil whispered to him — if it were the devil — that he had no right to sacrifice his spiritual influence over this disconcerting pupil, out of a mere personal embarrassment. If he gave her her lesson along with the rest, all that special effort he had bestowed upon her thought, her reading, her understanding, might so easily be thrown away! She was different, obviously different, from the simple village maids, and to put her now, at this late hour, with the confirmation only a few weeks off, into the common class, would be to undo the work of several months. He could not alter his method with the others for her sake, and she would be forced to listen to teaching which to her would be elementary and platitudinous. He would be throwing her back in her spiritual development. He would be forcing her to return to the mere alphabet of theology at the moment when she had just begun to grow interested in its subtle and beautiful literature. She would no doubt be both bored and teased. Her nerves would be ruffled, her interest diminished, her curiosity dulled. She would be angry, too, at being treated exactly as were these rustic maidens — and anger was not a desirable attribute in a gentle catechumen.
Besides, her case was different from theirs on quite technical grounds. She was preparing for baptism as well as confirmation, and he, as her priest, was bound to make this, the most essential of all Christian sacraments, the head and front of his instruction. It was hardly to the point to say that the other girls knew quite as little of the importance of this sacred rite as she did. His explanations of it to them, his emphasis upon the blessing it had already been to them, would be necessarily too simple and childish for her quicker, maturer understanding.