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“This is absurd,” Freddie muttered. The clear October light sent daggers into his brain. “They are behaving like fools.”

“They’re down at the corral,” Behan said. “It’s legal for them to carry arms there, but if they step outside I’ll-” He blanched. “I’ll have to do something.”

The first tendrils of the euphoria that followed his migraines began to enfold Freddie’s brain. “Very well,” he said. “I’ll come.”

The lethargy of the drugs warred within Freddie’s mind with growing elation as Behan led Freddie down Allen Street, then through the front entrance of the O.K. Corral, a narrow livery stable that ran like an alley between Allen and Fremont Streets. The Clantons were not in the corral, and Behan was almost frantic as he led Freddie out the back entrance onto Fremont, where Freddie saw the Cowboys standing in the vacant lot between Camillus Fly’s boarding house, where Holliday lodged with his Kate, and another house owned by a man named Harwood.

There were five of them, Freddie saw. Ike and his brother Billy, Tom and Frank McLaury, and their young friend Billy Claiborne, who like almost every young Billy in the West was known as “Billy the Kid,” after another, more famous outlaw who was dead and could not dispute the title. Tom McLaury led a horse by the reins. The group stood in the vacant lot in the midst of a disagreement. When he saw Freddie walking toward him, Billy Claiborne looked relieved.

“Freddie!” he said. “Thank God! You help me talk some sense into these men!”

Ike looked at Freddie with a broad grin. “We’re going to kill Doc Holliday!” he said cheerfully. “We’re going to wait for him to come home, then blow his head off!”

Freddie glanced up at Fly’s boarding house, with its little photographic studio out back, then returned his gaze to Ike. He tried to concentrate against the chorus of euphoric angels that sang in his mind. “Doc won’t be coming back till late,” he said. “You might as well go home.”

Ike shook his head vigorously. “No,” he said. “I’m gonna kill Doc Holliday!”

“Ike,” Freddie pointed out, “you don’t even have a gun.”

Ike turned red. “It’s only because that son of a bitch Spangenburg wouldn’t sell me one!”

“You can’t kill Holliday without a gun,” Freddie said. “You might as well come back to the hotel with me.” He reached out to take Ike’s arm.

“Now wait a minute, Freddie,” said Ike’s brother Billy. “ I’ve got a gun.” He pulled back his coat to show his revolver. “And I think killing Holliday is a sound enough idea. It’ll hurt the Earps. And no one ’round here likes Doc-nobody’s going to care if he gets killed.”

“Holiday and half the town know you’re standing here ready to kill him,” Freddie said. “He’s heeled and so are the Earps. Your ambush is going to fail.”

“That’s what I’ve been trying to tell them!” Billy Claiborne added, and then moaned, “Oh, Lord, they’ll make a blue fist of it!”

“Hell,” said Tom McLaury. The side of his head was swollen where Wyatt Earp had clouted him. “We’ve got to fight the Earps sooner or later. Might as well do it now.”

“I agree you should fight,” Freddie said. “But this is not the time or the place.”

“This place is good as any other!” Tom said. “That bastard Earp hit me for no reason, and I’m going to put a bullet in him.”

“I’m with my brother on this,” said Frank McLaury.

“Nobody can stand up to us!” Ike said. “With us five and Freddie here, the Earps had better start praying.”

Exasperation overwhelmed the exaltation that sang in Freddie’s skull. With the ferocious clarity that was an aspect of his euphoria, he could see exactly what would happen. The Earps were professional lawmen-they did not chew their own tobacco, as Brocius would say-and when they came they would be ready. They might come with a crowd of vigilantes. The Cowboys, half unarmed, would stand wondering what to do, would have no leader, would wait too long to reach a decision, and then they would be cut down.

“I have no gun!” Freddie told Ike. “ You have no gun. And the Kid here has no gun. Three of you cannot fight a whole town, I think. You should go home and wait for a better time. Wait till Bill Brocius’s trial is over, and get John Ringo to join you.”

“You only say that ’cause you’re a coward!” Ike said. “You’re a kraut-eating yellowbelly! You won’t stand by your friends!”

Murder sang a song of fury in Freddie’s blood. His hand clawed as if it held a gun-and the fact that there was no gun did not matter; the claw could as easily seize Ike’s throat. Ike took a step backwards at the savage glint in Freddie’s eyes. Then Freddie shook his head, and said, “This is folly. I wash my hands of it.” He turned and began to walk away.

“Freddie!” Behan yelped. He sprang in front of Freddie, bouncing on his neat polished brown boots. “You can’t leave! You’ve got to help me with this!”

Freddie drew himself up, glared savagely at Behan. Righteous angels sang in his mind. “You are the sheriff, I collect,” he said. “Dealing with it is your job!”

Behan froze, his mouth half-open. Freddie stepped around him and marched away, down Fremont to the back entrance to the O.K. Corral, then through the corral to Allen Street. Exaltation thrilled in his blood like wine. He crossed the street to the shadier south side-the sun was still hammering his head-and began the walk to the Grand Hotel. At Fourth Street he looked south and saw a mob-forty or fifty armed citizens, mostly hard-bitten miners-marching toward him up the street.

If this crowd found the Clantons, the Cowboys were dead. Surely Freddie’s friends could now be convinced that they must fight another day.

Freddie turned and hastened along Allen Street toward the O.K. Corral, but then gunfire cracked out, the sudden bright sounds jolting his nerves, and he felt his heart sink even as he broke into a run. A shotgun boomed, and windows rattled in nearby buildings. He dashed through the long corral, then jumped over the fence, ran past the photography studio, and into the back door of Camillus Fly’s boarding house.

John Behan crouched beneath a window with his blue-steel revolver in his hand. The window had been shattered by bullets, and its yellow organdy curtain fluttered in the breeze, but there was no scent of smoke or other indication that Behan had ever fired his pistol. Shrieks rang in the air, cries of mortal agony. Freddie ran beside the window and peered out. His heart hammered, and he panted for breath after his run.

The narrow vacant lot was hazy with gunsmoke. Lying at the far end were the bodies of two men, Tom McLaury and Billy Clanton. Just four or five paces in front of them were the three Earps and John Holliday. Morgan was down with a wound. Virgil knelt on the dry ground, leg bleeding, and he supported himself with a cane. Holliday’s back was to Freddie-he had a short Wells Fargo shotgun broken open over one arm-and there were bright splashes of blood on Holliday’s coat and trousers.

In Fremont Street, behind the Earps, Frank McLaury lay screaming in the dust. He was covered with blood. Apparently he had run right through the Earps and collapsed. His agonized shrieks raised the hair on the back of Freddie’s neck.

Of Billy Claiborne and Ike Clanton, Freddie saw no sign. Apparently the unarmed men had run away.

Wyatt Earp stood over his brother Morgan, unwounded, a long-barreled Colt in his hand. Savage hatred burned in Freddie’s heart. He glared down at Behan.

“What have you done?” he hissed. “Why didn’t you stop it?”

“I tried!” Behan said. “You saw that I tried. Oh, this is horrible!”

“You fool. Why do you bother to carry this?” Freddie reached down and snatched the revolver from Behan’s hand. He looked out the window again and saw Wyatt Earp standing like a bronze statue over his wounded brother. Angels sang a song of glory in Freddie’s blood.