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Monumental and weary, Samuel Sandison cast a last glance at the hanging tree, then turned away to where our horses stood. Over his shoulder, he said, as if we were back in the library:

“Add it all to your brainbox, Morgan.”

12

Night was coming on, with the streetlights of downtown Butte starting to glow golden and the mines of the Hill already lit like the mineral earth’s own constellation, when Sandison and I left the train.

He had said next to nothing during our journey back from Section 37. As ever, the beard masked more than just his jawline. Accordingly, there on the depot platform he turned to me and dispensed the day in the shortest manner possible: “That takes care of that.” His boot heels resounded on the planks as he traipsed off, leaving me with the parting sentiment: “Don’t be late for work in the morning, it’s a bad habit.”

I stood there for an extended moment, inhaling the chill air, simply to breathe free.

“Hsst! Over here, you!”

My nerves shot back up to high alarm, the threat of goons never absent. Fumbling for the pistol in my side pocket, I stopped when I got a full look at the figure speeding toward me from the depot waiting room. “Grace!”

In a sensible woolly wrap against the early October night, she still shivered as she drew up to me and stared after the monumental form of Sandison receding into the dusk. “If you hadn’t been on this train, I’d have gone to the police yelling bloody murder. Where on earth did that creature haul you off to?”

“It is not exactly on the map.”

Setting off together up the sloping street, I recounted the day to her as best I could, on edge as I was, and she listened the same way as we navigated the noisy neighborhood and reached the boardinghouse. The shared time of the previous night was still with us, but so was too much else and we were uncertain and awkward with each other. It didn’t help matters that Venus Alley, a mere block away, was filling the night with lusty laughter and more.

Paused at the door of our lodging, I glanced aside at Grace and could only come up with: “Thank you for watching out for me.”

“You seem to need it,” she replied with a small smile, shyly pocketing the pearl-handled gun I had handed back to her. “Besides, I hate to lose a boarder.”

“You’ll have this one again in the morning.” I gestured in the general direction of the library. “For now, though, I’m too wound up to go to bed-there’s something waiting for me I must tend to.”

“Good night, then, Morrie. Don’t let the bad dreams bite,” she said soberly.

I SWITCHED ON the mezzanine lights. The Reading Room below was as dark and hushed as the audience portion of a theater. Up onstage, so to speak, the books waited in titled ranks, and in their reassuring company I moved idly along the laden shelves, running the tips of my fingers over the exquisite spines, taking down an old loved volume every so often and opening it to the stored glory of words. Around me was the wealth of minds down through all of recorded time. The dramatic capacities of Shakespeare, as all-seeing in his foolscap scripts as in the sagacious portrait above the doorway to reading. The gallant confabulations of Cervantes, showing us the universal meaning of quixotic. The Russian army of impossible geniuses, Turgenev, Tolstoy, Dostoevsky, Chekhov. Mark Twain, as fresh on the page as a comet inscribing the dark. Robert Louis Stevenson, master of tales goldenly told. (The twofold nature of Dr. Jekyll and Mr. Hyde seemed a lot more convincing after being around Samuel Sandison.) And my ever-familiar exemplar of classic Latin and daring generalship, Caesar, in tanned leather and impeccable threading. These and the hundreds upon hundreds of others Rabrab and I had evaluated, insofar as mortals can, into the inventory. Valued treasures, in more ways than one.

In such company, you wonder about your own tale in the long book of life. What would they have made of me, these grandmasters of storytelling? Arriving out of nowhere to the richest of hills with the intention of filling my pockets from it, and all this time later, finding that the only thing that had paid off was the railroad, for my own trunk. Thrown together for a second time in life with an appealing widow, and for a second time gaining no ground there, either. Casting my lot with an unpredictable bibliophile who also turned out to be Montana’s leading vigilante. No matter how I looked at it, my story lacked conclusion.

Suddenly I knew what to do. Can inspiration come off on the fingers? I rubbed my hands together appreciatively, there among the literary classics. It was as if the risk-taking lifetimes of composition, the reckless romances with language, the tricky business of plots stealing onto pages, all the wiles of Samuel Sandison’s glorious books answered to my touch. There was no mistaking their message: sometimes you must set sail on the winds of chance.

Stroking a last row of embossed titles as I went, I turned off the mezzanine lights and made my way out of the darkened library. What I was about to attempt was a gamble, but that was nothing new in human experience. The first thing it required was a messenger who was not Russian Famine. I headed directly to the cigar store where Skinner hung out.

DISCORDANT AS IT WAS by nature, the song session the next night came as something of a relief after Section 37. At least, up there onstage I did not have to fear for my neck when one rough-hewn miner or another climbed up with me and sang off-key, although my ears were another matter.

The songwriting efforts unveiled at this tryout were all over the map, in more ways than one. The only thing the musical penchants of the neighborhoods of the Hill had in common was strenuous exercise of the vocal cords. As diplomatically as I could, I touched up rhyme and word rhythm here and there, and the concertina tuned things up a little, but in the end the attempted songs were pretty much the same rough creatures as at the start of the evening.

Well, no one in his right mind could expect to turn the basement auditorium of the Butte Public Library into Tin Pan Alley, I had to tell myself afterward. But Jared and Rab and I were a somber trio when we adjourned to the Purity.

“What do you think, Professor,” Jared asked directly over pie and coffee, “is the work song we want hiding in any of those?”

“You heard the same performances I did,” I sidestepped. “The groups still have almost a week to work on things, perhaps something”-I almost said miraculous-“unforgettable will find its way in.” We both looked to Rab for a boost in our spirits.

“I’ll stick with my sixth-graders,” she passed judgment ruthlessly now that she was back to teaching. “They only get into fistfights at recess.” At the height of the song session Jared had needed to jump in and separate a Finn and an Italian who came to blows over a question of tempo.

He conceded that was a case of somewhat too much enthusiasm, but maintained strong feelings of that sort could be a good sign. “The men are fired up against Anaconda, and the right song will catch that,” he insisted, as if insistence would do the job. I could see what was coming next as he looked over at me: in his checklist way he would want to know how I was going to handle the big night when two hundred people had to materialize in the library basement without anyone noticing. Omitting to say it was the brainstorm of Griff and Hoop, I brightly volunteered that our salvation was an eisteddfod.