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Till the slow sea rise and the sheer cliff crumble,     Till terrace and meadow the deep gulfs drink, Till the strength of the waves of the high tides humble     The fields that lessen, the rocks that shrink, Here now in his triumphs where all things falter,     Stretched out on the spoils that his own hand spread, As a god self-slain on his own strange altar,                     Death lies dead.

It was such a little study, Mr. Ivy's, just behind the church; a plaster room, looking on a garden seven feet square, with a cement walk which he called his ambulatory. There were stiff crocuses and timid pansies in the garden. On the walls of the study were pictures of S. Paulo Fouri le Muri, of Thoreau and Emerson. The priest, after he had read Swinburne, looked at Ora diffidently and said:

'There is a greater poetry than all of this. It's from the Bible. I wonder if you know it. You see, my dear boy, the Fathers of my Church knew, so long ago, all that afflicts us now. Would you like to hear it?'

'Sure!' said Ora.

'This is perhaps the greatest poetry that has ever been written. Listen, my son:

"Or ever the silver cord be loosed, or the golden bowl be broken, or the pitcher be broken at the fountain, or the wheel broken at the cistern. "Then shall the dust return to the earth as it was: and the spirit shall return unto God who gave it. "Vanity of vanities, saith the preacher; all is vanity."'

Mr. Ivy looked up, over the eyeglasses that creased his red face.

The boy was weeping.

'I didn't know,' he sobbed, 'that the Bible was poetry! I thought it was nothing but religion!'

But that had been two years ago.

This July morning, when Ora condescendingly nodded to Mr. Ivy, over the fence, he was not awed. For he himself was a poet now, with no need for reverence for the old stiffs that were his rivals.

'Ora,' said Mr. Ivy, 'do you know the Wordsworth sonnet that begins, "The world is too much with us--late and soon"?'

'Sure. It's swell. Well, gotta be hustling on,' said Ora.

He did not know the sonnet, but then--it was morning, and vacation, and he lurched on, followed by a lurching Lancelot.

As it was called 'Elm Hill', naturally it was covered mostly with spruce and pine. There was a secret hollow which, Ora felt, no one save himself had ever discovered. He lay in its hot, resinous sweetness, while Lancelot panted and coughed and scratched beside him. He dreamed--the formless, visual dreams of a young poet: Castles. Girls milk-white. In Xanadu did Kubla Khan a stately pleasure-dome decree. Sleek greyhounds with silver bells. God through unending aeons drowsing on his throne of sharp-cut granite. Swords slender as pain. California and sunlight intolerable upon yellow poppies. Wings of the albatross. Wild white horses galloping through the desert, beneath an orange mesa. An archbishop chanting mass, in vestments stiff with gold. A starving explorer staggering into a Tibetan village. An English cottage among roses. An air-ship--only there could never be any air-ships, of course!--flashing through the empyrean at sixty miles an hour. . . . Empyrean! What a lovely word! Myron wouldn't know a word like 'empyrean'!

I saw Osirian Egypt kneel adown before the vine-wreath crown. Yea, with red sin the faces of them shine; but in all these there was no sin like mine. In the highlands, in the country places, where the old plain men have rosy faces, and the young fair maidens quiet eyes. The Courts where Tamshyd gloried and drank deep. A woman wailing for her demon lover. Set forth in something, something mail, to search in all lands for the Holy Grail. Delectable. Faerie. Clad in white samite, mystic, wonderful. Glamour. Casting down their golden crowns around the glassy sea. The owl for all his feathers was acold. Lances, lances dipped in light.

'Oh, dear God, if I could only do it!' whimpered Ora.

Like most healthy young animals, Ora was perpetually hungry. Yet rather than go back to the horrors of the American House, to his mother nagging, his father nagging, Myron nagging, and Alice Aggerty or Flossy Gitts intoning, 'Oysstew, creamtomato, steak, chop, Irish stew, roaspork, vegables,' he lunched on a corn pone which he had thoughtfully stolen from the kitchen while talking to his mother.

'What nahm de ploom will I use?' he inquired of Lancelot. 'Golly! A writer can't be called Ora Weagle!'

Thunder cracked, lightning vaulted, and inexplicably out of the unknown came his nahm de ploom, Marcel Lenoir!

'Jiminy, what a peach!' murmured Ora. 'I just don't know how I do it! Marcel Lenoir! What a beaut! Hey, you, Lancelot! Hear that! Marcel Lenoir!'

Thus, in a fragrant piney hollow, was born a poet-hero: Marcel Lenoir.

Pete Breyette, who was the reportorial staff of the Black Thread Centre Star and Tidings had just finished an important story,

Mrs. Trumbull Lambkin last Thursday entertained the Epworth League. Coffee, doughnuts, and ice-cream were served, the Reverend Swan gave a brief prayer, and a good time was reported by all.

Pete leaned back, pocketing his pencil, and sighed with contentment. He looked down at the yellow copy-paper. There it was, complete literature, the crude fact immortalized. But he sprang up, all pride in his style oozing away, for through the wide window of the one-story Star and Tidings building Ora Weagle was staring. Now Pete was a man of eighteen, and Ora but fifteen, yet Pete knew that, seasoned journalist though he was, competent to cover the G.A.R. parade or even the County Fair, Ora had a genius beyond him. He beckoned, and Ora came in, murmuring, 'Marcel Lenoir!'

'Huh?'

'Marcel Lenoir. My pen-name. Like it?'

'Gee--yes--that's swell. Something like a name. Lissen, Ora, what d'you plan to do?'

'Whaddha I plan to do? Whaddha you mean?'

'About your literary career.'

'Oh! Well, I'll tell you.' Ora sat down, tilted his chair, and put his heels on the desk like Pete at his best. He accepted a Sweet Caporal cigarette and smoked it in the manliest fashion, coughing only a little. 'I'll tell you. It's like this. First, I'm going to be a reporter. Of course you got to be a reporter before you can become an author--any reporter will tell you that. I guess I'll be on the New York Sun, but I won't be ready to accept a position there for two-three years; think I ought to have a little more schooling first. Then I'll wander--anywhere outside this doggone ole town! I think maybe I'll accompany an exploring party to Africa or like that. Then I'll get a job as secretary to some big author--say like Mark Twain. I guess he'd be pretty glad to have a secretary that was a literary fellow himself! And educated. Then I'll be ready to write. First I'll do poetry. But what I want to head for is big novels. I expect I'll be the Dickens of America. Golly! With a big house and a swell pair of trotters and six-seven suits of clothes! That's how I plan it. Course I may change my mind. I might go out and own a big ranch in the West for a while, instead of Africa. But time enough t' decide that later.'