"The rest has escaped me," said the reciter; "and I marvel I have been able to remember so much."
Sir Henry Lee, who had expected some effusion very different from those classical and beautiful lines, soon changed the scornful expression of his countenance, relaxed his contorted upper lip, and, stroking down his beard with his left hand, rested the forefinger of the right upon his eyebrow, in sign of profound attention. After Everard had ceased speaking, the old man signed as at the end of a strain of sweet music. He then spoke in a gentler manner than formerly.
"Cousin Markham," he said, "these verses flow sweetly, and sound in my ears like the well-touched warbling of a lute. But thou knowest I am somewhat slow of apprehending the full meaning of that which I hear for the first time. Repeat me these verses again, slowly and deliberately; for I always love to hear poetry twice, the first time for sound, and the latter time for sense."
Thus encouraged, Everard recited again the lines with more hardihood and better effect; the knight distinctly understanding, and from his looks and motions, highly applauding them.
"Yes!" he broke out, when Everard was again silent—"Yes, I do call that poetry—though it were even written by a Presbyterian, or an Anabaptist either. Ay, there were good and righteous people to be found even amongst the offending towns which were destroyed by fire. And certainly I have heard, though with little credence (begging your pardon, cousin. Everard,) that there are men among you who have seen the error of their ways in rebelling against the best and kindest of masters, and bringing it to that pass that he was murdered by a gang yet fiercer than themselves. Ay, doubtless, the gentleness of spirit, and the purity of mind, which dictated those beautiful lines, has long ago taught a man so amiable to say, I have sinned, I have sinned. Yes, I doubt not so sweet a harp has been broken, even in remorse, for the crimes he was witness to; and now he sits drooping for the shame and sorrow of England,—all his noble rhymes, as Will says,
'Like sweet bells jangled out of tune and harsh.'
Dost thou not think so, Master Kerneguy?"
"Not I, Sir Henry," answered the page, somewhat maliciously.
"What, dost not believe the author of these lines must needs be of the better file, and leaning to our persuasion?"
"I think, Sir Henry, that the poetry qualifies the author to write a play on the subject of Dame Potiphar and her recusant lover; and as for his calling—that last metaphor of the cloud in a black coat or cloak, with silver lining, would have dubbed him a tailor with me, only that I happen to know that he is a schoolmaster by profession, and by political opinions qualified to be Poet Laureate to Cromwell; for what Colonel Everard has repeated with such unction, is the production of no less celebrated a person than John Milton."
"John Milton!" exclaimed Sir Henry in astonishment—"What! John Milton, the blasphemous and bloody-minded author of the Defensio Populi Anglicani!—the advocate of the infernal High Court of Fiends; the creature and parasite of that grand impostor, that loathsome hypocrite, that detestable monster, that prodigy of the universe, that disgrace of mankind, that landscape of iniquity, that sink of sin, and that compendium of baseness, Oliver Cromwell!"
"Even the same John Milton," answered Charles; "schoolmaster to little boys, and tailor to the clouds, which he furnishes with suits of black, lined with silver, at no other expense than that of common sense."
"Markham Everard," said the old knight, "I will never forgive thee— never, never. Thou hast made me speak words of praise respecting one whose offal should fatten the region-kites. Speak not to me, sir, but begone! Am I, your kinsman and benefactor, a fit person to be juggled out of my commendation and eulogy, and brought to bedaub such a whitened sepulchre as the sophist Milton?"
"I profess," said Everard, "this is hard measure, Sir Henry. You pressed me—you defied me, to produce poetry as good as Shakspeare's. I only thought of the verses, not of the politics of Milton."
"Oh yes, sir," replied Sir Henry; "we well know your power of making distinctions; you could make war against the King's prerogative, without having the least design against his person. Oh Heaven forbid! But Heaven will hear and judge you. Set down the beverage, Phoebe"—(this was added by way of parenthesis to Phoebe, who entered with refreshment)—"Colonel Everard is not thirsty—You have wiped your mouths, and said you have done no evil. But though you have deceived man, yet God you cannot deceive. And you shall wipe no lips in Woodstock, either after meat or drink, I promise you."
Charged thus at once with the faults imputed to his whole religious sect and political party, Everard felt too late of what imprudence he had been guilty in giving the opening, by disputing his uncle's taste in dramatic poetry. He endeavoured to explain—to apologise.
"I mistook your purpose, honoured sir, and thought you really desired to know something of our literature; and in repeating what you deemed not unworthy your hearing, I profess I thought I was doing you pleasure, instead of stirring your indignation."
"O ay!" returned the knight, with unmitigated rigour of resentment— "profess—profess—Ay, that is the new phrase of asseveration, instead of the profane adjuration of courtiers and cavaliers—Oh, sir, profess less and practise more—and so good day to you. Master Kerneguy, you will find beverage in my apartment."
While Phoebe stood gaping in admiration at the sudden quarrel which had arisen, Colonel Everard's vexation and resentment was not a little increased by the nonchalance of the young Scotsman, who, with his hands thrust into his pockets, (with a courtly affectation of the time,) had thrown himself into one of the antique chairs, and, though habitually too polite to laugh aloud, and possessing that art of internal laughter by which men of the world learn to indulge their mirth without incurring quarrels, or giving direct offence, was at no particular pains to conceal that he was exceedingly amused by the result of the Colonel's visit to Woodstock. Colonel Everard's patience, however, had reached bounds which it was very likely to surpass; for, though differing widely in politics, there was a resemblance betwixt the temper of the uncle and nephew.
"Damnation" exclaimed the Colonel, in a tone which became a puritan as little as did the exclamation itself.
"Amen!" said Louis Kerneguy, but in a tone so soft and gentle, that the ejaculation seemed rather to escape him than to be designedly uttered. "Sir!" said Everard, striding towards him in that sort of humour, when a man, full of resentment, would not unwillingly find an object on which to discharge it.
"Plait-il?" said the page, in the most equable tone, looking up in his face with the most unconscious innocence.
"I wish to know, sir," retorted Everard, "the meaning of that which you said just now?"
"Only a pouring out of the spirit, worthy sir," returned Kerneguy—"a small skiff dispatched to Heaven on my own account, to keep company with your holy petition just now expressed."
"Sir, I have known a merry gentleman's bones broke for such a smile as you wear just now," replied Everard.
"There, look you now" answered the malicious page, who could not weigh even the thoughts of his safety against the enjoyment of his jest—"If you had stuck to your professions, worthy sir, you must have choked by this time; but your round execration bolted like a cork from a bottle of cider, and now allows your wrath to come foaming out after it, in the honest unbaptized language of common ruffians."